Gerichtlicher Proceß und Urtheil deß Parlaments zu Metz eines Juden Raphael Levi genandt wegen eines von ihme den 29. Septembr. 1669 geraubten und hingerichteten drey jährigen Kindes : auß dem zu Metz gedrucktem Französischen Exemplar ins Teutsche übersetztet

Text [Extract] franz. und dt.

Wir Ferdinand der Erste, von Gottes Gnaden Kaiser von Oesterreich; König von Hungarn und B��hmen ...: Als Wir nach dem Hintritte Unseres Herrn Vaters, Weiland Kaiser Franz des Ersten, in gesetzlicher Erbfolge, den Thron bestiegen ...

Welsch (Projektbearbeiter): Thronentsagung Kaiser Ferdinands I. sowie Verzicht seines rechtmäßigen Nachfolgers (und Bruders) Erzherzog Franz Karl zugunsten des achtzehnjährigen Franz Joseph, dem Neffen des ersteren

Wir Ferdinand der Erste, von Gottes Gnaden Kaiser von Oesterreich; König von Hungarn und B��hmen ...: Als Wir nach dem Hintritte Unseres Herrn Vaters, Weiland Kaiser Franz des Ersten, in gesetzlicher Erbfolge, den Thron bestiegen ...

Welsch (Projektbearbeiter): Thronentsagung Kaiser Ferdinands I. sowie Verzicht seines rechtmäßigen Nachfolgers (und Bruders) Erzherzog Franz Karl zugunsten des achtzehnjährigen Franz Joseph, dem Neffen des ersteren

Wir Franz Joseph der Erste, von Gottes Gnaden Kaiser von Oesterreich; König von Hungarn und B��hmen ...: Durch die Thronentsagung Unseres erhabenen Oheims, Kaisers und Königs Ferdinand des Ersten ...

Welsch (Projektbearbeiter): Thronbesteigung Kaiser Franz Josephs I. nach dem Rücktritt Ferdinands und dem Verzicht des Erzherzogs Franz Karl. Ankündigung, die Gesamtmonarchie "ungeschmälert" erhalten zu wollen; die die Landbewohner betreffenden Reformen sollen unangetastet bleiben

Wir Franz Joseph der Erste, von Gottes Gnaden Kaiser von Oesterreich; König von Hungarn und B��hmen ...: Als vor nahe einem Jahre Unser durchlauchtigster Herr Vorgänger im Reiche, Kaiser Ferdinand der Erste, dem allgemeinen Wunsche nach zeitgemäßen politischen Verbesserungen durch die Verheißung freier Institutionen bereitwillig entgegen kam ...

Welsch (Projektbearbeiter): Auflösung des zu Kremsier tagenden Reichstages und Oktroyierung einer Verfassung für "das einige und untheilbare Kaiserthum Österreich"

Ferdinand Schuy als Victor von Hohenegg, Rollenbild, Kniestück, in: Franz von Schönthan

Freiherr von Schlicht: Im bunten Rock [[Elektronische Ressource]]

Geschichte der regierung Ferdinand des Ersten, aus gedruckten und ungedruckten quellen.

Bd. ix, called "Urkunden-band," is edited by J. P. Kaltenbaeck, and contains a short life of Bucholtz.

Franz Liszt’s Piano Sonata in B Minor: Precedents for an Analytical Evolution

Franz Liszt has all too often been discarded as the virtuosic showman, despite the fact that his several of works have often gained great praise and attracted scholarly engagement. However, one also finds striking development of formal design and tonal harmony in many of the works for his principal composition medium, the piano. This paper seeks to explore the practical application of James A. Hepokoski and Warren Darcy’s 'Sonata Theory' upon Liszt’s magnum opus for the instrument, the Sonata in B Minor.<br/><br/>I shall first consider the historical analyses placed upon the work that deal with structural design, as it pertains to the paradigm of Classical sonata-form. Previous research reveals two main theoretical camps; those in favour of a multi-movement analysis (with conflicting hypotheses therein) and those in favour of a single movement sonata-form. An understanding of these historical conceptions of the piece allows one to then highlight areas of conflict and offer a new solution.<br/><br/>Finally, I shall use Sonata Theory to survey the Sonata in B Minor’s landscape in a new light. The title ‘Sonata’ has clear generic implications, many of which are met by Liszt; 'Sonata Theory' provides a model with which to outline the compositional deformations employed by the composer and the implications of this practice. In particular, I offer new perspectives on the validity of the double-function form, insight into the rhetorical layout of a rotational discourse, and propose a nuanced analysis befitting of this striking work.

