The life of Lord John Russell,

Mode of access: Internet.

Don John of Austria,

Mode of access: Internet.

The works of the Right Honourable John Hookham Frere in verse and prose...

Mode of access: Internet.

Sir Philip Sidney,

First edition, 1886.

The life of Lord John Russell,

Mode of access: Internet.

Sir Edward Elgar. : With a portrait of Sir Edward Elgar and musical illustrations in the text.

Includes bibliographical references.

The life and times of Sir Thomas Gresham.

Mode of access: Internet.

The discourses of Sir Joshua Reynolds /

Lectures delivered before the Royal academy of arts, London.

Llên Gwerin Sir Gaernarfon /

Mode of access: Internet.

The prose works of Jonathan Swift /

First published in 1897.

John Frazer

John Frazer, Professor, trained at the Architectural Association, taught first at Cambridge University and then the AA in the 1970s and again in the '90s. He was Head of School of Design Research History and Criticism at the University of Ulster in the 1980s, he also ran a systems and design consultancy with his wife Julia (including projects for Cedric Price and Walter Segal) and was founder and chairman of Autographics software. He is currently Swire Chair Professor and Head of School of Design in Hong Kong.----- This is a very personal perspective on a concept of universal and future significance. It is personal, both is the sense that it is an unashamedly biased view of both the significance of the project, and the nature of that significance and because the author was personally involved as one of the consultants on GENERATOR and subsequently involved Cedric Price in its educational application at the Architectural Association. GENERATOR is still very much alive and was still developing whilst this chapter was being written.

Art, popular culture and cultural policy: variations on a theme of John Carey

The article presents a criticism of the accounts of John Carey in his book entitled "The Intellectuals and the Masses." The author focuses on Carey's argument that the art is not an eternal category but an invention of the late eighteenth century and it no longer has any intellectual legitimacy other than that of provoking feelings which are no more and no less valuable than those provoked by any other form of entertainment or physical activity