250 resultados para Bande


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Mode of access: Internet.

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Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

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Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

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Cette étude porte sur les caractéristiques de la poésie du quotidien en bande dessinée. Les petites joies de la vie de tous les jours, leur représentation visuelle et leur transposition narrative, poétique ou non, traversent les différentes œuvres de mon corpus, soit Moins vingt-deux degrés Celsius de Jimmy Beaulieu (Mécanique générale, 2003), L’Homme qui marche de Jirô Taniguchi (Casterman, 2003), Whiskey & New York de Julia Wertz (Altercomics, 2011), Calvin et Hobbes en couleurs! de Bill Watterson (Hors Collection, 2008), Le Jardin de Mimi de Yoon-Sun Park (Misma, 2014) ainsi que Shä & Salomé, Jours de pluie d’Anne Montel et Loïc Clément (Jean-Claude Gawsewitch éditeur, 2011). Cette poésie du quotidien constitue un regard particulier sur le monde, à l’instar du réalisme magique. Cette étude explore le dialogue visuel et narratif qui existe entre les deux concepts, la poésie amenant une dimension magique importante au sein même de la fiction bédéique. En second lieu, il sera question de la bande dessinée Nora et Mathieu, laquelle a constituée la partie création de ce mémoire. Le processus artistiques ainsi que les caractéristiques qui définissent ma pratique de la bande dessinée, seront abordés.

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Ce mémoire présente deux algorithmes qui ont pour but d’améliorer la précision de l’estimation de la direction d’arrivée de sources sonores et de leurs échos. Le premier algorithme, qui s’appelle la méthode par élimination des sources, permet d’améliorer l’estimation de la direction d’arrivée d’échos qui sont noyés dans le bruit. Le second, qui s’appelle Multiple Signal Classification à focalisation de phase, utilise l’information dans la phase à chaque fréquence pour déterminer la direction d’arrivée de sources à large bande. La combinaison de ces deux algorithmes permet de localiser des échos dont la puissance est de -17 dB par rapport à la source principale, jusqu’à un rapport échoà- bruit de -15 dB. Ce mémoire présente aussi des mesures expérimentales qui viennent confirmer les résultats obtenus lors de simulations.

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This thesis examines how Brittany and Corsica are represented in the medium of bande dessinée. Both are peripheral French regions with cultural identities markedly different from that of the overarching French norm, and both have been historically subject to ridicule from the political and cultural centre. By comparing a fair selection of bandes dessinées which are either set in Brittany or Corsica or feature characters from the relevant regions, this thesis sets out to discover whether representations of Brittany and Corsica differ according to the origin of the creators of the bandes dessinées and, if so, how. To facilitate this analysis, the bandes dessinées included for study have been classified as either external representations (published by mainstream bande dessinée publishers and/or the work of creators originating from outside the two regions) or internal representations (published by local Breton or Corsican companies and/or the work of local creators). It transpires that there are clear differences between mainstream and local bande dessinée authors and illustrators with regard to their portrayal of the local culture of both ‘outlying’ regions. External representations rely on broad stereotypes and received ideas, while internal representations draw on local folklore, regional history and regional identity to create works with more local relevance. In some cases internal representations are or were clearly aimed at a local market, while others aim both at local readers and at the wider bande dessinée market. Those aimed at a wider readership have an additional function, namely that of promoting their regional cultures in French culture generally and offering an alternative to the stereotypical representations presented by larger publishers of bandes dessinées. Brittany and Corsica are examined separately, each taking up roughly half of the thesis. Each half has the same general structure, beginning with discussion of how historical events have shaped perceptions of Brittany and Corsica in French popular consciousness, followed by analysis of the respective external representations and lastly internal representations. There are also two case studies of representations of Corsica in wider visual culture. Owing to its widespread appeal, its adaptability and its capacity to reflect popular opinion in different sectors of society, the medium of bande dessinée offers a potentially rich field for the investigation of social and cultural attitudes and prejudices. It is hoped that this thesis points the way to further research on the topic.

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Tesis (Licenciado en Lenguas Castellana, Inglés y Francés).--Universidad de La Salle. Facultad de Ciencias de La Educación. Licenciatura en Lengua Castellana, Inglés y Francés, 2014

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The Oceania region, which includes Australia, New Zealand, Papua New Guinea and the islands of the tropical Pacific Ocean, has historically been free from chikungunya. However, the 2011 outbreak in New Caledonia and the ongoing outbreak in Papua New Guinea have highlighted the risk to other communities in Oceania where there are competent mosquito vectors and permissive social factors and environmental conditions. In this article we discuss the threat to this region that is posed by the recent evolution of the E1:A226V mutant strains of chikungunya virus (CHIKV).

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[ES] En este trabajo se analiza la relación entre la integración interfuncional y el rendimiento de los nuevos productos en una muestra de empresas innovadoras españolas. Las percepciones de los directivos de I+D, marketing, producción y otras áreas permiten comprobar que la falta de apoyo de la alta dirección y la distancia física entre áreas son dos barreras significativas a la integración interfuncional. Además, los directivos perciben que la integración interfuncional está relacionada con el rendimiento del programa de desarrollo de nuevos productos. Los resultados apoyan la mayoría de las hipótesis planteadas y son coherentes con las investigaciones previas sobre el tema. También se plantean las implicaciones que para la dirección tienen estos resultados y algunas líneas de investigación futuras.

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Vestidas de azul e branco, de saia plissada xadrez, de minissaia jeans, meias , sapato boneca ou tênis, as colegiais transitam no imaginário social (nacional) com, no mínimo, cinco décadas de existência como clichê sexual, estereótipo revisitado e diluído na bacia semântica da imaginação erótica de nossa contemporaneidade. Neste trabalho, as colegiais podem ser ninfetas, adolescentes, estudantes do ensino secundário ou universitárias, alunas de internatos, normalistas dos intitutos de educação e até prostitutas disfarçadas. A nossa proposta será analisar a representação ficcional da colegial principalmente em textos e imagens das Histórias em Quadrinhos adultas nacionais, focando seu registro em uma dimensão pornográfica. A análise das fontes documentais que utilizaremos Quadrinhos adultos de diversos autores dos anos de 1950 e 60, e que reapareceram nos anos 1980 e 1990 será tecida aqui de forma a apontar ilhas de edição da imaginação sexual masculina brasileira; através de uma análise psicológica, histórica e cultural do imaginário social que as configurou e que paralelamente foi configurado por elas. Esta análise abrangerá tanto os conteúdos das histórias em quadrinhos adultas, a mensagem visual contida neles, quanto os discursos exteriores com os quais as mensagens desses quadrinho se articulam. Ainda nos dias de hoje, altamente erotizadas nas diversas esferas sociais: quer na vida real, quer na ficcional, seja na tevê, na música ou no cinema, nas revistas, em filmes pornôs ou não, as colegiais figuram como arquétipo da jovem inocente e sedutora que tem algo a aprender ou a ensinar - com o desejo masculino... A compreensão deste processo é o mote para o desenvolvimento desta pesquisa.