[Archives de la Parole]. , Canto de Boda : Chant de mariage [de la région de] Segovia / Marazuela, voix solo ; [Almirez], accompagnement de dulzaine [i.e. dulzaina] et de tamboril. Fandango Castillano : fandango de las chanclas de pabo / Marazuela, voix solo ; accompagnement de percussions. Villancicos : [chant des] fêtes de la Noël, province d'Avila / Marazuela, voix solo ; accompagnement de zambomba

Langue espagnole

Ressalto no canto posteromedial do joelho relacionado ao músculo sartório

As causas da síndrome de ressalto no joelho relatadas com maior frequência são relacionadas a anormalidades meniscais, ao tendão do músculo bíceps femoral e aos tendões grácil e semitendíneo. Neste trabalho é descrito um caso de ressalto no canto posteromedial relacionado à junção miotendínea do músculo sartório em um paciente do sexo masculino, de 58 anos de idade, com hiperextensão do joelho.

Lettura del canto X dell'«Orlando furioso»

Despite the difficulty of examining isolated cantos in Orlando Furioso and thus separating the text from the overall narrative structure, there are features present in Canto X which would encourage just such an approach. In addition to the borrowings from the Latin tradition to be found in the episode of Olimpia and the allegorical machine at work in the story of Ruggiero and Alcina, the canto evinces a consonance with the courtier spirit which was particularly active in the courts of Northern Italy and which went beyond a mere attention to heraldry and emblems. There is indeed a continuity with the figurative arts flourishing in Ferrara at the time, which saw Mantegna's antiquarian and sculpturesque works triumphed over by Titian's mythological paintings. So too with Ariosto, who after his initial "classicist" phase came to be inspired by Titian's work in a move that openly affirmed the originality and strength of his poetry.

Canto II

Soitinnus: Jousiork.

Canto I

Soitinnus: orkesteri.

El canto coral y las orquestas infantiles, una educación en valores = Choir singing and children’s orchestras, an education in values

This article looks at the musical activity carried out at Palafrugell Music School as a musical education centre over the past forty years. After giving a brief description of the work carried out there by vocal and instrumental groups, the article analyses and offers examples and tangible motives that use activities to show that forming part of a coral or instrumental group helps personal development and promotes the acquisition of habits, alongside musical training and learning. In short, an education in values

Canto Funebre

Soitinnus: melodia.

Canto drammatico

Soitinnus: viulu.

Canto Intimo

Soitinnus: huilu, vibrafoni.

Recital de canto

UANL

Morelos : canto

UANL

Canto de bodas

UANL