Comprendre l'opposition parlementaire: le Parlement de Paris face aux réformes de Silhouette (1759)

The aim of this article is to reconsider the fiscal interpretation of opposition parlementaire to government policy. First, it suggests that the meaning of the remonstrances is blurred by specific constraints which make it very difficult to interpret these texts. Second, it analyses a variety of documents relating to Silhouette’s fiscal projects (1759) and shows that the real objective of the Parlement of Paris, which was never mentioned in its remonstrances, was to finance the Seven Years’ War by issuing paper-money. This reading reveals the influence of the British model of State finance, especially on the critical issue of credit, on both ministers and magistrates. In spite of this common reference, the government and the Parlement of Paris diverged in their reading of the fiscal crisis, and the political culture of the monarchy prevented the formation of a workable consensus.

O Brasil, o Império Otomano e a Sociedade Internacional: contrastes e conexões (1850-1919)

Este estudo tem como objetivo analisar a forma como o Brasil e o buscaram se inserir na sociedade internacional europeia – nos moldes Inglesa de Relações Internacionais a define - no período que vai da a assinatura da Lei Eusébio de Queiroz do lado brasileiro e do tratado de Império Otomano, até a criação da Liga das Nações, em 1919. Estes são como “impérios periféricos” ao centro europeu, integrando o grupo que não eram nem colônias, nem potências no período em tela. Assim, contrastar os esforços feitos por Brasil e Império Otomano em utilizar o internacional e a diplomacia – formal e não-formal –, e as formas de transformações que empreenderam em suas capitais visando serem “civilizados”. Por outro lado, chama-se atenção para as conexões que se entre Brasil e Império Otomano justamente em função dessa maior Europa. Estas conexões são analisadas então em duas fases. Uma tentativas formais de relações diplomáticas, chamada de “relações envolveu inclusive viagens de D. Pedro II a domínios otomanos. A vinda de súditos otomanos – gregos, armênios, judeus e árabes – para o Brasil e de novas relações diplomáticas travadas.

Notas sobre Siegfried Kracauer, Walter Benjamin e a Paris do Segundo Império: pontos de contato

Trata-se de mostrar a originalidade crítica de Siegfried Kracauer diante da experiência da modernidade estética e de discutir as afinidades estético-teóricas de Kracauer e Benjamim ao analisar a Paris da segunda metade do século XIX, o Segundo Império, em particular, como fenômeno originário da sociedade de massas, da indústria cultural e do entretenimento e, sobretudo, do nazi-fascismo. Kracauer durante seu exílio parisiense (1933-41) escreveu uma biografia da sociedade: Jacques Offenbach e a Paris de sua época (Jacques Offenbach und das Paris seiner Zeit). Obra inovadora pelo seu enfoque da história do presente e com pontos de contatos com a Obra das Passagens (Passagen-Werk) ou Paris capital do século XIX de Walter Benjamin.

As estratégias discursivas da comunicação dirigida em pontos de venda do HSBC

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O ato da enunciação: semiótica e produção de texto

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Uma análise da parte primeira da obra Sulla risoluzione delle equazioni algebriche, de Enrico Betti

Pós-graduação em Educação Matemática - IGCE

O leitor de blog: um estudo com base nos blogs mais acessados do Brasil

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Práticas didáticas: um estudo sobre os manuais brasileiros de semiótica greimasiana

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Mark Twain: um patriota antiimperialista e seu relato de viagem em The innocents abroad or the new pilgrim's progress

Pós-graduação em Letras - FCLAS

Percorsi di gender performance: fotografia tra arte e moda dagli anni Novanta ad oggi

