Carta pastoral que ... Don Manuel Frayle, Obispo de Sigüenza ... circula al venerable Dean y Cabildo y á los respetables Vicarios, Arciprestes, Párrocos y demas sacerdotes y Eclesiásticos de su Diócesis...[y otras obras]

Mode of access: Internet.

La mort de Jésus : revélations historiques sur le véritable genre de mort de Jésus, traduites du latin en allemand et d'allemand en français d'après le manuscrit d'un frère de l'ordre sacré des esséniens, contemporaine de Jésus /

Mode of access: Internet.

Histoire de N.-S. Jésus-Christ : d'après la concordance des Évangiles... avec la restauration de la chronologie évangélique et des notes explicatives /

Mode of access: Internet.

Venerunt in Jerusalem, ut sisterent eum Dominu : S. Luc. Cap. II. V. 22 : Florentia in Sacrario S. Marci /

Plancha nº 6 de la obra: Schola Italica Picturae.

Cum pervenifset Jesus ad montem Olivarum, positis genibus orabat, Luc. Cap. XXII. V. 40 /

Inscripción en parte inferior: "Ex Tabula Madriti in Pinacotheca Regis"

Regla de la insigne Hermandad de la Santa Caridad de N. Señor Jesu Christo.

Contiene además con portada y foliación propias: "Estatutos, y ordenanzas para la administracion del Hospicio ... que ha erigido... la piadosa Hermandad de la Santa Charidad de N. S. Jesuchristo ...", y "Sumario de las indulgencias, gracias, privilegios è indultos : concedidos à los Hermanos de la Santa Caridad de N. S. Jesu Christo, de ... Sevilla".

La Biblia Sagrada, traducida en español : versión cotejada cuidadosamente con las lenguas antiguas.

New Testament has special t.p.: El Nuevo Testamento de Nuestro Señor Jesucristo.

Historiae ecclesiasticae scriptores Graeci : nempe Eusebius cognomento Pamphilus ..., Socrates Scholasticus, Theodoritus Cyrenensis Episcopus, Hermias Sozomenus, Euagrius Scholasticus /

Mode of access: Internet.

Syllabykár Czeský, Z kteréhožto Djtky vciti se magj.

Mode of access: Internet.

Thomæ a Kempis canonici regularis ord. S. Augustini de imitatione Christi libri quatuor : nunc postremò ad autographorum fidem recensiti ; cum vindiciis Kempensibus Heriberti Rosvveydi Soc. Iesu, aduersus C. Caietanum Abbatem S. Baronti ; ad S. D. N. Paulum V.

Mode of access: Internet.

Christus Deus-homo siue De Deo-homine theologia patrum scholasticè examinata & sacris emblematis, allegoriis, & moralibus illustrata ... /

Mode of access: Internet.

R.P. Francisci Suarez ... De incarnatione pars secunda ... : Operum tomus decimus septimus.

Mode of access: Internet.

Imagen del niño Jesús [Material gráfico]

Inscripción: "Segun el cuadro que posee Dn. Pedro Pérez Conserge de la Real Academia de S. Carlos Dibujado y grabado p.r Mariano Sigüenza". En medio del texto anagrama "J.H.S."

Matizes de cultura de massa na obra de Caio Fernando Abreu

The Brazilian writer, Caio Fernando Abreu, was strongly influenced by a period of changes in social values and perspectives. When he enters the Brazilian literary scene using a writing style free from form and content, he applies in his works all the affliction of the contemporary values. His work embodies all the spirit of a generation that, despite its anxiety for freedom, was still suffocated by the military dictatorship period. Abreu’s narrative also reveals an author with an extreme ability to shift between the erudite and the popular. In his short stories, he develops a performative language mingled by references that turns his text into a sort of Pop Art iconography. Just like Pop Art paintings, full of Coke images, cigarettes, tooth paste and food cans, Abreu’s literary discourse is painted by many symbolical references to modern consumerism, as well as to movies, music and to pop stars. This trace in the writer’s works exerts a great deal of attractiveness on the contemporary reader. In this work, we attempt to analyze this resource in Abreu’s literature under the concepts of cultural studies; thus, we aim at analyzing the various forms of the mass culture expression inside Abreu’s literature, recognizing his allusions as a stylish resource in his writings and highlighting its relevance in the study of the author work. In order to do so, we are based essentially on the reflections of theoreticians: Lipovetsky (1996) and Adorno (2011) who debate the culture and social formation in contemporaneity.

Dramaturgia em mosaico: o mito de 'Antígona' no horizonte do provável ou para evitar um sentido universal dos clássicos

Nesse artigo, visa-se aprofundar, a partir da “Teoria da Comparação Diferencial” proposta por Ute Heidmann e das noções de diálogo cultural, os estudos acerca da reescritura dos textos clássicos na contemporaneidade, especificamente nos intertextos e na iconografia de Antígona e sua releitura cênica em diálogo com o mito de Oyá Balé