885 resultados para Epiousios (The Greek word)


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Ma thèse montre la présence et le rôle de la métaphysique dans Vérité et méthode. Elle tente de démontrer que Gadamer s'inspire du néoplatonisme pour surmonter le subjectivisme de la modernité et propose une métaphysique à cette fin. Après avoir expliqué comment Gadamer se réapproprie l’héritage de la pensée grecque pour critiquer la modernité en situant son interprétation de Platon par rapport à celle de Heidegger, je montre que Gadamer s’approprie la conception de l’être de Plotin de façon telle qu’il peut s’y appuyer pour penser l’autoprésentation de l’être dans l’expérience herméneutique de la vérité. L’art va, pour ce faire, redevenir sous la conduite du néoplatonisme source de vérité. Gadamer redonne en effet une dignité ontologique à l’art grâce à la notion d’émanation, notion qui permet de penser qu’il y a une présence réelle du représenté dans sa représentation, celle-ci émanant du représenté sans l’amoindrir, mais lui apportant au contraire un surcroît d’être. La notion d’émanation permet ensuite à Gadamer d’affirmer le lien indissoluble qui unit les mots aux choses. En effet, la doctrine du verbe intérieur de Thomas d’Aquin implique ce lien que Platon avait occulté en réduisant le langage, comme la logique, à n’être qu’un instrument de domination du réel. L’utilisation de la notion néoplatonicienne d’émanation permet donc de dépasser la philosophie grecque du logos et de mieux rendre compte de l’être de la langue. Je montre ensuite comment Gadamer radicalise sa pensée en affirmant que l’être qui peut être compris est langage, ce qui veut dire que l’être, comme chez Plotin, est autoprésentation de soi-même. Pour ce faire, Gadamer rattache l’être du langage à la métaphysique néoplatonicienne de la lumière. Les dernières pages de Vérité et méthode rappellent en effet que la splendeur du beau est manifestation de la vérité de l’être. On rattachera alors le concept de vérité herméneutique à ses origines métaphysiques. La vérité est une manifestation de l’être dont on ne peut avoir part que si on se laisse submerger par sa lumière. Loin d’être affaire de contrôle méthodique, l’expérience de la vérité exige de se laisser posséder par ce qui est à comprendre. Je démontre ainsi que Gadamer a découvert dans le néoplatonisme des éléments permettant de s’opposer à la dictature du sujet moderne, dictature qui doit être renversée, car elle masque le réel rapport de l’homme à la vérité en faisant abstraction de la finitude de son existence concrète. La critique du subjectivisme moderne sous la conduite du néoplatonisme ouvre ainsi le chemin vers une métaphysique de la finitude.

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La version intégrale de cette thèse est disponible uniquement pour consultation individuelle à la Bibliothèque de musique de l’Université de Montréal (www.bib.umontreal.ca/MU).

