997 resultados para Bon Brenzoni, Caterina, contessa, 1813-1856.


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Parte 1 - Cartas de Lei, Alvarás, Decretos e Cartas Régias

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Parte 1 - Atos do Poder Legislativo

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Discursos pronunciados pelos Imperadores D. Pedro I e D. Pedro II nas sessões de abertura e encerramento da Assembleia Nacional, no período de 1826 a 1856.

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A Conciliação política foi um tema muito altercado no meado do Oitocentos no Segundo Reinado brasileiro. Este debate fora intensamente travado entre os principais partidos imperiais, Liberal e Conservador, que se alternavam no poder ao longo de quase 50 anos de comando do imperador D. Pedro II. Sobre seu governo, considerado por Joaquim Nabuco como a Grande Era Brasileira, é que este autor legou à historiografia posterior a sua obra máxima: Um Estadista do Império. Nossa dissertação parte da seguinte premissa: D. Pedro II no desejo de reinar, governar e administrar, acima dos partidos, encetou o seu Pensamento Augusto, isto é, a Conciliação. Os liberais acusavam a Conciliação de esvaziar suas propostas ao serem implementadas pelos conservadores. Estes que se encontravam no poder desde 1848, liderados pelos saquaremas, rechaçaram completamente tal ideia, pois entendiam que esta política patrocinada pela Coroa poderia enfraquecer seu partido. O Receio virou realidade, mediante algumas das medidas tomadas pelo Gabinete, pois para tal empreendimento, de compor um ministério com políticos liberais e conservadores, a Coroa contou com Honório Hermeto Carneiro Leão, Marquês de Paraná, para chefiar o primeiro gabinete conciliatório da história do Segundo Reinado enfrentando várias resistências, principalmente entre os referidos saquaremas. O sucesso do gabinete creditou-se à força, tato e prudência do Marquês e, principalmente, ao pensamento do Imperador. A partir daí a história política do Segundo Reinado tomou novas feições.

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Two new species of the genus Zospeum Bourguignat, 1856 are described from caves in the Sierra de Aitzgorri (Gipuzkoa) and the Sierra Salvada (Burgos) in Northern Spain. The taxa Z. vasconicum sp. n. and Z. zaldivarae sp. n. have recently, without a formal name, been included in a molecular study of worldwide members of the Carychiidae. In the present paper, the shell morphology and variation of these species is described and illustrated.

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The dusky rockfish (Sebastes ciliatus) of the North Pacific Ocean has been considered a single variable species with light and dark forms distributed in deep and shallow water, respectively. These forms have been subjected to two distinct fisheries separately managed by federal and state agencies: the light deep form is captured in the offshore trawl fishery; the dark shallow form, in the nearshore jig fishery. The forms have been commonly recognized as the light dusky and dark dusky rockfishes. From morphological evidence correlated with color differences in some 400 specimens, we recognize two species corresponding with these color forms. Sebastes ciliatus (Tilesius) is the dark shallow-water species found in depths of 5−160 m in the western Aleutian Islands and eastern Bering Sea to British Columbia. The name Sebastes variabilis (Pallas) is resurrected from the synonymy of S. ciliatus to apply to the deeper water species known from depths of 12−675 m and ranging from Hokkaido, Japan, through the Aleutian Islands and eastern Bering Sea, to Oregon. Sebastes ciliatus is uniformly dark blue to black, gradually lightening on the ventrum, with a jet black peritoneum, a smaller symphyseal knob, and fewer lateral-line pores compared to S. variabilis. Sebastes variabilis is more variable in body color, ranging from light yellow to a more usual tan or greenish brown to a nearly uniform dark dorsum, but it invariably has a distinct red to white ventrum. Synonymies, diagnoses, descriptions, and geographic distributions are provided for each species.

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Robert Schumann (1810-1856) and Johannes Brahms (1833-1897), in some ways Robert Schumann's artistic descendant, are the most important and representative German piano composers during the Romantic period. Schumann was already a mature and established musician in 1853 when he first met the young Brahms and recognized his talents, an encounter that had a long-lasting affect on the lives and careers of both men. After Schumann’s mental breakdown and death, Brahms maintained his admiration of Schumann’s music and preserved an intimate relationship with Clara Schumann. In spite of the personal and musical closeness of the two men, Schumann’s music is stylistically distinct from that of Brahms. Brahms followed traditions from Baroque and Classical music, and avoided using images and expressive titles in his music. Brahms extraordinarily intermingled earlier musical forms with multicolored tones of German Romanticism. In contrast, Schumann saw himself as a radical composer devoted to personal emotionalism and spontaneity. He favored programmatic titles for his character pieces and extra-musical references in his music. While developing their own musical styles as German Romantic composers, Schumann and Brahms both utilized the piano as a resourceful tool for self-realization and compositional development. To investigate and compare the main characteristics of Schumann and Brahms’s piano music, I looked at three genres. First, in the category of the piano concerto, I chose two major Romantic works, Schumann’s A minor concerto and Brahms’s B-flat major concerto. Second, for the category of piano variations I included two sets by Brahms because the variation framework was such an important vehicle for him to express his musical thoughts. Schumann’s unique motivic approach to variation is displayed vividly in his character-piece cycle Carnaval. Third, the category of the character piece, perhaps the favorite medium of Romantic expression at the piano, is shown by Schumann’s Papillons and Brahms’s sets of pieces Op.118 and Op.119. This performance dissertation consists of three recitals performed in the Gildenhorn Recital Hall at the University of Maryland, College Park. These recitals are documented on compact disc recordings that are housed within the University of Maryland Library System.

