A pseudo-spectral method for the simulation of poro-elastic seismic wave propagation in 2D polar coordinates using domain decomposition

We present a novel numerical approach for the comprehensive, flexible, and accurate simulation of poro-elastic wave propagation in 2D polar coordinates. An important application of this method and its extensions will be the modeling of complex seismic wave phenomena in fluid-filled boreholes, which represents a major, and as of yet largely unresolved, computational problem in exploration geophysics. In view of this, we consider a numerical mesh, which can be arbitrarily heterogeneous, consisting of two or more concentric rings representing the fluid in the center and the surrounding porous medium. The spatial discretization is based on a Chebyshev expansion in the radial direction and a Fourier expansion in the azimuthal direction and a Runge-Kutta integration scheme for the time evolution. A domain decomposition method is used to match the fluid-solid boundary conditions based on the method of characteristics. This multi-domain approach allows for significant reductions of the number of grid points in the azimuthal direction for the inner grid domain and thus for corresponding increases of the time step and enhancements of computational efficiency. The viability and accuracy of the proposed method has been rigorously tested and verified through comparisons with analytical solutions as well as with the results obtained with a corresponding, previously published, and independently bench-marked solution for 2D Cartesian coordinates. Finally, the proposed numerical solution also satisfies the reciprocity theorem, which indicates that the inherent singularity associated with the origin of the polar coordinate system is adequately handled.

Artifact-free coronary magnetic resonance angiography and coronary vessel wall imaging in the presence of a new, metallic, coronary magnetic resonance imaging stent.

BACKGROUND: Coronary in-stent restenosis cannot be directly assessed by magnetic resonance angiography (MRA) because of the local signal void of currently used stainless steel stents. The aim of this study was to investigate the potential of a new, dedicated, coronary MR imaging (MRI) stent for artifact-free, coronary MRA and in-stent lumen and vessel wall visualization. METHODS AND RESULTS: Fifteen prototype stents were deployed in coronary arteries of 15 healthy swine and investigated with a double-oblique, navigator-gated, free-breathing, T2-prepared, 3D cartesian gradient-echo sequence; a T2-prepared, 3D spiral gradient-echo sequence; and a T2-prepared, 3D steady-state, free-precession coronary MRA sequence. Furthermore, black-blood vessel wall imaging by a dual-inversion-recovery, turbo spin-echo sequence was performed. Artifacts of the stented vessel segment and signal intensities of the coronary vessel lumen inside and outside the stent were assessed. With all investigated sequences, the vessel lumen and wall could be visualized without artifacts, including the stented vessel segment. No signal intensity alterations inside the stent when compared with the vessel lumen outside the stent were found. CONCLUSIONS: The new, coronary MRI stent allows for completely artifact-free coronary MRA and vessel wall imaging.

Direct Fourier Tomographic Reconstruction Image-To-Image Filter

We present an open-source ITK implementation of a directFourier method for tomographic reconstruction, applicableto parallel-beam x-ray images. Direct Fourierreconstruction makes use of the central-slice theorem tobuild a polar 2D Fourier space from the 1D transformedprojections of the scanned object, that is resampled intoa Cartesian grid. Inverse 2D Fourier transform eventuallyyields the reconstructed image. Additionally, we providea complex wrapper to the BSplineInterpolateImageFunctionto overcome ITKâeuro?s current lack for image interpolatorsdealing with complex data types. A sample application ispresented and extensively illustrated on the Shepp-Loganhead phantom. We show that appropriate input zeropaddingand 2D-DFT oversampling rates together with radial cubicb-spline interpolation improve 2D-DFT interpolationquality and are efficient remedies to reducereconstruction artifacts.

