New enhancements to cut, fade, and dissolve detection processes in video segmentation

We present improved algorithms for cut, fade, and dissolve detection which are fundamental steps in digital video analysis. In particular, we propose a new adaptive threshold determination method that is shown to reduce artifacts created by noise and motion in scene cut detection. We also describe new two-step algorithms for fade and dissolve detection, and introduce a method for eliminating false positives from a list of detected candidate transitions. In our detailed study of these gradual shot transitions, our objective has been to accurately classify the type of transitions (fade-in, fade-out, and dissolve) and to precisely locate the boundary of the transitions. This distinguishes our work from other early work in scene change detection which tends to focus primarily on identifying the existence of a transition rather than its precise temporal extent. We evaluate our improved algorithms against two other commonly used shot detection techniques on a comprehensive data set, and demonstrate the improved performance due to our enhancements.

Factors to consider when planning to submit a digital thesis

Emerging technologies offer new possibilities of text production. Consequently there are important implications for submitting a digitalised thesis. This paper reflects upon some of the issues associated with the digitalisation of the thesis entitled "The literacy practices of Kunib¡dji children: Text, technology and transformation". This PhD thesis was submitted in a multimedia format on a DVD and reported on the literacy practices of a group of Indigenous Australian children who spoke a minority Indigenous Australian language. Factors to consider when digitalising a thesis include the social possibilities of emerging technologies. These are explored with reference to the purpose of research in changing times. The opportunities to integrate a number of texts in the submitted thesis are demonstrated. The use of multimodal texts to improve the validity of the research is discussed using examples of digital video and interactive texts in a minority Indigenous Australian language context. This paper concludes that the digitisation of a thesis should be guided by the possibilities for conceptualising and reporting new knowledge while upholding an ethic of respect for the participants.

The man who mistook Marat for Sade: 'living' memory and the video archive

Digital video archives, which are growing at an exponential rate, will become increasingly important to Theatre History and Performance Studies, and questions of how scholars negotiate the relationships between memory, technology and performance events in theoretical and practical terms will become crucial. Indeed, there is already a considerable body of scholarly material on this topic. This article considers these questions with specific reference to the relationship between video records deposited in digital archives and human memory. First and foremost, this article raises questions about the authority of the archive and the ways in which archival technologies, in the words of Maaike Bleeker, 'transform how we remember, how our and others' memories are entangled in the here-and-now, and, in the end, even how we think and imagine'.

Medição de campos de velocidade em fluídos com técnicas "intraframe" de processamento digital de imagens (PIV)

A maior dificuldade na medição de escoamentos de líquidos é com campos em velocidades acima de 0,5 m/s. O processamento “PIV” (Velocimetria por processamento de Imagens de Partículas) com iluminação a Laser contínua (não pulsada), utilizando câmeras CCD possibilitou a análise de quadros em seqüências de imagens capturadas na velocidade convencional de 30 quadros/s, com bons resultados para deslocamentos lentos < 0,5 m/s. Para velocidades maiores esta técnica torna-se inviável. A imagem das partículas forma um rastro, não permitindo a identificação da partícula singela. Com a introdução recente de câmeras digitais rápidas com velocidade de obturação controlada tornou-se possível a medida de fluidos em deslocamentos rápidos. O presente trabalho apresenta duas técnicas “intraframe” (dentro do quadro de imagem) para análise de escoamentos, em velocidades na ordem 2 m/s, utilizando câmeras CCD-DV e gravação digital em fita DVT (digital video tape). A primeira programando a câmera no modo progressivo, imagens são capturadas em velocidades de obturação diferentes resultando num rastro caracterizado pelo deslocamento das partículas, proporcional ao vetor velocidade. A segunda programando a câmera no modo entrelaçado, a imagem é capturada em dois campos intercalados na velocidade de obturação desejada, obtendo-se uma imagem dupla capturada em tempos diferentes, montada pelo campo ímpar e o campo par, entrelaçado entre um e o outro A câmera captura e grava o evento na velocidade de obturação variável de 1/30 por segundo até 1/10000 por segundo, requerida para observar-se os deslocamentos entre os campos. Uma placa de aquisição digitaliza a imagem a ser processada. Um algoritmo baseado nas técnicas de processamento de imagens, determina os múltiplos deslocamentos das partículas apresentando o diagrama bidimensional com os vetores velocidade.

Desafios arquivísticos contemporâneos - Arquivos, metadados, nuvens: os desafios do mundo digital

Mesa redonda com Marcos Galindo Lima, professor da Universidade Federal de Pernambuco; Cláudia Lacombe Rocha, supervisora de Documentos Digitais do Arquivo Nacional, e Verena Alberti, coordenadora de Documentação do CPDOC. O objetivo da mesa é tratar dos desafios do mundo digital nas atividades de preservação, acesso e difusão de acervos, diante dos impactos teórico-metodológicos que vêm incidindo sobre a arquivologia com o advento dos documentos digitais. Seminário Desafios Arquivísticos contemporâneos - seminário em torno dos 40 anos do CPDOC

Uso de videografia digital para avaliação da estabilidade da barra de pulverização em área de florestamento

