995 resultados para Eddy, Mary Baker, 1821-1910


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The St. Catharines and District Council of Women was founded in 1918 and elected as its first president, Mary Malcolmson. In 1910 Mrs. Malcolmson founded North America’s first Girl Guide Association in St. Catharines. The aim of the organization was to work for the betterment of conditions pertaining to the family, community and state. The Council is an umbrella group for various women’s organizations in the area and functions at the provincial, national and international levels and is associated with the United Nations. In the early years the National Council brought in the Victorian Order of Nurses (VON) and started the Women’s Canadian Club. The St. Catharines Council initiated Child Welfare Centres in local churches that grew into the Well Baby Clinics. Women were encouraged to take political office and join committees with much success. In 1929, “Shop at Home” exhibition became an annual event highlighting the services of local merchants. Money raised by the Council was donated to local charities and in 1930 the Council assisted the local Armenian community in building the first Armenian Church in Canada. In 1932 the Council started the Maternal Welfare programme in which Mothers’ Meetings were held weekly with various speakers from the Public Health Department. In 1975 to celebrate International Women’s Year and the 1976 Centennial of the City of St. Catharines, the group sponsored the book Women of Action, 1876-1976, written by two of its members, Lily M. Bell and Kathleen E. Bray. Some time after 1976 the name of the organization changed from St. Catharines Local Council of Women to St. Catharines and District Council of Women. Today the organization functions as an advocacy and educational group.

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Este trabajo final de grado evalúa la existencia de la pena de muerte en Colombia en su visión formal y real, a través del estudio de caso de la masacre de El Salado, en la cual las Autodefensas Unidas de Colombia toman la justicia en sus manos ejecutando a más de 60 civiles. Inicialmente se hace una descripción de cómo se ha tratado el tema de la pena de muerte a lo largo de la historia, dando una breve apreciación de lo que representa y ha representado para la civilización occidental, así como del concepto y de los tipos de penas de muerte y ejecuciones. Seguidamente se describe la historia de la pena de muerte en Colombia; como ha sido planteada la discusión del tema y como ha sido abordada institucionalmente desde la Constitución colombiana. Posteriormente se hace una breve descripción de los hechos que acontecieron durante la masacre de El Salado, los juicios aplicados, los medios de eliminación bélica y no bélica que allí tuvieron lugar y las consecuencias psicosociales para la población. La masacre tuvo lugar entre el 16 y el 21 de febrero del 2000. Finalmente se evalúa el concepto de pena de muerte y cómo ha sido la visión formal de su aplicación, así como la responsabilidad del Estado ante la aplicación de esta por parte de actores armados no institucionales. Asimismo, se evalúa la existencia de la pena de muerte desde tres puntos de vista: desde el Estado, desde las victimas y desde los victimarios.

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The chapter starts from the premise that an historically- and institutionally-formed orientation to music education at primary level in European countries privileges a nineteenth century Western European music aesthetic, with its focus on formal characteristics such as melody and rhythm. While there is a move towards a multi-faceted understanding of musical ability, a discrete intelligence and willingness to accept musical styles or 'open-earedness', there remains a paucity of documented evidence of this in research at primary school level. To date there has been no study undertaken which has the potential to provide policy makers and practitioners with insights into the degree of homogeneity or universality in conceptions of musical ability within this educational sector. Against this background, a study was set up to explore the following research questions: 1. What conceptions of musical ability do primary teachers hold a) of themselves and; b) of their pupils? 2. To what extent are these conceptions informed by Western classical practices? A mixed methods approach was used which included survey questionnaire and semi-structured interview. Questionnaires have been sent to all classroom teachers in a random sample of primary schools in the South East of England. This was followed up with a series of semi-structured interviews with a sub-sample of respondents. The main ideas are concerned with the attitudes, beliefs and working theories held by teachers in contemporary primary school settings. By mapping the extent to which a knowledge base for teaching can be resistant to change in schools, we can problematise primary schools as sites for diversity and migration of cultural ideas. Alongside this, we can use the findings from the study undertaken in an English context as a starting point for further investigation into conceptions of music, musical ability and assessment held by practitioners in a variety of primary school contexts elsewhere in Europe; our emphasis here will be on the development of shared understanding in terms of policies and practices in music education. Within this broader framework, our study can have a significant impact internationally, with potential to inform future policy making, curriculum planning and practice.

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Dargestellt ist Lady Louisa de Rothschild (1821-1910) mit ihrem Yorkshire Terrier

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Plate nos.: H. 8053-72.

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Score and part.

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For voice and piano.

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Mode of access: Internet.

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Mode of access: Internet.

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I. Old Testament (Genesis-Esther: R. Jamieson. Job-Malachi: A. R. Fausset).--II. New Testament (Matthew-Romans: D. Brown. 1 Corinthians-Revelation: A. R. Fausset)