A pseudo-spectral method for simulating of poro-elastic seismic wave propagation in complex borehole environments

We present a novel numerical approach for the comprehensive, flexible, and accurate simulation of poro-elastic wave propagation in cylindrical coordinates. An important application of this method is the modeling of complex seismic wave phenomena in fluid-filled boreholes, which represents a major, and as of yet largely unresolved, computational problem in exploration geophysics. In view of this, we consider a numerical mesh consisting of three concentric domains representing the borehole fluid in the center, the borehole casing and the surrounding porous formation. The spatial discretization is based on a Chebyshev expansion in the radial direction, Fourier expansions in the other directions, and a Runge-Kutta integration scheme for the time evolution. A domain decomposition method based on the method of characteristics is used to match the boundary conditions at the fluid/porous-solid and porous-solid/porous-solid interfaces. The viability and accuracy of the proposed method has been tested and verified in 2D polar coordinates through comparisons with analytical solutions as well as with the results obtained with a corresponding, previously published, and independently benchmarked solution for 2D Cartesian coordinates. The proposed numerical solution also satisfies the reciprocity theorem, which indicates that the inherent singularity associated with the origin of the polar coordinate system is handled adequately.

Estudiar el ocio a través de ejercicios teatrales. Una aproximación al tiempo libre

El tema del ocio, estudiado desde la perspectiva de la psicosociología del tiempo libre (Munné, 1980), establece la necesidad de estimular el comportamiento autocondicionado y las habilidades para superar los heterocondicionamientos deeste tiempo social (Casas y Codina, 1998). Esto sugiere la búsqueda de herramientas metodológicas que permitan el desarrollo de la persona a través del autoconocimiento, proceso éste en el que la noción de sí mismo (self) adquiere unpapel preponderante.Si, dentro del ocio, se considera el aspecto contrafuncional de lo creativo (Munné, ibídem), como un elemento que permite transitar del tiempo liberador al tiempo liberado (Munné y Codina, 1996), podrían utilizarse los ejercicios teatrales paraindagar los procesos que conducen al tiempo libre. En psicología social, el uso de estas herramientas ha estado considerado, fundamentalmente, dentro de las perspectivas del psicodrama iniciado por Moreno, ciertos enfoques de lasdenominadas teorías del rol, y más recientemente como una expresión del denominado ocio serio (Stebbins, 1992).En esta comunicación se analizan las ventajas y desventajas de cada una de estas tres perspectivas, y se sugiere cómo podrían aplicarse los ejercicios teatrales en los estudios de ocio; a esto último se añade la consideración de nuevas epistemologías como las teorías de la complejidad en lo que respecta al tiempo libre y al sí mismo (Munné, 1997; Codina, 1998, 1999a, 1999b), derivándose de todo esto una posible alternativa en la intervención psicosocial desde los estudios de ocio.

Niin metsä vastaa : työtapoja koreografian ja tanssiteatterin tekemiseen

Käsittelen työssäni sitä, miten tanssitaustaisena teatteri-ilmaisun ohjaajana toimin koreografina ja tanssiteatterin tekijänä. Pyrin kartoittamaan taiteellisen työni, tanssiteatteriteoksen Niin metsä vastaa, valossa minkälaisen synteesin nuoruusvuosien laajat tanssiopintoni ja nyt päättyvät esittävän taiteen opintoni ovat muodostaneet. Pohdin paikkaani nykyisellä ammattitanssin kentällä verraten omia työtapojani ja ajatuksiani muutamaan nykykoreografiin sekä kahteen tanssin väitöskirjaan. Lähestyn työssä tanssiteatterin tekemistä tanssin ja liikkeen suunnasta, koska se on omin ja vahvin taitoalueeni. Oman teokseni syntyprosessia ja lopputulosta tarkastelemalla olen hahmottanut viisi löytämääni työtapaa tanssiteatterin tekemiseen. Selkeästi koreografian tekemiseen rajautuva väline on oman liikkeen hakeminen. Oman tarinan etsiminen liittyy vastaavasti teoksen käsikirjoituksen ja dramaturgian rakentumiseen. En tiedä -asenne, yhteistyö ja tiladramaturginen ajattelu ovat laajempia, yleisesti näyttämöteoksen tekemiseen liittyviä työtapoja. Useat näistä työtavoista ovat saaneet kimmokkeensa esittävän taiteen opinnoistani Stadiassa. Käyttämieni työtapojen kautta olen oppinut paljon itsestäni niin yksityisenä ihmisenä kuin taiteilijanakin. Toivon voivani jatkaa löytämieni työtapojen ja oman maailmani tutkimista ja syventämistä tulevissa töissäni. Näen itseni tasavertaisena, omanlaisenani taiteilijana muiden tanssin ammattilaisten joukossa. Koen vahvuuksinani monipuoliset työkalut tanssin ja teatterin yhdistämiseen sekä kyvyn ja halun hahmottaa asioita monista näkökulmista. Tanssiteatterin tekijänä totean työskentelyni määrittyvän ja etenevän pitkälti teoksen mukaan eli kovin kiinteitä rakenteita en voi työtavoissani sanoa vielä olevan, enkä sitä toivokaan. Rajattomuus on tanssiteatterini voima.