My project explores and compares different forms of gender performance in contemporary art and visual culture according to a perspective centered on photography. Thanks to its attesting power this medium can work as a ready-made. In fact during the 20th century it played a key role in the cultural emancipation of the body which (using a Michel Foucault’s expression) has now become «the zero point of the world». Through performance the body proves to be a living material of expression and communication while photography ensures the recording of any ephemeral event that happens in time and space. My questioning approach considers the gender constructed imagery from the 1990s to the present in order to investigate how photography’s strong aura of realism promotes and allows fantasies of transformation. The contemporary fascination with gender (especially for art and fashion) represents a crucial issue in the global context of postmodernity and is manifested in a variety of visual media, from photography to video and film. Moreover the internet along with its digital transmission of images has deeply affected our world (from culture to everyday life) leading to a postmodern preference for performativity over the more traditional and linear forms of narrativity. As a consequence individual borders get redefined by the skin itself which (dissected through instant vision) turns into a ductile material of mutation and hybridation in the service of identity. My critical assumptions are taken from the most relevant changes occurred in philosophy during the last two decades as a result of the contributions by Jacques Lacan, Michel Foucault, Jacques Derrida, Gilles Deleuze who developed a cross-disciplinary and comparative approach to interpret the crisis of modernity. They have profoundly influenced feminist studies so that the category of gender has been reassessed in contrast with sex (as a biological connotation) and in relation to history, culture, society. The ideal starting point of my research is the year 1990. I chose it as the approximate historical moment when the intersection of race, class and gender were placed at the forefront of international artistic production concerned with identity, diversity and globalization. Such issues had been explored throughout the 1970s but it was only from the mid-1980s onward that they began to be articulated more consistently. Published in 1990, the book "Gender trouble: feminism and the subversion of identity" by Judith Butler marked an important breakthrough by linking gender to performance as well as investigating the intricate connections between theory and practice, embodiment and representation. It inspired subsequent research in a variety of disciplines, art history included. In the same year Teresa de Lauretis launched the definition of queer theory to challenge the academic perspective in gay and lesbian studies. In the meantime the rise of Third Wave Feminism in the US introduced a racially and sexually inclusive vision over the global situation in order to reflect on subjectivity, new technologies and popular culture in connection with gender representation. These conceptual tools have enabled prolific readings of contemporary cultural production whether fine arts or mass media. After discussing the appropriate framework of my project and taking into account the postmodern globalization of the visual, I have turned to photography to map gender representation both in art and in fashion. Therefore I have been creating an archive of images around specific topics. I decided to include fashion photography because in the 1990s this genre moved away from the paradigm of an idealized and classical beauty toward a new vernacular allied with lifestyles, art practices, pop and youth culture; as one might expect the dominant narrative modes in fashion photography are now mainly influenced by cinema and snapshot. These strategies originate story lines and interrupted narratives using models’ performance to convey a particular imagery where identity issues emerge as an essential part of fashion spectacle. Focusing on the intersections of gender identities with socially and culturally produced identities, my approach intends to underline how the fashion world has turned to current trends in art photography and in some case turned to the artists themselves. The growing fluidity of the categories that distinguish art from fashion photography represents a particularly fruitful moment of visual exchange. Varying over time the dialogue between these two fields has always been vital; nowadays it can be studied as a result of this close relationship between contemporary art world and consumer culture. Due to the saturation of postmodern imagery the feedback between art and fashion has become much more immediate and then increasingly significant for anyone who wants to investigate the construction of gender identity through performance. In addition to that a lot of magazines founded in the 1990s bridged the worlds of art and fashion because some of their designers and even editors were art-school graduates encouraging innovation. The inclusion of art within such magazines aimed at validating them as a form of art in themselves supporting a dynamic intersection for music, fashion, design and youth culture: an intersection that also contributed to create and spread different gender stereotypes. This general interest in fashion produced many exhibitions of and about fashion itself at major international venues such as the Victoria and Albert Museum in London, the Metropolitan Museum of Art and the Solomon R. Guggenheim Museum in New York. Since then this celebrated success of fashion has been regarded as a typical element of postmodern culture. Owing to that I have also based my analysis on some important exhibitions dealing with gender performance like "Féminin-Masculin" at the Centre Pompidou of Paris (1995), "Rrose is a Rrose is a Rrose. Gender performance in photography" at the Solomon R. Guggenheim Museum of New York (1997), "Global Feminisms" at the Brooklyn Museum (2007), "Female Trouble" at the Pinakothek der Moderne in München together with the workshops dedicated to "Performance: gender and identity" in June 2005 at the Tate Modern of London. Since 2003 in Italy we have had Gender Bender - an international festival held annually in Bologna - to explore the gender imagery stemming from contemporary culture. In few days this festival offers a series of events ranging from visual arts, performance, cinema, literature to conferences and music. Being aware that any method of research is neither race nor gender neutral I have traced these critical paths to question gender identity in a multicultural perspective taking account of the political implications too. In fact, if visibility may be equated with exposure, we can also read these images as points of intersection of visibility with social power. Since gender assignations rely so heavily on the visual, the postmodern dismantling of gender certainty through performance has wide-ranging effects that need to be analyzed. In some sense this practice can even contest the dominance of visual within postmodernism. My visual map in contemporary art and fashion photography includes artists like Nan Goldin, Cindy Sherman, Hellen van Meene, Rineke Dijkstra, Ed Templeton, Ryan McGinley, Anne Daems, Miwa Yanagi, Tracey Moffat, Catherine Opie, Tomoko Sawada, Vanessa Beecroft, Yasumasa Morimura, Collier Schorr among others.

