1000 resultados para Norrman, Ragnar: Konserverade änkor och kvinnor på undantag
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Digital reproduction, The National Library of Finland, Centre for Preservation and Digitisation, Mikkeli
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Dedicated to: Pedersöre sokns innebyggare.
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Cultural heritage has become something of an in-word in recent times. Intangible cultural heritage, however, is a category that has received relatively little attention. This folkloristic study focuses on intangible cultural heritage as concept and as process. Folkloristics as a scholarly branch emphasizes non-material culture. Consequently, there is a big potential in bringing existing knowledge of folklore together with current scholarly theories concerning cultural heritage in order to expand the understanding of intangible cultural heritage. In this thesis cultural heritage is regarded as a symbolic construct, which is spoken of and discussed in specific ways. The study of intangible cultural heritage (Swe. kulturarv) as concept focuses on this area. For a cultural component to be experienced as intangible cultural heritage it is, however, not enough to discuss it in those terms. Instead, cultural heritage status needs to be acted out during lengthy processes. This is demonstrated by the study of intangible cultural heritage as process. As a consequence performativity appears crucial to an understanding of cultural heritage – when a sufficient number of people speak and act as if a cultural component has a special status, it will also be perceived as cultural heritage. In this dissertation intangible cultural heritage is studied through cultural analysis, more specifically through discourse analysis. The usage of the concept intangible cultural heritage within cultural organizations, in scholarly use and in the Swedish-speaking press in Finland is examined. Traditional music in the Swedish-speaking districts of Finland is used as a case study of intangible cultural heritage as process. The examination concerns how traditional music, an intangible cultural component, has been discussed, transformed, standardized and objectified in a cultural heritage process. Cultural heritage is generally used as a token of value so that certain cultural components, both intangible and tangible, which are discussed in terms of cultural heritage are perceived to be valuable and should therefore be safeguarded. Intangible cultural heritage depends on performance, that is practitioners use their bodies to act out their traditional knowledge through song, handicraft, storytelling and so on. Intangible cultural components can be transmitted to other individuals in a performance situation, and they can also be documented. In Finland documentation and subsequent filing in archives have been associated with safeguarding of intangible cultural heritage. If the aim of safeguarding is to uphold traditional practices, which is the case for among others UNESCO’s programs aimed at intangible cultural heritage, other efforts are called for: forms of safeguarding that support performance and transmission.
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The aim of this study is to contribute to the knowledge about learning in and through art related to pupils’ study processes developing clown characters in secondary school. The pre understanding of this qualitative piece of micro ethnographic research is that the elaboration of clown has openness to play, creative activity and imagination. The art form clown inspires and motivates. The clown character creates a kind and friendly atmosphere, calls upon smile, which promotes learning. It is an art form promoting deep and personal reflection and evoking questions regarding identity formation. The pre understanding finally is that existential themes are brought to articulation in the art form clown. The problem formulation for the hermeneutic phenomenological study is an exploration of the meaning potential of an arts educational work with clown from the pupils’ as well as the teacher’s perspective. The study elaborates the following research questions: 1.) How are the pupils staging themselves in the work with clown? a) How are they constructing the clown character? b) How do they reflect upon their construction? c) What are the characteristics of the working process in the elaboration of clown? 2.) What is characteristic of the teacher’s contribution to the arts educational work? 3.) What is characteristic of the meaning making in the elaboration of clown? One group of 21 pupils and their drama teacher in a Swedish secondary school in six workshops (each one 90 minutes) elaborating the clown theme is the group under study through video observation, interviews, students’ logs and drawings, teacher log and researcher’s field notes. The theoretical framework comprises three perspectives on clown: a perspective on the culture of carnival, a drama education perspective and a performance perspective. Through a content analysis of texts about clown a set of characteristics for the clown is used as analytical concepts in the subsequent analysis of the pupils’ working process when they create three clown characters: August, the white clown and the bag lady. The results are presented as fictive narratives built on the video observations and the interviews. The presentation is brought to even more condensation through poetic ethnographic writing of haiku poems by the researcher. This ethnographic writing is idiomatic to the art form under study, and can be seen as a metaphorical meta commentary to the narratives. As a main result the researcher has developed a model describing the different aspects of the clown characters and the meaning potential of the clown as learning regarding exploration of identity and elaboration of existential questions regarding life, loneliness, love, religion and death.
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Under de senaste åren har diskussionen om det ”sociala kapitalet” florerat inom många olika vetenskapsgrenar. Studier om socialt kapital, med vilket man avser socialt förtroende, nätverk och reciprocitetsnormer, har utförts speciellt inom samhällsvetenskapliga discipliner som statskunskap, offentlig förvaltning, sociologi och nationalekonomi, men även exempelvis inom folkhälsoområdet. Inom statsvetenskapen har man hänvisat till det sociala kapitalet bl.a. i samband med demokratiforskning, där man konstaterat att socialt kapital har gynnsamma effekter för demokratin (t.ex. ökat valdeltagande och effektivare institutioner) i och med den medborgaranda det skapar. I doktorsavhandlingen granskas inledningsvis två faktorer som kan påverka nivån av socialt kapital i olika länder. Som huvudsakligt material för undersökningen används The European Social Survey (ESS). Resultaten visar att nivån av socialt kapital i hög grad bestäms av graden av ekonomisk jämlikhet och graden av korruption. Ju högre grad av jämlikhet och ju lägre grad av korruption, desto högre är det samhälleliga sociala kapitalet. För det andra undersöks hur socialt kapital (här definierat som socialt förtroende och deltagande i såväl formella föreningar som informella nätverk) är kopplat till olika former av politiskt deltagande. Både traditionella former och mer okonventionella former av politiskt engagemang beaktas. Socialt kapital visar sig med få undantag ha ett samband med politiskt deltagande, såväl på samhällsnivån som på individnivån. Deltagandet i de frivilliga föreningarna är dock i detta avseende den klart viktigaste av det sociala kapitalets beståndsdelar, medan betydelsen av socialt förtroende och socialt umgänge utanför de formella föreningarna blir mindre tydlig.
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15 x 21 cm
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14 x 21 cm
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12 x 18 cm
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18 x 26 cm
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13 x 18 cm