Manifesta och latenta ideologier om lärande inom svensk spelmansrörelse under 1920-talet

The purpose of this article was to illuminate existing educational ideologies in the Swedish fiddler movement (Spelmansrörelsen) 1923-1927. This period was characterized by the organization and to some extent institutionalization of Swedish folk music. Furthermore, the purpose was to discuss the results in relation to the folk music education of today. The empirical data was taken from the journal Hembygden, which was a magazine for scholars, enthusiasts and practitioners of folk music. Theoretically, the study was based on a concept of ideology developed by Sven-Eric Liedman: in every time there are two basic forms of identifiable ideology, manifest and latent. From the empirical material as a whole (around 900 articles), a selection was made to find articles dealing with aspects of learning among the fiddlers (33 articles). After content analysis the following themes were generated: Fiddlers’ repertoire, Fiddlers’ masters, Rooms for learning, Learning formation. The writers in Hembygden often emphasized the autodidactic aspects of learning and especially the importance of learning by ear. This manifest ideology of authenticity presumed that learning directly from another fiddler by playing together was to prefer to formal schooling. In spite of a tendency towards more ensemble playing, the folk music education of today in Sweden is characterized by a similar retrospective ideology as in the 1920s.

Audiovisuella loopar och kollektiv live-looping

 Loop-teknik i solistiska sammanhang är en idag väletablerad musicerande form dock är möjligheterna att använda tekniken i ensembleform ett mer eller mindre oprövat fält. I projektet “Audiovisuella loopar” som genomförts vid Högskolan Dalarna presenteras ett system för kollektiv livelooping där upp till fyra personer loop-musicerar tillsammans och där loopandet samtidigt kan spelas in och spelas upp som videoklipp. Tekniken har visat sig ha en stark kreativ potential. Med enbart en kort instruktion så startar en kollektiv process där den omedelbara feedbacken ger ett “fl ow” som lockar fram skaparglädjen hos musikanterna. Dessa erfarenheter pekar på spännande möjligheter att använda tekniken i musikundervisning och musikterapi.

Wallon: alternativa teórica em psicologia e implicações para uma abordagem do deficiente mental

Tomando-se como ponto de partida a carência de uma perspectiva teórica sistematizada que se observa na abordagem psicológica do deficiente mental, o presente estudo visa levantar e sugerir alguns aspectos relevantes da referida área, como possíveis contribuições ao seu enriquecimento. Admite-se que a deficiência mental só pode ser legítima e autêticamente investigada em suas dimensões psicológicas (cognitivas e afetivo-emocionais) desde que referida a um contexto teórico abrangente e estruturado, do qual seja um campo de aplicação de conceitos e pressupostos devidamente articulados. Neste sentido, a obra de Henri Wallon é tomada como o referencial estratégico. Analisam-se suas contribuições para a psicologia enquanto tal, à psicologia do desenvolvimento, à psicopatologia, assim como as implicações relativas ao estudo da deficiência mental feito à luz de tais pressupostos. A Psicologia Genética de Wallon é discutida, no capítulo 1, enquanto uma alternativa teórica para a delimitação do objeto de estudo da ciência psicológica e para o equacionamento da metodologia de conhecimento do mesmo. Apresentam-se suas tentativas de introdução do materialismo dialético como postura epistemológica e sua metodologia concreta-multidimensional na abordagem do fenômeno psíquico. A partir de tal enquadre, derivam- se seus estágios de desenvolvimento e suas concepções acerca da evolução dialética da personalidade. O capítulo 2 focaliza a expressão patológica do fenômeno psíquico enquanto um comprometimento compreensível da evolução dialética normal. Como decorrência e implicação, a deficiência mental é discutida como um âmbito particular e expressivo do fenômeno psicopatológico, traduzindo, em seus diferentes níveis, um processo evolutivo que inviabiliza o acolhimento e a resolução de conflitos e contradições que caracterizam o desenvolvimento normal. Finalmente, analisam-se as diferentes e profundas contribuições acarretadas por uma retomada do pensamento walloniano inexplicávelmente negligenciado em seu alcance, riqueza, fecundidade e abrangência.