Il repertorio italiano del Ms Gr. Rés. Vm7 676 della Biblioteca Nazionale di Parigi

La tesi esamina il codice musicale Gr. Rés Vm7 676 della Biblioteca Nazionale di Parigi, che rappresenta una fonte di grande interesse per lo studio della musica vocale italiana tra Quattro e Cinquecento. Compilato nel 1502, il codice è stato oggetto di analisi da parte di vari studiosi, che ne hanno preso in esame singoli brani o intere sezioni, allo scopo di attestare procedimenti compositivi particolari (Torrefranca) o caratteri stilistici locali, in particolare relativi alla frottola mantovana e ferrarese (Prizer). Un’accurata ricognizione sul repertorio è stata effettuata da Nanie Bridgman in un saggio degli anni Cinquanta del secolo scorso, ma non è mai stato realizzato uno studio organico sul manoscritto. Pertanto la ricerca si è proposta di riconsiderare l’intero repertorio italiano tramandato dal codice, per proporre un plausibile inquadramento stilistico nella cultura della poesia per musica coeva. La trascrizione dei testi e delle musiche, supportata dal confronto con le fonti manoscritte e a stampa, letterarie e musicali, ha consentito di formulare alcune ipotesi in merito alla circolazione del repertorio tramandato e all’ambiente di produzione del documento. L’inconsueta varietà di forme musicali riscontrate nel codice consente inoltre di assumere questo manoscritto come una delle principali fonti della tradizione musicale che precede immediatamente la ‘sistemazione’ del repertorio frottolistico effettuata da Ottaviano Petrucci, a partire dal 1504, con la pubblicazione dei suoi undici libri di frottole (1501-1514).

Sistemi tecnologici innovativi di involucro per il recupero del patrimonio edilizio recente. L'edilizia scolastica nel Comune di Bologna

La ricerca è volta a presentare un nuovo approccio integrato, a supporto di operatori e progettisti, per la gestione dell’intero processo progettuale di interventi di riqualificazione energetica e architettonica del patrimonio edilizio recente, mediante l’impiego di soluzioni tecnologiche innovative di involucro edilizio. Lo studio richiede necessariamente l’acquisizione di un repertorio selezionato di sistemi costruttivi di involucro, come base di partenza per l’elaborazione di soluzioni progettuali di recupero delle scuole appartenenti al secondo dopoguerra, in conglomerato cementizio armato, prevalentemente prefabbricate. Il progetto individua procedimenti costruttivi ecocompatibili per la progettazione di componenti prefabbricati di involucro “attivo”, adattabile ed efficiente, da assemblare a secco, nel rispetto dei requisiti prestazionali richiesti dalle attuali normative. La ricerca è finalizzata alla gestione dell’intero processo, supportato da sistemi di rilevazione geometrica, collegati a software di programmazione parametrica per la modellazione di superfici adattabili alla morfologia dei fabbricati oggetto di intervento. Tali strumenti informatizzati CAD-CAM sono connessi a macchine a controllo numerico CNC per la produzione industrializzata degli elementi costruttivi “su misura”. A titolo esemplificativo dell’approccio innovativo proposto, si formulano due possibili soluzioni di involucro in linea con i paradigmi della ricerca, nel rispetto dei principi di sostenibilità, intesa come modularità, rapidità di posa, reversibilità, recupero e riciclo di materiali. In particolare, le soluzioni innovative sono accomunate dall’applicazione di una tecnica basata sull’assemblaggio di elementi prefabbricati, dall’adozione di una trama esagonale per la tassellazione della nuova superficie di facciata, e dall’utilizzo del medesimo materiale termico isolante, plastico e inorganico, riciclato ed ecosostenibile, a basso impatto ambientale (AAM - Alkali Activated Materials). Le soluzioni progettuali proposte, sviluppate presso le due sedi coinvolte nella cotutela (Università di Bologna, Université Paris-Est) sono affrontate secondo un protocollo scientifico che prevede: progettazione del sistema costruttivo, analisi meccanica e termica, sperimentazione costruttiva, verifica delle tecniche di messa in opera e dei requisiti prestazionali.

