1000 resultados para Literatura Brasileira. Poesia. “Resistência”. Brazilian Poetry. “Resistence”
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Pós-graduação em Letras - FCLAS
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Pós-graduação em Letras - IBILCE
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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
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Pós-graduação em Letras - FCLAS
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
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Pós-graduação em Estudos Literários - FCLAR
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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)
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Este trabalho tem como objetivo traçar um panorama artístico literário presente na produção do escritor modernista Oswald de Andrade, identificando a evolução estética ideológica do autor por meio do manifesto Pau-Brasil (1925) e o Antropófago (1928); de teses e artigos como “Meu Testamento” (1944) e “A crise da filosofia Messiânica” (1945); de entrevistas presentes no livro Telefonema, parte integrante da coleção: Obras Completas de Oswald de Andrade (Rio de janeiro, 1974); e de sua produção teatral. Toma como ponto de partida a antropofagia como um operador cultural, de modo que a característica mais marcante do escritor, a irreverência, é fomentada e trabalhada por meio da ironia, ferramenta de discurso que Oswald de Andrade utiliza com uma função social, uma arma revolucionária e política. Para tal, traçou-se uma linha entre a produção modernista e a produção teatral de Oswald e desse levantamento bibliográfico, a peça que mais chamou a atenção foi O rei da vela, primeira peça escrita na fase adulta, em 1933, e publicada em 1937 e que somente teve sua primeira encenação 30 anos depois, em 1967, pelo grupo de Teatro Oficina com a direção de José Celso Martinez Corrêa. O grupo realizou um levantamento literário e documental sobre o Oswald de Andrade, através de depoimentos dos atores que receberam a proposta de encenação (em 1934), aos Manifestos, até encontrar a Antropofagia oswaldiana, e dela se utilizarem para concretizar O rei da vela, retomando e usando a antropofagia, essencialmente, como um operador cultural
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Under different perspectives of interpretation and analysis, the notions of localism and universalism in the fictional production of Guimarães Rosa have been strongly explored by the criticism, especially in Grande sertão: veredas [The devil to pay in the backlands], in which these two dimensions – overlapped and complementary – become more intricate and profuse. Taking the analytical line of historical, social and political dimensions of the novel for granted – not regarding it as an essay or strict allegory of the country – the present study proposes a new reading of the composition with the interpretation of the articulation of these two dimensions in the forming of the “jagunço system” (ROSA, 1970, p.391), that is a concept created by Guimarães Rosa and which transcends the historical and sociological reality. The articulation of the social, political and cultural elements figure in Guimarães Rosa’s fiction and becomes an issue for wider debates and reflections, so that the particular element of the novel enables a universal survey. Based on diverse critical apprehensions of the novel, this paper aims to investigate the levels of the literary composition in which the local-universal articulation associated with the representation of the jagunço is constructed. In order to do that, the theoretical study is based on three dimensions of studies: a) critical essays about Guimarães Rosa, the totality of his work and specific critical essays about Grande sertão: veredas [The devil to pay in the backlands] and the “jagunço system”, b) theoretical apparatus concerning the history, the politics and the Brazilian culture related to the cangaço; and c) theoretical subsidies for the study of the narrative
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The increase in the elderly population has been significant in recent years in Brazil, with the growth in the relative share of the population aged 65 or more, which was 4.8% in 1991 and reaching 7.4% in 2010, this occurred mainly due to the growth of the adult population, especially also for the increased participation of the elderly population (IBGE, 2010). This situation has challenges of political, social, economic and mainly related to the health of the elderly population. The practice of physical activity, especially gymnastics, are offered to the population as a means of improving the health and quality of life (BURINI, 2005; MATSUDO, 2002; MAZO, 2003). From this context, this course conclusion work aims to report gymnastics programs developed in Denmark for the elderly population and reflect on the differences and similarities with the Brazilian fitness programs for seniors presented in the literature. The method used to develop this work of completion will review the literature on physical activity programs for seniors and, in particular, gymnastics, developed in Brazil and published in national Physical Education, minimum classification B2 (CAPES, 2012 ). Parallel to this, the description of fitness programs directed to older people in Denmark, as an account of personal experience of five months in Folk High School Gymnastik og Idraetshojskolen Viborg / Denmark. In the results of the study, were founded eight projects of physical activity of elderly people in the articles. Compared with the Brazilian projects studied, and observed Danish, they differ primarily the goals of the programs, which directly influences the activities conducted training. The frequency is similar but the Danish culture of physical exercise, makes Denmark people want to practice more activities off-hours programs. Another equally important aspect that emerges... (Complete abstract click electronic access below)