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Cette thèse trace la généalogie culturelle de la jeune fille en Occident en ciblant les moments charnières de son devenir femme au sein de structures de savoir qui ont activement participé à forger cette figure hétéronormative. Mon objectif est de produire une analyse culturelle en forgeant une cartographie des adolescences au féminin. Afin de sortir de la temporalité téléologique de la virginité et de la défloration, j’emprunte un mot étranger, parthénos, qui fait appel à l’idée de la jeune fille, sans nécessairement se limiter à ses connotations conventionnelles. La première partie, intitulée « La virginité, une affaire de jeunes filles », laisse place à une analyse du concept de parthénos à partir d’une lecture au carrefour de la médecine, de la loi et du mythe. Une lecture du traité hippocratique De la maladie des jeunes filles dévoile comment la défloration et la grossesse deviennent une cure érotique, une discipline du corps, qui décide du passage de la jeune fille dans une temporalité utile à la Cité. Un déplacement paradigmatique s’opère au 19e siècle dans les écrits médico-légaux, parce que l’hymen, auparavant inexistant dans la doxa hippocratique, devient le signe matériel par excellence pour examiner le statut de virginité de la fille. L’analyse de ces traités (frères Beck, Ambroise Tardieu, Paulier et Hétet) révèle la configuration de pratiques et de discours d’infantilisation des victimes de viol, et le refus des médecins légistes de reconnaître qu’une femme mariée puisse être violée. À partir d’une lecture contemporaine des tragédies L’Orestie d’Eschyle et Antigone de Sophocle, je montre que les figures d’Antigone et d’Électre constituent des exemples et des symboles convaincants de ce destin funeste de la parthénos qui n’accède jamais au statut de femme mariée. À ces figures mortelles, se télescopent les figures d’Artémis et des Érinyes pour montrer le potentiel de régénération inhérent à la figure de la parthénos. La deuxième partie, qui porte le titre « Le liminaire. Repenser les devenirs de l’adolescence », engage une réflexion à la lisière du contexte contemporain des Girlhood Studies, de la psychanalyse sociale et des études féministes sur le corps et le sexe, pour faciliter le déploiement d’une cartographie plus contextualisée du concept de parthénos. Je montre ici les écueils et les effets du danger qu’engendre la rationalité économique (cf. Henry A. Giroux) pour les espaces de liberté et d’exploration propres à l’adolescence. Cette posture est appuyée sur une lecture des récentes études en psychanalyse sociale (Anne Bourgain, Olivier Douville et Edmond Ortigues). Il est ainsi question d’identifier ce qui marque le passage entre l’adolescence et l’âge adulte : la crainte de la disparition et le fantasme de la naissance de soi. La théorie de la volatilité corporelle qu’élabore Elizabeth Grosz à propos de la sexualité féminine, ainsi que les théories de Michel Foucault, reprises par Judith Butler, en ce qui concerne les disciplines du corps, répondent à mon objectif de sortir de l’écueil d’une temporalité téléologique pour saisir les effets et les ramifications du discours sur la matérialité du corps de la jeune fille, sur ce qui lui arrive lorsqu’elle ne correspond pas tout à fait à l’idéal de régulation. Enfin, la dernière partie, qui porte le titre « Temporalités de la parthénos en tant que sujet liminaire », est traversée par les modalités particulières de la parthénia qui semble désincarnée dans la littérature contemporaine. L’objectif est de prouver que la virginité est toujours un marqueur symbolique qui déploie le destin de la fille dans un horizon particulier, trop souvent celui de la disparition. En proposant un éventail de cinq textes littéraires que j’inscris au sein d’une posture généalogique, je souhaite voir dans la littérature contemporaine, une volonté, parfois aussi un échec, dans cette pensée de la parthénos en tant que sujet liminaire. Le récit Vu du ciel de Christine Angot montre que l’ascension vers le statut d’ange concerne seulement les victimes enfants. Le récit d’Angot met donc en lumière la distinction entre la vraie victime, toujours innocente et pré-pubère, et la fausse victime, l’adolescente. Contrairement à Vu du ciel, The Lovely Bones d’Alice Sebold met en scène la possibilité d’une communauté politique de filles qui sera en fait limitée par le refus du potentiel lesbien. La question du viol sera ici centrale et sera abordée à partir de l’insistance sur la voix de la narratrice Susan. La littérature devient un espace propice à la survie de la jeune fille, puisqu’elle admet la reprise de l’expérience de la première relation sexuelle. Si la communauté est convoquée dans The Lovely Bones, elle est associée à l’image de l’identité sororale dans le roman Virgin Suicides de Jeffrey Eugenides. La pathologie virale et la beauté virginale que construit le narrateur polyphonique et anonyme font exister le discours médical sur la maladie des vierges dans un contexte contemporain. Le récit médical rejoint alors le récit érotique puisque le narrateur devient médecin, détective et voyeur. À la différence de ces trois récits, Drames de princesses d’Elfriede Jelinek montre une parthénos, Blanche Neige, qui fait face à son agresseur pour s’inscrire dans une historicité discursive. Cette collision dialogique ranime le cycle tragique (celui d’une Antigone confrontant Créon) et traduit de nouveau le danger d’une superstructure sociétale composée d’images et de discours où la fille est construite comme un accessoire pour le plaisir éphémère de l’homme. À l’inverse de l’image de la vierge sacrée et désincarnée que proposent les récits d’Angot, de Sebold, d’Eugenides et de Jelinek, Virginie Despentes offre une autre réflexion dans Apocalypse bébé. Le personnage de Valentine est configuré comme une sœur des parthénoi qui préfère le suicide et la terreur à la domestication, faisant ainsi appel à une temporalité radicale et inachevable, celle de la fin de la jeune fille. Mon souhait est enfin de souligner la nécessité de penser au mérite autant épistémologique, intime que politique, d’explorer le temps des éclosions sexuelles de la fille par delà l’idée de la première relation sexuelle.

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Different economic and financial structures require different crisis responses. Different crises also require different tools and resources. The first ‘stage’ of the financial crisis (2007-09) was similar on both sides of the Atlantic, and the response was also quite similar. The second stage of the crisis is unique to the euro area. Increasing financial disintegration within the region has forced the ECB to become the central counterparty for the entire cross-border banking market and to intervene in the sovereign bond market of some stressed countries. The actions undertaken by the European Central Bank (ECB), however, have not always represented the best response, in terms of effectiveness, consistency and transparency. This is especially true for the Securities Markets Programme (SMP): by de facto imposing its absolute seniority during the Greek PSI (private sector involvement), the ECB has probably killed its future effectiveness.