A tarefa crítica: uma nova perspectiva em analise ocupacional

Uma nova abordagem sobre Análise de Trabalho é o que norteia esta dissertação. Partindo de uma. avaliação preliminar sobre as metodologias existentes, visa oferecer uma perspectiva inovadora no plano técnico e metodológico, através de um m:x3.elo especifico, aqui, denominado - TAREFA CRÍTICA. Nesta trajetória a temática envolve, preliminarmente, uma. reavaliação em termos organizacionais dos aspectos administrativos e comportamentais, vinculados ao estudo do trabalho humano. Sucessivamente, são postos em discussão os problemas específicos das metodologias utilizadas em Análise de Trabalhe, revistos em suas noções básicas. Esta primeira avaliação permite enfrentar uma análise subsequente englobando uma revisão dos métodos, através de termos coordenadores aptos a levantar a diretriz lógica dos processos classificatórios existentes. Desta forma, são fixados e discutidos critérios destinados a classificar as classificações dos métodos, no intuito de se entender a própria lógica subjacente ao sentido e aos objetivos de cada um. A Análise, até certo ponto, exaustiva desses termos, além de propiciar a sistematização conceitual da relação e interação dos métodos frente aos seus objetivos e respectivos resultados, conduziu à proposta metodológica que constitui objeto desta tese. A TAREFA CRÍTICA pretende conciliar, definitivamente, a análise do binômio trabalho-trabalhador, pelo emprego de um raciocínio em parte construtivista, e em parte essencialista; superando, de um lado, os radicalismos operacionais e, de outro, os impasses empiristas em análise de Trabalho. Seu desenvolvimento se originou da hipótese de que sempre há um núcleo fundamental no comportamento do trabalhador a ser definido a partir dos eventos ou dados positivos do trabalho, e susceptivel de explicitar uma significação enucleada nas metas organizacionais que lhe correspondem.

A construção da imagem operária: uma nova dimensão da análise do trabalho

A tentativa de buscar uma nova dimensão para o desempenho satisfatório das atividades humanas em situações de trabalho resume o objetivo primeiro desse estudo. A proposta básica consiste em que as ações humanas podem ser programadas mentalmente antes de serem objetivamente executadas e que essa programação se verifica a partir de e em função de imagens. O conceito de imagem operatória como o processo psicológico capaz de permitir aprioristicamente a simulação imagina da dessas realizações assume, assim, importância vital para essa dissertação. Da percepção de que toda e qualquer atividade se desenvolve num espaço de localização e movimentação corporal próprio de cada sujeito e da necessidade de se encontrar um referencial teórico que melhor situasse o constructo citado, chegou-se a inclusão dos termos espaço pessoal e esquema corporal como susceptíveis de explicitarem a relação proposta. Estabelecido o triângulo conceitual explicativo, capaz de elucidar algumas questões relativas ao binômio homem-trabalho, partiu-se para o levantamento e discussão de algumas das variáveis possivelmente envolvidas na construção da imagem operatória. Como parte final, algumas implicações lógico-formais, são levantadas, considerando-se os conceitos envolvidos a partir de uma perspectiva, que mais se aproxime de um caráter global.

(Des) encontros no discurso de estagiário em relatórios de estágios supervisionados

GALVÃO, Marise Adriana Mamede; RODRIGUES, Maria das Graças Soares.(Des) encontros no discurso de estagiário em relatórios de estágio supervisionados. Revista Intercâmbio, São Paulo, v.18, p. 122-138, 2008.ISSN 1806-275x

Propondo um modelo para acompanhamento do processo Composicional

Silva, Alexandre Reche. Propondo um modelo para acompanhamento do processo Composicional. Ictus - Periódico do PPGMUS/UFBA, v. 11, n. 1, p. 11-28, Salvador, BA, 2010.