Einzelpartikel- und Ensemblemessungen mit dem Aerosolmassenspektrometer (AMS): Untersuchungen zu Quellen und chemischer Prozessierung von Aerosolpartikeln im Submikrometerbereich

Atmosphärische Aerosolpartikel haben einen Einfluss sowohl auf das Klima als auch auf die menschliche Gesundheit, wobei sowohl die Größe, als auch die chemische Zusammensetzung der Partikel maßgeblich sind. Um insbesondere die chemische Zusammensetzung der Partikel in Abhängigkeit ihrer Quellen besser zu verstehen, wurden im Rahmen dieser Arbeit massenspektrometrische Untersuchungen thermisch verdampfbarer Partikel im Submikrometerbereich durchgeführt. Hierzu wurden sowohl die Massenspektren einzelner Partikel, als auch die von Ensembles von Partikeln mit dem Aerodyne Aerosolmassenspektrometer (AMS) in mehreren Feldmesskampagnen untersucht. Für die Messung von Einzelpartikelmassenspektren wurde das AMS zunächst durch den Einbau eines optischen Partikeldetektors (light scattering probe) modifiziert und anschließend eingehend charakterisiert. Dabei wurde festgestellt, dass mit dem Gerät im Partikelgrößenbereich von etwa 400-750 nm (untere Grenze bedingt durch die Detektionseffizienz des optischen Detektors, obere Grenze durch die Transmissionseffizienz des Aerosoleinlasssystems) quantitative Einzelpartikelmessungen möglich sind. Zudem wurde die Analyse der erhaltenen Messdaten systematisiert, und durch Einsatz von Standardspektren ein Sortieralgorithmus für die Einzelpartikelmassenspektren entwickelt, der erfolgreich auf Daten von Feldmesskampagnen angewandt werden konnte. Mit diesem Sortieralgorithmus sind zudem quantitative Aussagen über die verschiedenen Partikelbestandteile möglich. Im Sommer 2009 und im Winter 2010 fanden im Großraum Paris zwei einmonatige Feldmesskampagnen statt, bei denen unter anderem der Einfluss der Abluftfahne der Megastadt auf seine Vororte untersucht wurde. Erhöhte Konzentrationen sekundär gebildeter Aerosolkomponenten (Nitrat, Sulfat, oxidiertes organisches Aerosol (OOA)) waren insbesondere beim Herantransport kontinentaler Luftmassen zu beobachten. Im Gegensatz dazu waren die beobachteten Konzentrationen der Tracer primärer Emissionen NOx, BC (black carbon) und HOA (hydrocarbonlike organic aerosol) neben der lokalen Quellstärke insbesondere durch die herrschende Windgeschwindigkeit beeinflusst. Aus dem Vergleich der Messungen an drei Stationen konnte der Einfluss der Megastadt Paris auf seine Vororte (unter Annahme gleicher lokaler Emissionen an den zwei Vorort-Stationen) zu 0,1-0,7 µg m-3 BC, 0,3-1,1 µg m-3 HOA, und 3-5 ppb NOx abgeschätzt werden. Zudem konnten für zwei Stationen aus den Ensemble- bzw. den Einzelpartikelmessungen unabhängig voneinander zwei verschiedene HOA-Typen unterschieden werden, die den Quellen „Kochen“ und „Autoabgase“ zugeordnet wurden. Der Anteil der Partikel aus den Quellen „Kochen“ bzw. „Autoabgase“ am Gesamt-HOA betrug 65,5 % und 34,5 % für die Ensemblemessungen in der Innenstadt (nahe vieler Restaurants), und für die Einzelpartikelmessungen in einem Vorort 59 % bzw. 41 % (bezogen auf die Partikelanzahl, welche hier der Masse etwa proportional ist). Die Analyse der Einzelpartikelmassenspektren erbrachte zudem neue Erkenntnisse über den Mischungszustand der Einzelpartikel. So konnte belegt werden, dass Nitrat, Sulfat und OOA intern gemischt sind, HOA-Partikel aber als externe Mischung mit diesen vorliegen. Zudem konnte anhand der Tagesgänge der Masse pro Partikel von OOA, Nitrat und Sulfat und der Anzahl der diese Substanzen enthaltenden Partikel gezeigt werden, dass der im Ensemblemodus beobachtete fehlende Tagesgang der Sulfat-Massenkonzentration wahrscheinlich durch die gegensätzlichen Effekte der Modulation der Partikelanzahlkonzentration durch die sich verändernde Mischungsschichthöhe und der variierenden Masse an Sulfat pro Partikel (mittägliche photochemische Neuproduktion und Kondensation auf existierende Partikel) erklärt werden kann. Für OOA ist eine ähnliche Erklärung des Ensemblemodus-Tagesganges jedoch nur teilweise möglich; weitere Arbeit ist daher nötig, um auch für diese Substanzklasse belastbare Aussagen aus dem Vergleich der Ensemble- und Einzelpartikelmessungen zu erhalten. Im Rahmen einer Labormesskampagne an der AIDA-Kammer in Karlsruhe wurden Ensemble- und Einzelpartikelmassenspektren von Bakterien aufgenommen. Es konnte gezeigt werden, dass es prinzipiell möglich ist, Bakterien in Außenluft mittels Einzelpartikelmessungen nachzuweisen, jedoch wahrscheinlich nur bei sehr hohen Anzahlkonzentrationen. Der Nachweis von Bakterien und anderen primären biologischen Aerosolpartikeln mit dem AMS sollte daher in weiterführenden Experimenten noch optimiert werden.

