985 resultados para nome não-contável


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Includes bibliographical references and indexes.

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On geology, resources, and population; with summary data on distances and rations.

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O presente estudo exegético tem por objetivo demonstrar a face materna de Javé revelada nos textos de Dêutero-Isaías, tendo como fonte principal o oráculo de salvação de Is 43,1-7. Para tal, partimos da análise do contexto literário, histórico e religioso de Dêutero-Isaías, paraentão fazer a análise exegética do texto proposto, através da qual enfocaremos, dentre os diversos conteúdos, a característica materna apresentada na perícope. Compreendendo que um texto surge dentro de um ambiente social, evidenciaremos, com base nos escritos de Dêutero-Isaías, a comunidade exilada à qual se dirigem profetas e profetisas. Por fim, combinando os atributos maternos das deusas Asherah e Ishtar com a incipiente concepção materna de Javé apresentado por Oséias, propomos a face materna de Deus com base nos textos dêuteroisaiânicos, em especial, Is 43,1-7.

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Esta tese analisa o papel dos líderes da Igreja católica institucionalizada antes e durante o movimento e guerra do Contestado de 1912 a 1916. Movimento classificado como messiânico-milenarista ocorrido no sul do Brasil numa área litigiosa pleiteada pelos Estados do Paraná e Santa Catarina. Aponta o contexto sócio-econômico-político e religioso que criou condições para que o movimento pudesse emergir. Analisa a formação do catolicismo rústico popular brasileiro e suas expressões na região do Contestado, destacando-se o papel dos monges. Aprofunda a compreensão do catolicismo oficial em processo de romanização e do papel dos frades franciscanos, de suas concepções e práticas na tentativa de enquadrar a religião cabocla dentro dos princípios da reforma. Analisa a reação cabocla diante das mudanças implantadas na região e a explosão da irmandade, denominada Terra Santa , que buscava efetivar uma nova ordem . Aprofunda especialmente o papel dos frades representantes da Igreja católica, tendo em vista dispersar e pacificar o caboclo rebelde e a aliança, que estabeleceram com as forças repressoras, para implantar a ordem e a paz na região contestada, com a conseqüente eliminação radical da irmandade cabocla e de seus redutos .(AU)

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RESUMO O objeto deste trabalho é o teatro de Chico Buarque, especialmente suas peças criadas como frutos de um processo de adaptação. São elas: Calabar, o elogio da traição, Gota D`Água, e Ópera do Malandro. Como objetivos da análise buscamos respostas às questões relacionadas aos processos midiáticos envolvidos na criação, produção, divulgação e crítica desses produtos culturais e a compreensão da poética do artista no momento político em que as obras se realizaram, o período da ditadura militar brasileira. É condição primordial de análise o contexto histórico, político e cultural em que as peças foram escritas e tiveram suas primeiras encenações. O entendimento das mesmas envolve a análise do discurso dramatúrgico e os processos midiáticos decorrentes da criação, produção e divulgação das obras: autoria, adaptação, montagem de peça teatral, reportagens, críticas jornalísticas e materiais de divulgação.

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This thesis aims to analyze a corpus containing some hybrid poems and some images related to these poems because the omnipresence of some of them in different semiotic systems and even different books of Arnaldo Antunes. The poems in question will be drawn from two of his books: Things and Name; We will also consider some excerpts from songs, which are present in the same author career discs; as well as observe the embodiment of the poem video coming out of the paper support and enters on the TV screen through the VHS / DVD project Name. Our work focuses on this corpus, mainly observing a recurrent feature already observed at Masters level that is the hallmark of firstness, theoretical category developed by Charles Sanders Peirce. In addition to observe the semiotic aspect, we will also be a discussion of the relationship of verbal texts with visual and its nuances with changing media. The semiotic theory is basically anchored in Peirce vision studied by Lucia Santaella on the headquarters of language and thought (noise, verbal and visual). And with regard to the study of the songs, we use the theory of Luiz Tatit, which discusses the verbal intonation and musical indices as the party responsible for global understanding of Song.

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This research deals with anorexia nervosa through the look of those who lived this experience. Eating Disorders have been presented as psychopathology increasingly recurrent in contemporary, being almost doubled incidence in the last 20 years, reaching mainly teenagers and bringing consequences and implications of various kinds. The literature points to the relevance of the current ideal of beauty, in which thinness is overvalued. In this case, the study’s objective was to understand, from an existential-phenomenological perspective, anorexia experience. Thus, when assessing the experience, seeking to understand the possible directions that the non-eating is for the person who lives such an experience. The study, of Heidegger's existential-phenomenological inspiration, used semi-structured interviews as a means of access to the experience. Female two people were interviewed, at the age of 17 and 30, began with a starter question ("How was, or how is, your anorexia experience?"), which allowed the interviewee to talk about their experience. For the selection of the study participant was publicized among health professionals, as well as in social networks and blogs, in which the research objectives and approaches have been made explicit. The field diary was also used as a methodological resource, seeking a greater approximation of the experiences of the interviewees and the researcher. The interviews were interpreted in the by Heidegger's hermeneutics. The meanings unveiled in the narratives revealed issues beyond the physical and pathological issue, being involved family, wishes, friends, experiences, life projects. The corporal, as thought by Martin Heidegger, became very present in the statements of the interviewees, as it is part of existence. Among the Heidegger´s ideas, emphasizes care, inhospitality, live, boredom, openness to possibilities and factuality, that might be discussed from interviewees' discourse, engendering reflections about their senses, in their lives.

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This research deals with anorexia nervosa through the look of those who lived this experience. Eating Disorders have been presented as psychopathology increasingly recurrent in contemporary, being almost doubled incidence in the last 20 years, reaching mainly teenagers and bringing consequences and implications of various kinds. The literature points to the relevance of the current ideal of beauty, in which thinness is overvalued. In this case, the study’s objective was to understand, from an existential-phenomenological perspective, anorexia experience. Thus, when assessing the experience, seeking to understand the possible directions that the non-eating is for the person who lives such an experience. The study, of Heidegger's existential-phenomenological inspiration, used semi-structured interviews as a means of access to the experience. Female two people were interviewed, at the age of 17 and 30, began with a starter question ("How was, or how is, your anorexia experience?"), which allowed the interviewee to talk about their experience. For the selection of the study participant was publicized among health professionals, as well as in social networks and blogs, in which the research objectives and approaches have been made explicit. The field diary was also used as a methodological resource, seeking a greater approximation of the experiences of the interviewees and the researcher. The interviews were interpreted in the by Heidegger's hermeneutics. The meanings unveiled in the narratives revealed issues beyond the physical and pathological issue, being involved family, wishes, friends, experiences, life projects. The corporal, as thought by Martin Heidegger, became very present in the statements of the interviewees, as it is part of existence. Among the Heidegger´s ideas, emphasizes care, inhospitality, live, boredom, openness to possibilities and factuality, that might be discussed from interviewees' discourse, engendering reflections about their senses, in their lives.