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BON PAN es una empresa creada en el año 2009, dedicada principalmente a la panificación y desayunos con producción y puntos de venta propios. Actualmente está presente en Colombia con cinco puntos de venta en las ciudades de Manizales y Pereira. Gracias a su imagen, productos y servicio se ha convertido en uno de los lugares de consumo preferidos por los habitantes de la región. Se ha detectado el potencial de crecimiento que tiene esta empresa y se pretende aumentar su market share o participación en el mercado colombiano principalmente. Sin embargo, el limitado capital propio disponible para incrementar la cantidad de puntos de venta en el país dificulta su crecimiento, así entonces se propuso el franquiciamiento de puntos de venta. El objetivo de éste documento fue identificar los riesgos que puedan existir en la relación contractual franquiciante - franquiciado y que deben ser protegidos por el contrato de franquicias. Se diagramo el Subsistema Estrictamente Coordinado de Bon Pan como franquiciante, se encontró que los activos específicos de mayor riesgo son: la formulación de productos, manual de operaciones, marca y ubicación de los locales. También, que sus responsabilidades como franquiciante son: elaboración de materias primas, alianzas, benchmarking, proyecciones del negocio y apoyo al franquiciado. Las funciones del franquiciado son: operación del punto de venta, transferencias y otros referentes al contrato, gestión y ejecución de estrategias, contratación de personal, pagos y reportes de ventas al franquiciante. Finalmente se analizaron los riesgos relacionados con todos los activos específicos hallados y los relacionados a las funciones de franquiciante y franquiciado.

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BON PAN es una empresa creada en el año 2009, dedicada principalmente a la panificación y desayunos con producción y puntos de venta propios. Actualmente está presente en Colombia con cinco puntos de venta en las ciudades de Manizales y Pereira. Gracias a su imagen, productos y servicio se ha convertido en uno de los lugares de consumo preferidos por los habitantes de la región. Se ha detectado el potencial de crecimiento que tiene esta empresa y se pretende aumentar su market share o participación en el mercado colombiano principalmente. Sin embargo, el limitado capital propio disponible para incrementar la cantidad de puntos de venta en el país dificulta su crecimiento, así entonces se propuso el franquiciamiento de puntos de venta. El objetivo de éste documento fue identificar los riesgos que puedan existir en la relación contractual franquiciante - franquiciado y que deben ser protegidos por el contrato de franquicias. Se diagramo el Subsistema Estrictamente Coordinado de Bon Pan como franquiciante, se encontró que los activos específicos de mayor riesgo son: la formulación de productos, manual de operaciones, marca y ubicación de los locales. También, que sus responsabilidades como franquiciante son: elaboración de materias primas, alianzas, benchmarking, proyecciones del negocio y apoyo al franquiciado. Las funciones del franquiciado son: operación del punto de venta, transferencias y otros referentes al contrato, gestión y ejecución de estrategias, contratación de personal, pagos y reportes de ventas al franquiciante. Finalmente se analizaron los riesgos relacionados con todos los activos específicos hallados y los relacionados a las funciones de franquiciante y franquiciado.

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The end of the Occupation, which was much more violent than its beginning, dramatically affected the overall perception of Germans and Germany for many years in post-WWII France. This vision is of course reflected to a large extent in French literature. Yet, paradoxically, many novels—including the ‘best-sellers’ E ´ ducation europe´enne (1945) by Romain Gary, Mon Village a` l’heure allemande (1945) by Jean-Louis Bory or Les Foreˆts de la nuit (1947) by Jean-Louis Curtis—contain a ‘good German’ character. Firstly, this article will give an overview of the dominant representations of Germans in post-WWII France, before suggesting that the ‘good German’ character follows both a literary tradition and the humanist values of the French Resistance, to which these writers claim to subscribe. Finally, it will show how this character, far from blurring the Manichean ideology of the novel in which he appears, actually reinforces it.

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