Reise im innern von brasilien : auf allerhochsten befehl selner majestat des kaisers von osterreich, Franz des Esten, in den jahren 1817-1821 unternonmen und herausgegeben

O primeiro volume foi editado em 1832 e o segundo em 1837, após a morte do autor, fato que contribuiu para a pouco acurada nomenclatura em português verificada no segundo volume, conforme afirma Borba de Moraes. A grande importância do trabalho de Pohl residiu na descrição de Goiás, à época, uma parte do Brasil quase desconhecida para os cientistas estrangeiros. Seu texto contém descrições sobre a arquitetura colonial e do século XIX. Pohl tamb��m produziu um atlas que complementou, por meio de belas ilustrações, o trabalho contido nesses dois volumes. Estes, especialmente se acompanhados do atlas, são um trabalho mais raro do que os relativos às viagens de Martins

The ‘Faust’ or ’Lucifer’ Sonata? On Liszt’s idea of programme music as exemplifi ed by his Piano Sonata in B minor

The musicological tradition places Liszt’s Sonata in B minor within the sphere of compositions inspired by the Faustian myth. Its musical material, its structure and its narrative exhibit certain similarities to the ‘Faust’ Symphony. Yet there has appeared a diff erent and, one may say, a rival interpretation of Sonata in B minor. What is more, it is well-documented from both a musical and a historical point of view. It has been presented by Hungarian pianist and musicologist Tibor Szász. He proposes the thesis that the Sonata in B minor has been in fact inspired by Milton’s Paradise Lost, with its three protagonists: Adam, Satan and Christ. He fi nds their illustrations and even some key elements of the plot in the Sonata’s narrative. But yet Milton’s Paradise Lost and Goethe’s Faust are both stories of the Fall and Salvation, of the cosmic struggle between good and evil. The triads of their protagonists – Adam and Eve, Satan, and Christ; Faust, Mephisto and Gretchen – are homological. Thus both interpretations of the Sonata, the Goethean and the Miltonian, or, in other words, the Faustian and the Luciferian, are parallel and complementary rather than rival. It is also highly probable that both have had their impact on the genesis of the Sonata in B minor.

Guerre et exil chez Louis-Ferdinand Céline

O nosso estudo incide, primordialmente, sobre as polémicas de carácter político e consequentes acusações de que Louis-Ferdinand Céline foi – e continua a ser – alvo. Tais aspectos conduzem-nos a questionar, com alguma veemência e perplexidade, as razões da sua fuga através da Alemanha, bem como as relações que estabeleceu com os Nazis durante a segunda guerra mundial. Num primeiro momento, elaborámos uma contextualização de cariz temporal e factual, tentando perceber – quiçá explicar -, o sentido das posições assumidas por Céline aquando da composição dos seus pamphlets, marcada por uma reivindicação violenta do seu antisemitismo e que surge, omnipresente, sob forma de cartas, entrevistas e outros escritos. Contudo, a essência do nosso trabalho consistiu numa análise detalhada das diferentes etapas dos anos de exílio do escritor, primeiro numa Alemanha devastada pela guerra, onde se refugia a partir de 17 de Junho de 1944 e mais tarde, na Dinamarca (1945-1951), de onde terá de responder às acusações de traição que lhe são dirigidas pela justiça francesa, antes de um regresso sem glória, a França, e de uma reabilitação tardia e titubeante. Os escritos que constituem o corpus do nosso trabalho traduzem, de modo inequívoco, a experiência amarga e cruel dos anos de exílio e da lembrança feita de dor e ódio, que o escritor sentiu profundamente, como um espinho na própria carne. Apesar do caminho tortuoso, que lhe confere uma aura de escritor “maldito”, Céline permanece, ainda hoje, como um dos maiores génios da literatura francesa do século XX.