El Pigmalión de Shaw, manifiesto teatral de la lingüística

La comedia Pigmalión, que Bernard Shaw escribió en 1912 y estrenó al año siguiente, es una proclamación artística de la lingüística. A pesar de la popularidad de la obra, es un acontecimiento que se conoce como una anécdota extravagante. El extraordinario mérito de Pigmalión ha pasado desapercibido para la historia de la lingüística. Su mérito estriba en la calidad teatral, la capacidad prospectiva de Shaw y la intención social de su mensaje. Shaw anuncia la utilidad de la lingüística en facetas que, décadas después, se conocerán como sociolingüística, planificación lingüística y logopedia. Por otra parte, se ha relacionado de modo simplista el personaje del profesor Higgins al fonetista H. Sweet. The play Pygmalion, that Bernard Shaw wrote in 1912 and released the following year, is an artistic proclamation of Linguistics. Despite the popularity of the play, this event is known as an extravagant story. The History of Linguistics does not recognize the extraordinary merit of Pygmalion. Its merit lays in the theatrical quality ant the social intention of the message. Shaw announces the usefulness of Linguistics in facets that will be known as Sociolinguistics, Language Planning and Speech Therapy. And furthermore, in a simplistic way, the character of Professor Higgins has been linked to the phonetician H. Sweet.

MRI of coronary vessel walls using radial k-space sampling and steady-state free precession imaging.

OBJECTIVE: The objective of our study was to investigate the impact of radial k-space sampling and steady-state free precession (SSFP) imaging on image quality in MRI of coronary vessel walls. SUBJECTS AND METHODS: Eleven subjects were examined on a 1.5-T MR system using three high-resolution navigator-gated and cardiac-triggered 3D black blood sequences (cartesian gradient-echo [GRE], radial GRE, and radial SSFP) with identical spatial resolution (0.9 x 0.9 x 2.4 mm3). The signal-to-noise ratio (SNR), contrast-to-noise ratio (CNR), vessel wall sharpness, and motion artifacts were analyzed. RESULTS: The mean SNR and CNR of the coronary vessel wall were improved using radial imaging and were best using radial k-space sampling combined with SSFP imaging. Vessel border definition was similar for all three sequences. Radial k-space sampling was found to be less sensitive to motion. Consistently good image quality was seen with the radial GRE sequence. CONCLUSION: Radial k-space sampling in MRI of coronary vessel walls resulted in fewer motion artifacts and improved SNR and CNR. The use of SSFP imaging, however, did not result in improved coronary vessel wall visualization.

"Ruddigore o la nissaga maleïda", un prodigi d'Egos Teatre

Treball que prova d'esbrinar el perquè de l'èxit del primer muntatge teatral d'una companyia novell catalana que repren una obra de Gilbert & Sullivan i la transforma a la seva manera.

Can the impact of bed closure in intensive care units be reliably monitored?

OBJECTIVE: To assess the properties of various indicators aimed at monitoring the impact on the activity and patient outcome of a bed closure in a surgical intensive care unit (ICU). DESIGN: Comparison before and after the intervention. SETTING: A surgical ICU at a university hospital. PATIENTS: All patients admitted to the unit over two periods of 10 months. INTERVENTION: Closure of one bed out of 17. MEASUREMENTS AND RESULTS: Activity and outcome indicators in the ICU and the structures upstream from it (emergency department, operative theater, recovery room) and downstream from it (intermediate care units). After the bed closure, the monthly medians of admitted patients and ICU hospital days increased from 107 (interquartile range 94-112) to 113 (106-121, P=0.07) and from 360 (325-443) to 395 (345-436, P=0.48), respectively, along with the linear trend observed in our institution. All indicators of workload, patient severity, and outcome remained stable except for SAPS II score, emergency admissions, and ICU readmissions, which increased not only transiently but also on a mid-term basis (10 months), indicating that the process of patient care delivery was no longer predictable. CONCLUSIONS: Health care systems, including ICUs, are extraordinary flexible, and can adapt to multiple external constraints without altering commonly used activity and outcome indicators. It is therefore necessary to set up multiple indicators to be able to reliably monitor the impact of external interventions and intervene rapidly when the system is no longer under control.