The Beatles: ensaio sobre a ética do amor

The thesis intends to discuss the ethics by the way of love. So, it uses as a mention the musical work and the set of attitudes of the group that changed the way of thinking across the 20th Century mass-comm, entering a new way of thinking about the World: The Beatles. Analyzing the lyrics and the writing of the songs was searched the comprehension of he intrinsic love message at the Ethics it expresses. At the musical art of The Beatles political messages had been announced in a time that the World sought a Ethic way beyond the several declared war and the Cold War. Taking the Edgar Morin works as a base, O método 6, Ética (2005), it sought to understand the idea who permeates the human relations: the good, the possible, the necessary. Another works used as a cognitive base were Meus demônios (2003), Cultura de massas no Século XX: neurose (2005), Cultura de massas no Século XX (2006), The Beatles Anthology (2000) and Many years from now (2000). Holding the Ethics idea showed by Morin were established imaginary lines that perpass the behavior of the group known in the entire World understood till nowadays as tolerance, comprehension, peace, love and endurance messengers. The Beatles operate during the sixties a musical reborn, which allowed to the people the discussion and the reflexion about the World and the human being new behavior,endurance but acting with tolerance. Permeating the basic study, we find the Beatles way, the group origin, the fast walk till success, the spiritual choice, who guide their behavior and the end of the band. The music used as a masscomp instrument passes by the condition of a simple way of communicating. It deeply action feeds feelings, allows transcendence and is showed as target of human being transformation. The Ethics in music passes by the ideological barriers and becomes to comprehension with a clear synthony for the man, cause the polyphony and the new musical order establish the messages worldwide

Lévi-Strauss Mitológicas: Mito e música entre o largo e o prestíssimo

This study was elaborated based on our research of the work Mithologiques by the anthropologist Claude Lévi-Strauss (1908-2009), which affirms that languages, indigenous myths and music are related. He proposes that the understanding of myths occurs in a similar manner as with an orchestral score. In the course of his tetralogy we investigated the musical terms used in the analysis and in the division of the chapters, especially in the first volume of his work. Several compositional procedures and forms are named. Composers in pairs are categorized: Sebastian Bach for the code, Ludwig van Beethoven for the message, and Richard Wagner for the myths. In this deduction, we structured in parts: theme and variations, sonata and fugue with the aforementioned composers. Within the greatness of anthropological study, from among over 800 myths, we selected the first five of the indigenous tribe Bororo to discuss within the Theme and Variation segment. In the Sonata part there are two myths with the same theme: The wife of the jaguar which relates to the compositional structure, and four myths about The origin of women. Finally, in the segment related to the Fugue, we collected four myths that address The shortness of life. Honoring the many terms expressed in opposition, contrast, or symmetry under consideration in Levi-Strauss work, we entitled this thesis emphasizing the migration between the tempos Largo and Prestíssimo as these are oppositional presentations in music. Fifteen musical myths accompany the work supported by selected narratives. In light of this we questioned, we questioned: how are incest, murder and other events part of a society that elevates nature as an extension of life itself? And how did Lévi-Strauss think that anthropology harmonized with music? In the preparation of this study, philosophers like Peter Sloterdijk discuss the circular territory of Mythology

A televisão refletida na escola: a compreensão de mães/educadoras

This work aims to examine the television social representation by mothers/educators as a TV viewers, to understand the meaning of this media in their quotidian and which relations occur between teachers and students in the classroom. The study purpose is the educational television rule, based on a social representation approach. It look for to reveal, through the discourses of five educators who are engaged in pedagogic activities in the Public Elementary School of the Natal city, a significant experience in the media education field progress. It’s also a way to understand which representations the educators have about the television can contribute to aid the idea and critic analysis about the media meaning in the teacher’s formation. Some questions were in the basis of the investigation as: What is the television for the educators who are also TV viewers? How it reaches the classroom? Their relation with the media interfere in the pedagogic practice? Assuming that the verbal technical is one of the formal ways to access the representations, the methodological strategy employed was the open interview, guided by a wide and flexible schedule, leaving the interviewees free to expose their ideas, a attitude adopted to avoid the imposition of interviwer’s points of view, that result in a rich material. Through this strategy it was possible to confirm or to reject presumptions raised in the beginning of the investigation and modify some planning direction lines. The study has as the theory presupposition the contribution of the Mexican researcher Guillermo Orozco Gómez, who, based on the Paulo Freire e Jesús Martín-Barbero ideas, establishes a dialogue between popular Education and the communication theories, mainly the television reception, when he develops an integral view focused on the audience or on the multiple mediations model. The school – and the family, as well – is an important mediator of the media information. The relationship which the teachers establish between the television and their representations about it in their lives reflects effectively and directly on their professional practice and on the media dialogue within the school, it can contribute to the critic reflection which students establish with the media trough the educators mediation

