A terrier's tale,

Mode of access: Internet.

Pennies and plans, a first reader,

Mode of access: Internet.

Hanes Cymru : i ysgolion, cyfarfodydd Llenyddol, a theuluoedd /

Includes bibliographical references and index.

Kitāb al-ʻAhd al-Jadīd li-rabbinā wa-mukhalliṣinā Yasūʻ al-Masīḥ [microform].

Edited by Franklin E. Hoskins.

Le rime di Bartolomeo Cavassico, notaio belunese della prima metà del secolo XVI,

Mode of access: Internet.

Anales de la Universidad de Chile.

Series 2 cataloged separately as: Anales de la Universidad de Chile. Artículos científicos i literarios; and, Anales de la Universidad de Chile. Boletín de instrucción pública secundaria i superior (later: Anales de la Universidad de Chile. Boletín del Consejo Universitario.

Report on the working and results of the Woburn Experimental Fruit Farm ... /

Mode of access: Internet.

Isaac H. Bromley,

Mode of access: Internet.

O'r Bala i Geneva.

Mode of access: Internet.

Report of the Woburn Experimental Fruit Farm /

Issued by: Eyre and Spottiswoode, 1903-1907; Amalgamated Press, 1908-<1916>

Memoirs.

Mode of access: Internet.

The first world war, 1914-1918; personal experiences of Lieut.-Col. C. à Court Repington.

Mode of access: Internet.

Kansakunnan parhaaksi. : Suomalaiset naisten- ja lastensairaalat 1920 1940-luvulla arkkitehtonisena, lääketieteellisenä ja yhteiskunnallisena suunnittelukohteena

This dissertation addresses the modernization process of Finnish hospital architecture between the First and Second World War, with focus on facilities explicitly designed for women and children, which as special hospitals reflect specialization, a distinct feature of the modern era. The facilities considered in the study are the Salus hospital, Dr. Länsimäki s women s hospital, the Folkhälsan in Svenska Finland association s child-care institute, the Helsinki Women s Clinic, the Viipuri Women s Hospital, the Helsinki Children s Clinic and the Children's Castle (Lastenlinna) in Helsinki. The study considers hospital architecture as an architectural, medical and social object of design. The theoretical starting point and perspective are the views of the French philosopher and historian Michel Foucault (1925 1983) concerning the relationship of bio-power and architecture. Underlying the construction of health-care facilities for women and children were not only the desire to help but also issues of population policy, social policies, training and professionalization. In this study, hospital architecture is interpreted as reflecting developments in medicine, while also producing and reinforcing discourses associated with the ideologies of the time of design and construction. The results of the present research provide new information on the field of hospital design. The design of hospitals was no longer the sole prerogative of architects. Instead, modern hospital design involved the collaboration and networking of experts in various fields. During the period studied, the pavilion system was incorporated in hospital architecture in the block system, which was regarded as a rational. Rationalization was implemented upon the conditions of medical work. This led to spatial design in accordance with medical practices, through which norms were reinforced and created. An important aspect of the material is that the requirements of light, air, openness and hygiene created architecture in glass of an x-ray character, strongly associated with the element of discipline. The alliance of hygiene and architecture became a strategy for controlling the behaviour and encounters of people, for producing pedagogical and moral hygiene, and for reinforcing class hygiene. The modern hospital building also had to meet the requirements of aesthetic hygiene. Health-care facilities designed for women and children became production-oriented machinery, instruments for producing a healthy population and for reinforcing medical discourses.

La caricatura política de Ricardo Rendón y el final de la hegemonía conservadora 1920-1930

Cierto día contemplando la obra de Velásquez llamada Las Meninas, se puso de manifiesto, claramente, que existe una forma de lenguaje que busca transmitir y representar un contenido, una esencia. Esto es lo que busca el pintor, de la misma manera y guardando las debidas proporciones, que un político al tratar de transmitir algo con un discurso. Pero ¿Tendrán algo en común un pintor y un político? Desde el punto de vista discursivo sí. Para el primero su caballete, sus pinturas y su lienzo se constituyen en herramientas del lenguaje, mientras que para el segundo, las palabras, sus significados y la fuerza de sus frases cumplen el mismo propósito. Los dos tienen un público, los dos son el reflejo de una situación determinada y los dos buscan una tener la atención de los que los observan y escuchan. El pintor contempla una realidad y la plasma, el político elabora un discurso observando las necesidades del momento, así ambos se constituyen en “dadores de sentido” y personificaciones de un imaginario social.

Transactions of the Essex Archaeological Society.

Mode of access: Internet.