162 resultados para Artz, Avon


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Lettered on cover: Views of Stratford on Avon.

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back row: John Brozovitch, Donald MacCollum, William Williams, Markham Coventry, Thomas Porte, Harvey Chapman, Avon Artz, manager Donald Chaffee

front row: Joseph Frumkes, Keith Crossman, captain Jack Tompkins, coach J. Edward Lowrey, Emerson Reid, Harold Sindles

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back row: manager Ernest Freeman, John Laun, Leo Gerber, Markham Coventry, William Williams, Avon Artz, ass't trainer John Brozovitch

front row: John Jewell, Harvey Chapman, Emerson Reid, coach J. Edward Lowrey, Keith Crossman, George David, John Sherf

not pictured, Cornelius Gabler

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back row: ass't trainer John Brozovitch, Avon Artz, Harold Sindles, Donald MacCollum, manager John O'Dell, John Jewell

front row: Walter Courtis, Doug McEachern, captain George David, coach J. Edward Lowrey, John Sherf, Larry David

not pictured Thomas Stewart, Harvey Chapman

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Top Row: stud. mngr. Young, Avon Artz, Kenneth Manuel, Francis Wistert, Fred Petoskey, Eugene Waterbor

Front Row: Michael Diffley, Howard Ferguson, Harley McNeal, captain Arthur Superko, Norman Daniels, Eugene Braendle, Stanley Kracht

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Top Row: Stud. Mngr. ? Young, Jack Teitlebaum, Stanton Ware, Francis Wistert, John Regeczi, Russell Oliver, Harry Tillotson, Clayton Paulson

Front Row: Arthur Patchin, Fred Petoskey, Kenneth Manuel, coach Ray Fisher, captain Michael Diffley, Eugene Braendle, Eugene Waterbor, Avon Artz

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Top Row: Arthur Patchin, Clayton Paulson, John Regeczi, Francis Wistert, Harvey Chapman, Edward Wilson, Russell Oliver, Fred Ratterman

Front Row: Eugene Waterbor, Fred Petoskey, stud. mngr. Charles Ehresman , captain Avon Artz, coach Ray Fisher, Harry Tillotson, George Lerner

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Study objective: Low birth weight predicts cardiovascular disease in adulthood, and one possible explanation is that children with lower birth weight consume more fat than those born heavier. Therefore, the objective of this study was to investigate associations between birth weight and childhood diet, and in particular, to test the hypothesis that birth weight is inversely related to total and saturated fat intake. Design: Prospective cohort study. Setting: South west England. Participants: A subgroup of children enrolled in the Avon longitudinal study of parents and children, with data on birth weight and also diet at ages 8, 18, 43 months, and 7 years ( 1152, 998, 848, and 771 children respectively). Main results: Associations between birth weight and diet increased in strength from age 8 to 43 months, but had diminished by age 7 years. Fat, saturated fat, and protein intakes were inversely, and carbohydrate intake was positively associated with birth weight at 43 months of age, after adjusting for age, sex, and energy intake. After adjustment for other confounders, all associations were weakened, although there was still a suggestion of a relation with saturated fat ( -0.48 (95% CI -0.97, 0.02) g/day per 500 g increase in birth weight. Similar patterns were seen in boys and girls separately, and when the sample was restricted to those with complete data at all ages. Conclusions: A small inverse association was found between birth weight and saturated fat intake in children at 43 months of age but this was not present at 7 years of age. This study therefore provides little evidence that birth weight modifies subsequent childhood diet.

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This study investigates the use of larger foraminifera in determining the biostratigraphy of the Avon Park Formation and the Ocala Limestone in central Florida. Sedimentary rocks of the Avon Park Formation are the oldest exposed deposits in the state of Florida, and together with the Ocala Limestone comprise a part of the confining unit of the Floridan Aquifer, a major source of Florida's water supply. ^ Material from the ROMP 29A core collected by the U.S. Geological Survey was evaluated and compared to previous studies of the biostratigraphy of the formations. The larger foraminifera of the Avon Park Formation were examined in thin section, and those of the Ocala Limestone were free specimens. The larger foraminifera from both units were described and identified, and the biostratigraphy determined. The morphological features of the larger foraminifera of the Ocala Limestone were measured and analyzed at various depths within the ROMP 29A core.^ The Avon Park Formation contains predominantly the shallow-water, conical foraminifera Fallotella cookei, Fallotella floridana, Pseudochrysalidina floridana, Coleiconus christianaensis, Coleiconus sp. A, Coskinolina sp. A, Coskinolina sp. B, Fallotella sp. A, Fallotella sp. B, Fabularia vaughani and larger miliolids. ^ The Ocala Limestone contains a different, deeper water assemblage that included the larger foraminifera Heterostegina ocalana, Lepidocyclina ocalana varieties, Lepidocyclina chaperi, Lepidocyclina pustulosa, Nummulites willcoxi, Nummulites striatoreticulatus, Nummulites floridensis and Pseudophragmina spp. A, B, and C. The age of the Avon Park Formation was corroborated by the occurrence of the biomarker echinoid Neolaganum dalli as Eocene, and the Ocala Limestone also contained Eocene larger foraminifera with Eocene to possibly Oligocene calcareous nannofossils. The distribution of the larger foraminifera of the Avon Park Formation was correlated with the subtidal and peritidal zones of the continental shelf. Analyses of variance showed that the changes in measurements of the morphology in Heterostegina ocalana, Lepidocyclina spp. and Nummulites spp. were correlated with change in the depositional environments.^

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General note: Title and date provided by Bettye Lane.

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General note: Title and date provided by Bettye Lane.

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During the Royal Shakespeare Company's 2014 summer season, both parts of Henry IV and The Two Gentlemen of Verona were presented as Live from Stratford-upon-Avon broadcasts in cinemas around the world. This article presents a case study of these broadcasts, drawing on the author's observations and insights as their producer as well as interview contributions from those involved in both the stage and screen presentations. Recognising that the hybrid form of “live cinema” performance has developed rapidly over the past five years but is as-yet little-documented, the study develops an analytical approach to its creative processes and to its aesthetics. This discussion is combined with a consideration of the history of earlier screen adaptations of RSC productions at Stratford-upon-Avon. The article details the stages of the production process for the Live from Stratford-upon-Avon broadcasts in 2014 and considers the ways in which the broadcast teams collaborate with the casts and creative teams of the theatre productions. In addition, the article explores processes of adaptation in the journey from stage to screen, the poetics of multi-camera presentation and questions of “live-ness”, the social experience of viewing performance in the cinema, and possible developments for live theatre on screen.