Acting Rehearsal in Collaborative Multimodal Mixed Reality Environments

This paper presents the use of our multimodal mixed reality telecommunication system to support remote acting rehearsal. The rehearsals involved two actors, located in London and Barcelona, and a director in another location in London. This triadic audiovisual telecommunication was performed in a spatial and multimodal collaborative mixed reality environment based on the 'destination-visitor' paradigm, which we define and put into use. We detail our heterogeneous system architecture, which spans the three distributed and technologically asymmetric sites, and features a range of capture, display, and transmission technologies. The actors' and director's experience of rehearsing a scene via the system are then discussed, exploring successes and failures of this heterogeneous form of telecollaboration. Overall, the common spatial frame of reference presented by the system to all parties was highly conducive to theatrical acting and directing, allowing blocking, gross gesture, and unambiguous instruction to be issued. The relative inexpressivity of the actors' embodiments was identified as the central limitation of the telecommunication, meaning that moments relying on performing and reacting to consequential facial expression and subtle gesture were less successful.

Ausgegraben! Schweizer Archäologen erforschen die griechische Stadt Eretria. Eine Ausstellung der Schweizerischen Archäologischen Schule in Griechenland in Zusammenarbeit mit dem Antikenmuseum Basel und Sammlung Ludwig (22.09.2010-30.01.2011).

Eretria war eine der grossen Städte des antiken Griechenland. Zahlreiche Monumente und Kunstwerke zeugen noch heute von ihrer bedeutenden Vergangenheit. 1964 haben Archäologen aus der Schweiz die Erforschung der antiken Stadt, die vor über einem Jahrhundert begonnen hatte, in enger Zusammenarbeit mit den zuständigen griechischen Behörden aufgenommen. Zum ersten Mal sollen nun die bisherigen Ergebnisse in der Schweiz präsentiert werden: Die Ausstellung lässt anhand von etwa 500 Ausgrabungsfunden eine blühende griechische Stadt wieder aufleben. Eretria war von Anfang an ein wichtiger Knotenpunkt zwischen Ost und West. Die Stadt liegt am östlichen Ufer des Golfes von Euböa gegenüber von Attika. Von diesem zentralen Punkt in der Ägäis brachen eretrische Abenteurer ab dem 8. Jh. v. Chr. auf, um das gesamte Mittelmeer zu durchkreuzen. Obschon Eretria zur Zeit der Perserkriege um 490 v. Chr. und unter der athenischen Herrschaft im 5. Jh. gelitten hatte, erlebte die Stadt in den folgenden Jahrhunderten eine neue Blütezeit, die sich bis in die römische Kaiserzeit fortsetzte. Erst im 6. Jh. n. Chr. wird der Ort vollständig verlassen. Die Stadt der Lebenden stellt anschaulich die verschiedenen Bereiche des Lebens in einer antiken griechischen Stadt vor. Anhand der Wohnhäuser der eretrischen Aristokratie wird das Privatleben thematisiert. Im Gegensatz zu den Privathäusern, die nach aussen geschlossen sind, öffnen sich die öffentlichen Gebäude auf grosse Plätze. Die Agora, die Säulenhallen, das Theater, die Palästren und das Gymnasion bieten den Einwohnern genügend Raum, um sich zu treffen, über Politik und Kultur zu debattieren und Neuigkeiten auszutauschen. Die Stadt der Götter zeigt, welche Götter man in Eretria verehrte. Im Zentrum Eretrias befand sich das Heiligtum des Apollon Daphnephoros (= <des Lorbeerträgers>). Der Stadtgott Apollon teilte sich mit seiner Zwillingsschwester Artemis die Vorrangstellung im eretrischen Pantheon. Daneben hatten aber auch andere Götter ihren Platz: Athena auf der Akropolis, Demeter und Kore an deren Abhängen und Dionysos beim Theater. Die Stadt der Toten geht auf die Jenseitsvorstellungen und auf die Bestattungsbräuche der damaligen Menschen ein. Die oberirdischen Monumente sind seit langem verschwunden. Die eigentlichen Gräber in der Tiefe der Erde mit den sterblichen Überresten und den Grabbeigaben blieben indes intakt. Sie lehren uns viel über die Gesellschaft Eretrias und über das Verhältnis der Menschen zum Tod. Begleitpublikation zur Ausstellung "ausgegraben! Schweizer Archäologen erforschen die griechische Stadt Eretria", die vom 22. September 2010 bis zum 30. Januar 2011 im Antikenmuseum Basel und Sammlung Ludwig gezeigt wurde.

