1000 resultados para Elam, Samuel--Correspondence


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Letter and envelope addressed to Mr. Samuel Woodruff of St. Catharines. The postmarks are Montreal, Dec. 23, 1892 and St. Catharines, Dec. 29, 1892. Clara Cudney is acknowledging sending the mortgage on the land of her late husband Ezekiel. She says that Baker is still in the house but does not want to rent the barn. She asks if she should keep the rent or pass it on to Mr. Woodruff, Dec. 29, 1892.

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Note (1/2 page, handwritten) in Samuel Woodruff’s handwriting thanking the company for their offer. [This seems to be a rough note, with no salutation and no signature], n.d.

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Letter (2 pages, handwritten) to Samuel Woodruff explaining the mortgage system in Kansas. It is signed Jarvis, Conklin and Co., March 31, 1882.

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Letter which was enclosed with the application, bond mortgage and abstract of the Jones and Mater accounts to Samuel Woodruff from Jarvis, Conklin and Co., May 4, 1882.

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Letter (1 page, typed) to Samuel Woodruff regarding the $2000 owing to him and presenting applications for Williams, Sampson, Hall, Burrows and Rogers’s accounts. There are some handwritten comments on this letter. It is not signed, but bears the Jarvis, Conklin and Co. letterhead, May 16, 1882.

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Letter to Jarvis Franklin and Co. acknowledging the receipts and copies of application from Samuel Woodruff, May 19, 1882.

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Letter from Thomas H. Johnson, Assistant Commissioner of the Department of Crown Lands to Samuel D. Woodruff acknowledging receipt of payment for lumber lands no. 192 and 198, Oct. 16, 1872.

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Letter to Samuel Keefer, engineer on the Welland Canal from Charles H. French. He says that he has no extra bills for work on his contract, Sept. 12, 1848.

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Telegraph to Samuel D. Woodruff from T. N. Burrell stating that they do not have enough brocatelle for his order, Sept. 22, 1876.

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Letter to Henry Nelles from Samuel Street (1 ½ pages, handwritten) regarding a rental of a property to Harry Griffen, Dec. 13, 1841.

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Letter in French to J.P. Bradley from his brother Samuel Bradley from Rimouski, Quebec (3 pages, handwritten), Nov. 1839.

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Letter in French to J.P. Bradley from his brother Samuel Bradley (2 pages, handwritten), Jan. 1, 1840.

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The playwright Edward Bond has long made known his antagonism to dramatists allied to Martin Esslin’s Theatre of the Absurd. The work of Samuel Beckett has come in for particular criticism by Bond. Using published writings (and unpublished correspondence between myself and Bond), I hope to trace the development of this antagonism between ‘Bondian’ and ‘Beckettian’ views of theatre. However, this article will also set out to argue that both early work such as The Pope’s Wedding (1962), and more recent work such as Coffee (1995), make use of motifs, characters and ideas from Beckett’s theatre. The article will set out provisional reasons why Bond, despite his misgivings, is not averse to incorporating elements from Beckett’s ‘theatre of ruins’, as he terms it, into his own work.

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Praying mantids use binocular cues to judge whether their prey is in striking distance. When there are several moving targets within their binocular visual field, mantids need to solve the correspondence problem. They must select between the possible pairings of retinal images in the two eyes so that they can strike at a single real target. In this study, mantids were presented with two targets in various configurations, and the resulting fixating saccades that precede the strike were analyzed. The distributions of saccades show that mantids consistently prefer one out of several possible matches. Selection is in part guided by the position and the spatiotemporal features of the target image in each eye. Selection also depends upon the binocular disparity of the images, suggesting that insects can perform local binocular computations. The pairing rules ensure that mantids tend to aim at real targets and not at “ghost” targets arising from false matches.

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Draft of a letter concerning a transaction related to Croswell's map.