Um estudante cego no curso de licenciatura em musica da ufrn: questões de acessibilidade curricular e física

This work aims to discuss and analyze the process of school inclusion of a blind person in the Bachelor's Degree in Music, at the School of Music at the Federal University of Rio Grande do Norte, as well as reflect on the importance of establishing systems of support and to ensure university inclusive process of people with visual impairments. In pursuit to achieve these objectives, this research chose a qualitative methodological approach, the case study, using as procedures for data construction an interview, observation, analysis of documents and photographs. Joined the group of participants in this study, a blind student in the class of 2009.1of the EMUFRN Bachelor's Degree in Music, teachers from two disciplines complied by the student, two classmates, a monitor support in music theory, the course coordinator and school principal, and two other individuals who contributed to the inclusion process in actions not formalized institutionally. The results indicate UFRN proposed initiatives that contribute to inclusion of students with disabilities in this institution, the main one is the creation of the Standing Committee of Support for Students with Special Educational Needs (CAENE), a group that guides administrative sectors, teachers, principals, coordinators and students on the measures needed to enter and remain in quality education for all. Physical accessibility is still under construction at UFRN, and many access and sectors see it being adapted for students with physical or visual disabilities, and those with mobility impairments, have access to various parts of the university, however, as shown in this study, some points need to be reconsidered, as there are several places where the installation of tactile floor does not fully follow the guidelines proposed in the legislation. The proposals for access to the curriculum, mediated by EMUFRN, are actions that propose the inclusion of the blind student, as the existence of an educational monitor to help in the study of music theory, however, we need to rethink these proposals to not became actions of reactive intervention. Assuming a more proactive posture, the EMUFRN will be prepared to receive the diversity of students that expects. The study also points out that the blind student is part of a group of students that are practical musicians, who must work in events and evening shows, and who have little knowledge in music theory, leading, respectively, in low frequency classes and learning difficulties in certain curricular components, which may cause the closing of such components. In this case, the challenge of EMUFRN, considering the inclusive perspective, it is not specifically fit for the academic host a blind student, but to develop an accessibility project curriculum to consider effectively the diversity of all its students, taking into account mainly the economic and cultural conditions. This implies a process of resizing academic practices that be guided for collaborative and coordinated actions involving the various educational actors at EMUFRN and UFRN

A palavra cantada nos espaços intersubjetivos de um centro de atenção psisossocial do município do Natal/RN

The psychiatric care and mental health are undergoing constant change over the History. The Brazilian Psychiatric Reform, which brings up the deinstitutionalization as a structuring in the restorative care process. The Reform has as one of the mainly substitutive services the Centers for Psychosocial Care (CAPS), which work from the Singular Therapeutic Project (PTS) in order to restore the autonomy and restore the dignity of users. The therapeutic workshop is some of the resources used and work several kinds of activities as: writing, handcraft, music, poetry, and so forth. This study set up to apprehend the social representations of helping of the music workshop carried out in the CAPS II east of Natal/RN, from the reports given by the participants of the workshop, using the focal group as technique. This is a descriptive exploratory study with a qualitative approach. A total of 16 users participated in four musical therapeutic workshops from April to May 2010. The study was approved by the Ethics and Research Committee of UFRN. The discursive material from the workshop was submitted to the informational resource of Analyse Lexicale par Contexte d um Ensemble de Segments de Texte, ALCESTE, and analyzed based on the Theory of Representations and the Central Core Theory. The majority of subjects were men (62.5%), single (62.5%), aged 40-49 years (37.6%) and elementary school level (56.2 %). The reports were transcribed and submitted to the classification system of ALCESTE, which elected the following categories: Category 1 - Experience in the Word Family Sung, Category 2 - Musical Experiences and Approaches, and Category 3 - Feelings and emotions evoked by music. The representation of these individuals is anchored in the experience they have with the CAPS, lived and socialized by common sense, through this particular social group workshop objectified in music therapy as a therapeutic modality enjoyable. The central core revealed the intrinsic relationship between users and the music, establishing a relationship of openness to use the same while its therapeutic use in workshops of substitute services for mental health. Peripherals elements issues are related to listen, share and experience music in the family. Intermediary Elements relate to the feelings and emotions evoked by music, given her close relationship with it. It was found in the study that music can be construed as an artifact of good therapeutic responsiveness to users, configuring it as an invigorating and enjoyable therapy, confirming the need for continuity of this activity, as well as its expansion into the service