Impingement jet cooling of end windings in a high-speed electric machine

The rotational speed of high-speed electric machines is over 15 000 rpm. These machines are compact in size when compared to the power rate. As a consequence, the heat fluxes are at a high level and the adequacy of cooling becomes an important design criterion. In the high-speed machines, the air gap between the stator and rotor is a narrow flow channel. The cooling air is produced with a fan and the flow is then directed to the air gap. The flow in the gap does not provide sufficient cooling for the stator end windings, and therefore additional cooling is required. This study investigates the heat transfer and flow fields around the coil end windings when cooling jets are used. As a result, an innovative and new assembly is introduced for the cooling jets, with the benefits of a reduced amount of hot spots, a lower pressure drop, and hence a lower power need for the cooling fan. The gained information can also be applied to improve the cooling of electric machines through geometry modifications. The objective of the research is to determine the locations of the hot spots and to find out induced pressure losses with different jet alternatives. Several possibilities to arrange the extra cooling are considered. In the suggested approach cooling is provided by using a row of air jets. The air jets have three main tasks: to cool the coils effectively by direct impingement jets, to increase and cool down the flow that enters the coil end space through the air gap, and to ensure the correct distribution of the flow by forming an air curtain with additional jets. One important aim of this study is the arrangement of cooling jets in such manner that hot spots can be avoided to wide extent. This enables higher power density in high-speed motors. This cooling system can also be applied to the ordinary electric machines when efficient cooling is needed. The numerical calculations have been performed using a commercial Computational Fluid Dynamics software. Two geometries have been generated: cylindrical for the studied machine and Cartesian for the experimental model. The main parameters include the positions, arrangements and number of jets, the jet diameters, and the jet velocities. The investigated cases have been tested with two widely used turbulence models and using a computational grid of over 500 000 cells. The experimental tests have been made by using a simplified model for the end winding space with cooling jets. In the experiments, an emphasis has been given to flow visualisation. The computational analysis shows good agreement with the experimental results. Modelling of the cooling jet arrangement enables also a better understanding of the complex system of heat transfer at end winding space.

Acting rehearsal in collaborative multimodal mixed reality environments

This paper presents the use of our multimodal mixed reality telecommunication system to support remote acting rehearsal. The rehearsals involved two actors, located in London and Barcelona, and a director in another location in London. This triadic audiovisual telecommunication was performed in a spatial and multimodal collaborative mixed reality environment based on the 'destination-visitor' paradigm, which we define and put into use. We detail our heterogeneous system architecture, which spans the three distributed and technologically asymmetric sites, and features a range of capture, display, and transmission technologies. The actors' and director's experience of rehearsing a scene via the system are then discussed, exploring successes and failures of this heterogeneous form of telecollaboration. Overall, the common spatial frame of reference presented by the system to all parties was highly conducive to theatrical acting and directing, allowing blocking, gross gesture, and unambiguous instruction to be issued. The relative inexpressivity of the actors' embodiments was identified as the central limitation of the telecommunication, meaning that moments relying on performing and reacting to consequential facial expression and subtle gesture were less successful.