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In the wake of Libya and the American pivot to Asia, CSDP-NATO relations must be recalibrated. The buzz word for CSDP should be: integrated through the EU and empowered through NATO.

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In 2003, through a conference presentation in Vancouver and a series of exchanges with Lemon, Leonidas convinced Adobe to substantially extend the coverage of the Greek script in forthcoming Adobe typefaces. The revised brief for Garamond was extended to include, for the first time in a digital typeface, extensive polytonic support, full archaic characters, and small capitals with optional polytonic diacritics; these features should be implemented with respect for the Greek language’s complex rules for case conversion, allowing full dictionary support regardless of the features applied. This project was the first where these issues were addressed, both from a documentation and a development point of view. Leonidas’ responsibilities lay with researching historical and current conventions, developing specifications for the appearance and behaviour of the typefaces, editing glyph outlines, and testing of development versions.

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A speech message played several metres from the listener in a room is usually heard to have much the same phonetic content as it does when played nearby, even though the different amounts of reflected sound make the temporal envelopes of these signals very different. To study this ‘constancy’ effect, listeners heard speech messages and speech-like sounds comprising 8 auditory-filter shaped noise-bands that had temporal envelopes corresponding to those in these filters when the speech message is played. The ‘contexts’ were “next you’ll get _to click on”, into which a “sir” or “stir” test word was inserted. These test words were from an 11-step continuum, formed by amplitude modulation. Listeners identified the test words appropriately, even in the 8-band conditions where the speech had a ‘robotic’ quality. Constancy was assessed by comparing the influence of room reflections on the test word across conditions where the context had either the same level of room reflections (i.e. from the same, far distance), or where it had a much lower level (i.e. from nearby). Constancy effects were obtained with both the natural- and the 8-band speech. Results are considered in terms of the degree of ‘matching’ between the context’s and test-word’s bands.

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One major assumption in all orthogonal space-time block coding (O-STBC) schemes is that the channel remains static over the length of the code word. However, time-selective fading channels do exist, and in such case conventional O-STBC detectors can suffer from a large error floor in the high signal-to-noise ratio (SNR) cases. As a sequel to the authors' previous papers on this subject, this paper aims to eliminate the error floor of the H(i)-coded O-STBC system (i = 3 and 4) by employing the techniques of: 1) zero forcing (ZF) and 2) parallel interference cancellation (PIC). It is. shown that for an H(i)-coded system the PIC is a much better choice than the ZF in terms of both performance and computational complexity. Compared with the, conventional H(i) detector, the PIC detector incurs a moderately higher computational complexity, but this can well be justified by the enormous improvement.

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Three experiments measured constancy in speech perception, using natural-speech messages or noise-band vocoder versions of them. The eight vocoder-bands had equally log-spaced center-frequencies and the shapes of corresponding “auditory” filters. Consequently, the bands had the temporal envelopes that arise in these auditory filters when the speech is played. The “sir” or “stir” test-words were distinguished by degrees of amplitude modulation, and played in the context; “next you’ll get _ to click on.” Listeners identified test-words appropriately, even in the vocoder conditions where the speech had a “noise-like” quality. Constancy was assessed by comparing the identification of test-words with low or high levels of room reflections across conditions where the context had either a low or a high level of reflections. Constancy was obtained with both the natural and the vocoded speech, indicating that the effect arises through temporal-envelope processing. Two further experiments assessed perceptual weighting of the different bands, both in the test word and in the context. The resulting weighting functions both increase monotonically with frequency, following the spectral characteristics of the test-word’s [s]. It is suggested that these two weighting functions are similar because they both come about through the perceptual grouping of the test-word’s bands.

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The Egyptians mesmerized the ancient Greeks for scores of years. The Greek literature and art of the classical period are especially thick with representations of Egypt and Egyptians. Yet despite numerous firsthand contacts with Egypt, Greek writers constructed their own Egypt, one that differed in significant ways from actual Egyptian history, society, and culture. Informed by recent work on orientalism and colonialism, this book unravels the significance of these misrepresentations of Egypt in the Greek cultural imagination in the fifth and fourth centuries B.C.E. Looking in particular at issues of identity, otherness, and cultural anxiety, Phiroze Vasunia shows how Greek authors constructed an image of Egypt that reflected their own attitudes and prejudices about Greece itself. He focuses his discussion on Aeschylus Suppliants; Book 2 of Herodotus; Euripides' Helen; Plato's Phaedrus, Timaeus, and Critias; and Isocrates' Busiris. Reconstructing the history of the bias that informed these writings, Vasunia shows that Egypt in these works was shaped in relation to Greek institutions, values, and ideas on such subjects as gender and sexuality, death, writing, and political and ethnic identity. This study traces the tendentiousness of Greek representations by introducing comparative Egyptian material, thus interrogating the Greek texts and authors from a cross-cultural perspective. A final chapter also considers the invasion of Egypt by Alexander the Great and shows how he exploited and revised the discursive tradition in his conquest of the country. Firmly and knowledgeably rooted in classical studies and the ancient sources, this study takes a broad look at the issue of cross-cultural exchange in antiquity by framing it within the perspective of contemporary cultural studies. In addition, this provocative and original work shows how Greek writers made possible literary Europe's most persistent and adaptable obsession: the barbarian.