Groupme: city data and multi-preference activity allocation

Classic group recommender systems focus on providing suggestions for a fixed group of people. Our work tries to give an inside look at design- ing a new recommender system that is capable of making suggestions for a sequence of activities, dividing people in subgroups, in order to boost over- all group satisfaction. However, this idea increases problem complexity in more dimensions and creates great challenge to the algorithm’s performance. To understand the e↵ectiveness, due to the enhanced complexity and pre- cise problem solving, we implemented an experimental system from data collected from a variety of web services concerning the city of Paris. The sys- tem recommends activities to a group of users from two di↵erent approaches: Local Search and Constraint Programming. The general results show that the number of subgroups can significantly influence the Constraint Program- ming Approaches’s computational time and e�cacy. Generally, Local Search can find results much quicker than Constraint Programming. Over a lengthy period of time, Local Search performs better than Constraint Programming, with similar final results.

In-situ, satellite measurement and model evidence on the dominant regional contribution to fine particulate matter levels in the Paris Megacity

A detailed characterization of air quality in the megacity of Paris (France) during two 1-month intensive campaigns and from additional 1-year observations revealed that about 70% of the urban background fine particulate matter (PM) is transported on average into the megacity from upwind regions. This dominant influence of regional sources was confirmed by in situ measurements during short intensive and longer-term campaigns, aerosol optical depth (AOD) measurements from ENVISAT, and modeling results from PMCAMx and CHIMERE chemistry transport models. While advection of sulfate is well documented for other megacities, there was surprisingly high contribution from long-range transport for both nitrate and organic aerosol. The origin of organic PM was investigated by comprehensive analysis of aerosol mass spectrometer (AMS), radiocarbon and tracer measurements during two intensive campaigns. Primary fossil fuel combustion emissions constituted less than 20%in winter and 40%in summer of carbonaceous fine PM, unexpectedly small for a megacity. Cooking activities and, during winter, residential wood burning are the major primary organic PM sources. This analysis suggests that the major part of secondary organic aerosol is of modern origin, i.e., from biogenic precursors and from wood burning. Black carbon concentrations are on the lower end of values encountered in megacities worldwide, but still represent an issue for air quality. These comparatively low air pollution levels are due to a combination of low emissions per inhabitant, flat terrain, and a meteorology that is in general not conducive to local pollution build-up. This revised picture of a megacity only being partially responsible for its own average and peak PM levels has important implications for air pollution regulation policies.