681 resultados para Voacanga africana
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A dança surgiu desde os primórdios da humanidade, quando os povos mais antigos dançavam, para a chuva e para o sol, para seus Deuses e para as pessoas mortas ou pelo simples fato de se comunicar. A partir do século XV, ela passou a ser executada nos grandes salões dos palácios, e algumas dessas danças são a valsa, o minueto e a quadrilha. Surgiu, então, a Dança de Salão, sendo que, cada região tinha suas danças características. No início do século XX começam as primeiras competições de dança e uma organização e padronização delas, buscando sua inserção nos Jogos Olímpicos. A dança de salão chegou ao Brasil com a Família Real, e após sua popularização, sofreu influência da cultura africana, que deu origem a novas danças, como o maxixe, o samba, o choro, a lambada, o forró entre outros. A dança como esporte chegou ao Brasil há pouco tempo, com a criação da Confederação Brasileira de Dança de Salão. Com essa profissionalização da Dança de Salão e mesmo pelo seu caráter lúdico, hoje, existem muitos praticantes. Este estudo teve a finalidade de fazer um levantamento histórico, que possa contribuir e enriquecer a quantidade de estudos nesta área, além de possibilitar àqueles que buscam a obtenção de informações relevantes sobre a dança de salão.
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The aim of this final essay is to study the writing practice of contemporary writers from Guinea Bissau, one of the countries of the former Portuguese colony, where the literature has developed very late, due to the lack of socio-cultural conditions for the development of the this practice. This happened because the country was delay was under colonial exploitation for a long time, under the command of the portuguese government. Among the elements that explain this situation is the presence of a restrictive and longcolonial education policy.The interest of this research consists in issues relating to the practice of writing and identity, It is an exploratory study which aims to gather information and reflect a) on discourses of contemporary Guinean writers about their writing practice and b) journalistic and academic discourses about the writing practice of these writers. The search of the corpus is made mainly on the Internet and the time frame set for the talks is collected from 1990 to 2010. The issues that guide the research are: 1) How is the writing practice of these writers ?, 2) What is the purpose of writing in this socio-historical context?, 3) What are the consequences of this practice for the production of the identity of these individuals? The results have revealed that: the practice of writing have a important role in the production of Guineansubject identity, because it has been related to the identity and political movements; the use of native languages and Creole in these practices, is indicative of the attempt to build in writing, an identity for the self who writes and for the other represented. This identity speaks to the cultural manifestations of the African people
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Os marcadores genéticos mais utilizados para fins de identificação humana são regiões autossômicas de repetições consecutivas curtas (Short Tandem Repeats - STRs) e para interpretar a análise de DNA, os resultados de um caso necessitam ser comparados com os dados de uma pertinente população. O objetivo do trabalho, portanto, foi caracterizar o perfil genético da população de Araraquara, (São Paulo, Brasil) pela análise de 15 STRs autossômicos (D3S1358, TH01, D21S11, D18S51, Penta E, D5S818, D13S317, D7S820, D16S539, CSF1PO, Penta D, VWA, D8S1179, TPOX and FGA) inclusos no kit PowerPlex 16 (Promega) e correlacionar esses dados com a história de formação da população. Não foram observados desvio do equilíbrio de Hardy - Weinberg após correção de Bonferroni. Parâmetros forenses apresentaram valores elevados, sendo os marcadores mais polimórficos o Penta E, D18S51 e FGA. A árvore UPGMA (Unweighted Pair- Group Method with Arithmetic Mean) baseada na medida de distância genética mostrou a população de Araraquara agrupada com as populações da região sudeste do Brasil, próxima do grupo europeu e distante das populações Africana e Ameríndia. Estimativas de mistura revelaram que a contribuição parental para a população de Araraquara foi 76% européia, 18% africana e 6% ameríndia
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Pós-graduação em Serviço Social - FCHS
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Pós-graduação em Biotecnologia - IQ
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Pós-graduação em Letras - FCLAS
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As reflexões e iniciativas brasileiras e africanas sobre acordos de cooperação mútua no plano científico, artístico e cultural vem crescendo nesta primeira década do século XXI visando uma integração e a constituição de mecanismo de cooperação técnico-científico a partir das história comuns que envolvem os escravismos, o tráfico, a diáspora africana, as independências e nossa identidade cultural construída no Atlântico. As universidades brasileiras através de seus centros e núcleos de pesquisas vinculados aos estudos sobre as populações afro-brasileiras e as sociedades africanas tem caminhado nesta direção de modo paulatino, mas flagrante.
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The theme of African-Brazilian culture is still little explored in the school environment, in spite of the 10.639/03 law which prescribes its mandatory teaching as well as that of African-Brazilian history and African culture in all schools, public and private, from the Elementary School level to High School. Moreover, this law emphasizes the importance that these cultures had in the formation of Brazilian society. Considering this issue, this paper aims to analyze the work Três anjos mulatos do Brasil (2011), by Rui de Oliveira, which brings together three sensitive and touching biographies, followed by beautiful and artistic pictures. hese narratives address the genius of three great artists –Aleijadinho, Mestre Valentim and Father José Maurício–, their styles, their creations and struggle for recognition, as well as the sufering they experienced, primarily caused by racial discrimination. Also, we intend to present in this text a suggested pedagogical use of the work by Oliveira, by applying the “Recepcional” method, as it was deined by Bordini and Aguiar (1993).
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This paper addresses the role of literature in the construction of the new Brazilian society. The rescue of the cultural formation of identity values of the country, highlighting the African presence in various sectors of national life. In a project dedicated exclusively to children and young Brazilian students, aiming to demonstrate the multicultural and multiethnic existing in Brazilian culture. Literatures of Portuguese aid in the understanding of this reality.
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The choice Brazilian african study theme in the general education, and particularly in physical education has not advanced as to be themed with the subject matter. Even open to this issue, in 2003 a law was passed introducing an obligation of racial ethnic correlations in Brazil. Law 10.639, changed the LDB (Guidelines and Framework Act, 1996) and establishing the obligation both in elementary school as high school, public and private, the teaching of history and African Culture and African Brazilian. As the main objective of disseminating the importance of valuing the African culture and its legacy, expanding the looks and the knowledge about the culture and history of a people who often are discriminated against and excluded by society. The questions that arise are the following: The physical education teacher know that prerogative? Incorporates the Brazilian african discussion in their classes? Discusses with students these subjects related to corporal practices? Have difficulty in dealing with this issue? What? Thus the aim of this study was to detect whether and how a group of physical education teachers is the Brazilian african theme in their classes, for the fulfillment of the Law 10.639 / 03. The methodology of this study was qualitative descriptive type. Were used for data collection semi-structured interviews and non-participant observation. The data obtained through interviews with teachers were transcribed, reviewed and classified according to the content analysis. It is concluded that the racial ethnic theme is not systematically addressed in physical education classes when they are treated, is superficially when proposed by the curriculum of
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Pós-graduação em Patologia - FMB
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)