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Background: Word deafness is a rare condition where pathologically degraded speech perception results in impaired repetition and comprehension but otherwise intact linguistic skills. Although impaired linguistic systems in aphasias resulting from damage to the neural language system (here termed central impairments), have been consistently shown to be amenable to external influences such as linguistic or contextual information (e.g. cueing effects in naming), it is not known whether similar influences can be shown for aphasia arising from damage to a perceptual system (here termed peripheral impairments). Aims: This study aimed to investigate the extent to which pathologically degraded speech perception could be facilitated or disrupted by providing visual as well as auditory information. Methods and Procedures: In three word repetition tasks, the participant with word deafness (AB) repeated words under different conditions: words were repeated in the context of a pictorial or written target, a distractor (semantic, unrelated, rhyme or phonological neighbour) or a blank page (nothing). Accuracy and error types were analysed. Results: AB was impaired at repetition in the blank condition, confirming her degraded speech perception. Repetition was significantly facilitated when accompanied by a picture or written example of the word and significantly impaired by the presence of a written rhyme. Errors in the blank condition were primarily formal whereas errors in the rhyme condition were primarily miscues (saying the distractor word rather than the target). Conclusions: Cross-modal input can both facilitate and further disrupt repetition in word deafness. The cognitive mechanisms behind these findings are discussed. Both top-down influence from the lexical layer on perceptual processes as well as intra-lexical competition within the lexical layer may play a role.  

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Design support for typeface design: collaborative work commissioned by Adobe, Inc. Published 2011. The original Bickham typeface was based on the hands of the 18th century writing master George Bickham. The ornate script represented the apogee of the art of formal writing with a steel nib, and defined the visual style for decorated, formal documents. In 2010 Adobe revised and extended the typeface, with the express purpose of making it a showcase for OpenType technology, demonstrating the visual importance of using different glyph forms in different contexts, employing contextual substitution rules. Although Bickham had published a single example of a Greek style, it was a standalone exercise, never intended to match the Latin. The key challenge was to identify historical records for appropriate Greek writing, preferably by writers familiar with the language, adapt them for digital typography and the particularities of contextual substitution, in a manner that would not make the Greek a ‘second-class citizen’. Research involved uncovering and analysing appropriate contemporary and later writing examples to identify both the range of writing styles of the period, and the manner of joining letters in written Greek with both pointed pens and broad nibs. This work was essential to make up for the comparative lack of relevant material by Bickham, as well as investigating the possible range of stylistic variants that were approved for the final typeface, which attempted to emulate a written texture through complex substitutions. This aspect of the work is highly original for implementing a substantial number of contextual alternates and ligatures. These were reviewed in the context of use, bringing together an analysis of occurring letter combinations and patterns, and the design of stylistic alternates to imitate natural handwriting.

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Previous research suggests that the processing of agreement is affected by the distance between the agreeing elements. However, the unique contribution of structural distance (number of intervening syntactic phrases) to the processing of agreement remains an open question, since previous investigations do not tease apart structural and linear distance (number of intervening words). We used event related potentials (ERPs) to examine the extent to which structural distance impacts the processing of Spanish number and gender agreement. Violations were realized both within the phrase and across the phrase. Across both levels of structural distance, linear distance was kept constant, as was the syntactic category of the agreeing elements. Number and gender agreement violations elicited a robust P600 between 400 and 900ms, a component associated with morphosyntactic processing. No amplitude differences were observed between number and gender violations, suggesting that the two features are processed similarly at the brain level. Within-phrase agreement yielded more positive waveforms than across-phrase agreement, both for agreement violations and for grammatical sentences (no agreement by distance interaction). These effects can be interpreted as evidence that structural distance impacts the establishment of agreement overall, consistent with sentence processing models which predict that hierarchical structure impacts the processing of syntactic dependencies. However, due to the lack of an agreement by distance interaction, the possibility cannot be ruled out that these effects are driven by differences in syntactic predictability between the within-phrase and across-phrase configurations, notably the fact that the syntactic category of the critical word was more predictable in the within-phrase conditions.