Occurrence of Cymbasoma longispinosum Bourne, 1890 (Copepoda: Monstrilloida) in the Curuçá River estuary (Amazon Littoral)

O presente trabalho foi desenvolvido para verificar a ocorrência e distribuição de Cymbasoma longispinosum Bourne, 1890 em um estuário tropical amazônico da região norte do Brasil. As coletas foram realizadas bimestralmente de julho/2003 a julho/2004 em dois diferentes transectos (rios Muriá e Curuçá) situados ao longo do estuário do Curuçá (Pará, Norte do Brasil). Amostras foram coletadas durante marés de quadratura por intermédio de arrastos com redes de plâncton de 200μm de abertura de malha, através de um pequeno barco a motor (1 a 1,5 knots). Amostras adicionais de água subsuperficial foram coletadas para determinação dos parâmetros ambientais. Machos e fêmeas de C. longispinosum foram observados apenas durante os meses de setembro e novembro/2003. O maior número de organismos foi encontrado em setembro/2003, no transecto do rio Muriá. A presença de C. longispinosum nas amostras obtidas durante setembro e novembro/2003 poderia estar provavelmente relacionada ao período reprodutivo desta espécie no estuário estudado, o qual está diretamente relacionado ao período seco na região. Os mais elevados valores de salinidade, bem como os elevados números de indivíduos observados no mês de setembro/2003 confirmam a suposição anterior, visto que nenhum indivíduo de C. longispinosum foi registrado durante os meses que incluem o período chuvoso (janeiro a junho).

A construção do mito Mário Palmério: um estudo sobre a ascensão social e política do autor de Vila dos Confins

Pós-graduação em História - FCHS

Qvod erat demonstrandvm: os Exempla no discurso gramatical de Mário Vitorino e Élio Aftônio

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Deslizar nas ruas, entre Mário de Andrade e Max Jacob

This essay intends to point to a possible dialogue between Mário de Andrade and Max Jacob, starting from the books of poems Paulicéia desvairada (1922) and O losango cáqui (1926), Le cornet à dés (1916) and Le laboratoire central (1921). Divided into three parts, it investigates the figuration in the two poets of the harlequin’s image, through which both would operate several displacements. One of them, the resumption of a romantic mythology of the artist, as in Baudelaire, and the conscience of his staging character. Other, through the opposition between reason and madness, legitimating a lyrical state as a way to a different perception of the reality. Lastly, through the proposition of an artistic sincerity, moral of work with deep impact over the literary language.

Germany, 1815-1890.

Bibliography: v. 1, p. [549]-576; v. 2, p. [562]-578; v. 2, p. [402]-421.

Redescription of Lasioseius floridensis Berlese, 1916 (Acari: Mesostigmata: Blattisociidae), with notes on closely related species

A redescription of Lasioseius floridensis Berlese, 1916 is presented based on examination with descriptive notes of primary type material in the Berlese Collection and on a study of specimens collected from gerbera leaves in Mogi das Cruzes, State of Sao Paulo, Brazil representing all postembryonic stages. This species was originally described from Lake City, Florida, USA, where it was collected from moss; it is considered a senior synonym of Lasioseius arboreus Chant, 1963 (new synonymy) and Lasioseius fimetorum Karg, 1971 (new synonymy), based on examination of primary type material of the latter two species. Examination of other primary type material also indicated that Lasioseius sugawarai Ehara, 1964 is a senior synonym of Lasioseius tridentatus Baker, Delfinado & Abbatiello, 1976 (new synonymy). Placement of L. floridensis among other of the ca 150 species of Lasioseius, based on available keys, and the need for more detailed descriptions of species of genera such as Lasioseius, confirmed by examination of their primary type material, are discussed.

The People's Stage in Imperial Germany: Social Democracy and Culture 1890-1914

The clash between German Social Democracy--the party, intellectuals and workers--and the German Imperial State was played out in the Freie Volksbahne (Free People's Theatre) founded by intellectuals to energise working class political awareness of drama with a political and social cutting edge. It fell foul of state censorship, lost its bite, yet prospered.

Did they read Marx? Marx reception and social democratic party members in imperial Germany, 1890-1914

Did rank-and-file members of the German Social Democratic party before 1914 bother to read Marx? A number of studies of borrowing from trade union and other workers' libraries since the 1970s have indicated that workers who read Marx were rare, although this does not mean that workers' reading habits were not influenced by socialist ideas. However, for a broader understanding of the reception of Marx's writings among rank-and-file German socialists, it is necessary to consider not only books, but the pamphlet literature produced by the SPD in huge quantities, serialisations and other treatments in the party press, and oral communication. When the full range of sources is considered, the extent of the reception of Marx's writings, albeit often in very simplified forms, can be more fully appreciated.