Pós-graduação em Agronomia (Energia na Agricultura) - FCA

O padrão de compressão de video MPEG moving picture experts group

This work focuses on the study of video compression standard MPEG. To this end, a study was undertaken starting from the basics of digital video, addressing the components necessary for the understanding of the tools used by the video coding standard MPEG. The Motion Picture Experts Group (MPEG) was formed in the late '80s by a group of experts in order to create international standards for encoding and decoding audio and video. This paper will discuss the techniques present in the video compression standard MPEG, as well as its evolution. Will be described in the MPEG-1, MPEG-2, MPEG-4 and H.264 (MPEG-4 Part 10), however, the last two will be presented with more emphasis, because the standards are present in most modern video technologies, as in HDTV broadcasts

A implantação da televisão digital terrestre na Espanha

This monograph has as objectives introduce digital terrestrial television, describing the process of installation of this in Spain, their technical qualities and possibilities of change and innovation that this creates. The exposure of the different chapters of this monograph has a objective presenting and discussing what are the characteristics of this new technology, your birth, what is its importance in communication and how this is inserted inside the Spanish reality. The introduction of digital terrestrial television in Spain is cited as an example of a pioneer in the development and installation of this new technology, but also appears as a nation that has come a way with some economic failures, reaching one of the largest cases of delayed installation of digital television in Western Europe. Making use of the European system for digital terrestrial television (DVB-T - Digital Video Broadcasting) it was possible some advances as the quality of communication and strengthening national public television system, but many vices of analog system were transferred this new system, as the concentration of channels to a foreign group and interactivity opportunities were wasted. Digital terrestrial television can provides better picture quality and sound, possibility of interactivity, mobility, hypermedia and multiprogramming, while the latter tool may lead to the democratization of media, opening it to other social agents. Going much further than just a technological advancement, digital television is strongly connected with the politics and the economy of the nation in which it operates

Automated digital mosaicking of airborne videography /

"FHTET 96-12."

Online Video as a Tool for Planning Education and Engagement: A Content Analysis of U.S. City Planning Departments’ YouTube Channels

Thesis (Master's)--University of Washington, 2016-06

Quantification of the magnification and distortion effects of a pediatric flexible video-bronchoscope

Background: Flexible video bronchoscopes, in particular the Olympus BF Type 3C160, are commonly used in pediatric respiratory medicine. There is no data on the magnification and distortion effects of these bronchoscopes yet important clinical decisions are made from the images. The aim of this study was to systematically describe the magnification and distortion of flexible bronchoscope images taken at various distances from the object. Methods: Using images of known objects and processing these by digital video and computer programs both magnification and distortion scales were derived. Results: Magnification changes as a linear function between 100 mm ( x 1) and 10 mm ( x 9.55) and then as an exponential function between 10 mm and 3 mm ( x 40) from the object. Magnification depends on the axis of orientation of the object to the optic axis or geometrical axis of the bronchoscope. Magnification also varies across the field of view with the central magnification being 39% greater than at the periphery of the field of view at 15 mm from the object. However, in the paediatric situation the diameter of the orifices is usually less than 10 mm and thus this limits the exposure to these peripheral limits of magnification reduction. Intraclass correlations for measurements and repeatability studies between instruments are very high, r = 0.96. Distortion occurs as both barrel and geometric types but both types are heterogeneous across the field of view. Distortion of geometric type ranges up to 30% at 3 mm from the object but may be as low as 5% depending on the position of the object in relation to the optic axis. Conclusion: We conclude that the optimal working distance range is between 40 and 10 mm from the object. However the clinician should be cognisant of both variations in magnification and distortion in clinical judgements.

Innocent but proven guilty:eliciting internalized false confessions using doctored-video evidence

More powerful computers and affordable digital-video equipment means that desktop-video editing is now accessible and popular. In two experiments, we investigated whether seeing fake-video evidence, or simply being told that video evidence exists, could lead people to believe they committed an act they never did. Subjects completed a computerized gambling task, and when they returned later the same day, we falsely accused them of cheating on the task. All of the subjects were told that incriminating video evidence existed, and half were also exposed to a fake video. See-video subjects were more likely to confess without resistance, and to internalize the act than told-video subjects, and see-video subjects tended to confabulate details more often than told-video subjects. We offer a metacognitive-based account of our results. Copyright © 2008 John Wiley & Sons, Ltd.

Hardware Implementations of Video Watermarking

Various digital watermarking (WM) techniques for still imaging have been studied in the last several years. Recently, many new WM schemes have been proposed for other types of digital multimedia data, such as text, audio and video. This paper presents a brief overview of existing digital video WM. We classify WM techniques and discuss the properties of video WM. Since each WM application has its own specific requirements, WM design must take the intended application into consideration. Video WM applications are also discussed in the paper. The features of video WM implementations in software and hardware and their differences are presented through the description of four examples of existing work.

Purposeful exploratory learning with video using analysis categories

There is still much to be learnt about best practices in leveraging digital resources for learning in higher education. Research on student interactions with online video indicates such practices are as minimal as setting passive-receptive viewing through to teacher-structured purposeful engagement. This position paper focuses on teacher-set analysis categories to guide student exploration of digital video content and to help novices to scaffold their thinking. Various uses of analysis categories within one Australian university in conjunction with a video annotation tool are reviewed. Then practice examples from other universities are reviewed to demonstrate the use of analysis categories in higher education settings without an annotation tool. The literature indicates that the use of categories to inform the design of digital video analysis needs to ensure that the learning challenge is retained. Analysis guided by teacher-set categories tends to be beneficial for performance evaluation in particular. Further research on university teacher practices with digital video is required.