Samba e negritude: práticas discursivas identitárias negras em sambas de enredo de temática africana

The study object of this thesis is the process of affirmation, (re)construction and (re)signification of the black identities in the discourses which cross the samba-enredo of African theme of the samba schools belonging to the elite group from the carioca carnival, in the period from 1960 and 2007. The main question which guides this research is the following: How does this discursive process occur and which are the possible effects resulting from it? This research aims to understand, through interpretation gestures of such discourses and from those which undergo the interview statements and the answers given to the questionnaires applied to spectators and parade exhibiters of these samba schools, in what way the negritude conception and the citizenship practice of the black Brazilian people, especially those from Rio de Janeiro, can be affected by the meaning production circulating in the discursive practices of these sambas. The research was theoretically related to the Applied Linguistics, however it articulates theories originated from Cultural Studies and Ethnic-racial Studies as well as it presents some theoretical and methodological fundamentals from the Discourse Analysis of French line. As concerns the methodology, it is of interpretative, qualitative basis with procedures of discursive character. The interview analysis did not reveal, as consequence of the discourses circulating in the sambas, a direct involvement of the black people who were interviewed in struggle for their citizenship practice, but it pointed out sliding of meaning in regard to the negritude emergence

A interpretação semântica dos auxiliares modais poder, precisar e dever: uma abordagem da semântica cognitiva

Apresentamos, neste trabalho, com base na semântica cognitiva, uma análise do significado, em contexto, dos auxiliares modais poder, precisar e dever. Analisamos 120 textos produzidos por candidatos ao vestibular e por alunos do ensino fundamental, como resposta da questão número três da prova discursiva de Língua Portuguesa do vestibular 2005 da UFRN, que pede aos candidatos para explicitar a diferença de sentido entre três frases, observando o uso desses três verbos. Consideramos que um item lexical não é incorporado a uma representação lingüística semântica fixa, limitada e única, mas antes, é ligado a uma representação lingüística semântica flexível e aberta que provê acesso a muitas concepções e sistemas conceituais dependente de cada contexto determinado. Com base em seu significado, um item lexical evoca um grupo de domínios cognitivos, que por sua vez, apresentam um determinado conteúdo conceitual. Isto implica em afirmar que a rede de significados lexicais vai variar conforme o conhecimento de mundo de cada um (LANGACKER, 2000). A relevância deste trabalho é proporcionar uma contribuição para a descrição semântica do português

Elegância e atitude: diferenças sociais e de gênero no mundo da moda

As distinções mais óbvias que podem ser observadas no mercado de moda são aquelas que dizem respeito às diferenças de gênero, independente da classe ou do grupo social a que se faça referência. Dentro desse universo podem ser encontradas duas noções, elegância e atitude, que condensam, a um só tempo, marcas de gênero, sociais e individuais. No caso da noção de elegância, o discurso, tanto quanto a roupa ou o próprio indivíduo, traduz sempre um ato de remissão a uma determinada concepção de ordem social, entendida como natural. As diferenças de gênero são relevantes, nesse contexto, porque demarcam posições sociais entendidas como naturais. Já a noção de atitude não cobra, necessariamente, uma ordem social e natural, mas uma ordem pessoal. O discurso e a roupa traduzem um caráter individualista, supondo ser o indivíduo quem imprime um sentido a sua inserção social, ainda que eventual ou momentânea. Nesse contexto, na maior parte das vezes, o individualismo ganha expressão através de uma linguagem estruturada como se não tivesse gênero.