521 resultados para Butte Symphony
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1 Brief von Max Horkheimer an Pierre van Paassen, 31.01.1944; 1 Brief von Max Horkheimer an Frederick M. Padelford, 25.03.1941; 1 Exposé und Beilage von Karl O. Paetel sowie sowie Briefwechsel mit Karl A. Wittfogel; 2 Briefe zwischen Karl A. Wittfogel und Margot von Mendelssohn, 01.06.1941, 04.06.1941; 2 Briefe von Max Horkheimer an D. D. Paige, August 1944; 2 Briefe zwischen Maria Pape und Max Horkheimer, 23.07.1949, 29.07.1949; 1 Brief von Fritz Pappenheim an Max Horkheimer, 11.03.1939; 2 Briefe zwischen Claire Patek-Hohenadl und Max Horkheimer, 18.02.1945, 02.03.1945; 4 Briefe zwischen Wilhelm Pauck und Max Horkheimer, 1938; 2 Briefe von Max Horkheimer an Thomas Peardon, September 1941; 2 Briefe zwischen Christine Peck und Max Horkheimer, 01.02.1944, 16.02.1944; 2 Briefe zwischen Alexander H. Pekelis und Max Horkheimer, 20.10.1941, 29.10.1941; 4 Briefe zwischen Pendle Hill Wallingford und Max Horkheimer, 21.05.1940, 1940; 1 Einladung von The People Lobby an Max Horkheimer, April 1937; 1 Brief von Franz L. Neumann an Selig Perlman, 08.10.1941; 2 Briefe zwischen Florence Pfleger und Max Horkheimer, 30.10.1944, 06.11.1944; 2 Briefe zwischen The Philharmonic-Symphony Society of New York und Max Horkheimer, 11.06.1936, 22.06.1936; 2 Briefe zwischen Philosophical Library New York und Max Horkheimer, 09.09.1941; 2 Briefe von Max Horkheimer an Donald A. Piatt, Oktober 1940; 1 Brief von Max Horkheimer an Alfred Pinkus, 27.08.1942; 20 Briefe und Beilage zwischen Kurt Pinthus und Max Horkheimer, 1940-1942; 1 Brief von Friedrich Pollock an das American Consul General Berlin, 20.05.1941; 1 Brief von Friedrich Pollock an den National Refugee Service New York, 30.04.1941; 4 Briefe zwischen The Emergency Committee in Aid of Displaced Foreign Scholars, New York und Friedrich Pollock, 27.09.1940-1941; 1 Brief von Max Horkheimer an John Simon Guggeheim von der Memorial Foundation, 08.11.1940; 3 Brief zwischen Robert Plank und Max Horkheimer, 12.07.1944, 1944; 4 Briefe und 1 Beilage zwischen Richard S. Plant und Max Horkheimer, Januar 1939; 2 Briefe zwischen Caroline S. Platt und Max Horkheimer, 06.05.1942, 08.05.1942; 1 Brief und 2 Beilagen vom Pledge for Peace Committee New York an Max Horkheimer, 10.04.1944; 1 Brief vom Popular Publications, Inc. New York an Mein, 23.10.1939; 2 Briefe von Else Heim an die Popular Publikations, Inc. New York, 1939; 1 Brief und 1 Beilage von Frederick Pollock an Leonard Powers, 03.06.1941; 2 Briefe zwischen S. Pressburger udn Max Horkheimer, 18.06.1939, 05.07.1939; 2 Briefe zwsichen dem Preston Hotel, Swampscott und Max Horkheimer, 28.04.1937, 08.05.1937; 1 Brief von Lucio José F. Weil an das Preston Hotel, Swampscott, 25.06.1936; 5 Briefe zwischen F. V. Preve und Max Horkheimer, 1937; 4 Briefe zwischen Rena Proulx und Max Horkheimer, 1934, 1937; 2 Briefe zwischen dem Psychatry Journal of the Biology and the Pathology of Interpersonal Relations Washington und Max Horkheimer, 21.08.1939, 11.09.1939;
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Background. In over 30 years, the prevalence of overweight for children and adolescents has increased across the United States (Barlow et al., 2007; Ogden, Flegal, Carroll, & Johnson, 2002). Childhood obesity is linked with adverse physiological and psychological issues in youth and affects ethnic/minority populations in disproportionate rates (Barlow et al., 2007; Butte et al., 2006; Butte, Cai, Cole, Wilson, Fisher, Zakeri, Ellis, & Comuzzie, 2007). More importantly, overweight in children and youth tends to track into adulthood (McNaughton, Ball, Mishra, & Crawford, 2008; Ogden et al., 2002). Childhood obesity affects body functions such as the cardiovascular, respiratory, gastrointestinal, and endocrine systems, including emotional health (Barlow et al., 2007, Ogden et al., 2002). Several dietary factors have been associated with the development of obesity in children; however, these factors have not been fully elucidated, especially in ethnic/minority children. In particular, few studies have been done to determine the effects of different meal patterns on the development of obesity in children. Purpose. The purpose of the study is to examine the relationships between daily proportions of energy consumed and energy derived from fat across breakfast, lunch, dinner, and snack, and obesity among Hispanic children and adolescents. Methods. A cross-sectional design was used to evaluate the relationship between dietary patterns and overweight status in Hispanic children and adolescents 4-19 years of age who participated in the Viva La Familia Study. The goal of the Viva La Familia Study was to evaluate genetic and environmental factors affecting childhood obesity and its co-morbidities in the Hispanic population (Butte et al., 2006, 2007). The study enrolled 1030 Hispanic children and adolescents from 319 families and examined factors related to increased body weight by focusing on a multilevel analysis of extensive sociodemographic, genetic, metabolic, and behavioral data. Baseline dietary intakes of the children were collected using 24-hour recalls, and body mass index was calculated from measured height and weight, and classified using the CDC standards. Dietary data were analyzed using a GEE population-averaged panel-data model with a cluster variable family identifier to include possible correlations within related data sets. A linear regression model was used to analyze associations of dietary patterns using possible covariates, and to examine the percentage of daily energy coming from breakfast, lunch, dinner, and snack while adjusting for age, sex, and BMI z-score. Random-effects logistic regression models were used to determine the relationship of the dietary variables with obesity status and to understand if the percent energy intake (%EI) derived from fat from all meals (breakfast, lunch, dinner, and snacks) affected obesity. Results. Older children (age 4-19 years) consumed a higher percent of energy at lunch and dinner and less percent energy from snacks compared to younger children. Age was significantly associated with percentage of total energy intake (%TEI) for lunch, as well as dinner, while no association was found by gender. Percent of energy consumed from dinner significantly differed by obesity status, with obese children consuming more energy at dinner (p = 0.03), but no associations were found between percent energy from fat and obesity across all meals. Conclusions. Information from this study can be used to develop interventions that target dietary intake patterns in obesity prevention programs for Hispanic children and adolescents. In particular, intervention programs for children should target dietary patterns with energy intake that is spread throughout the day and earlier in the day. These results indicate that a longitudinal study should be used to further explore the relationship of dietary patterns and BMI in this and other populations (Dubois et al., 2008; Rodriquez & Moreno, 2006; Thompson et al., 2005; Wilson et al., in review, 2008). ^
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In this study, we present the optical properties of nonpolar GaN/(Al,Ga)N single quantum wells (QWs) grown on either a- or m-plane GaN templates for Al contents set below 15%. In order to reduce the density of extended defects, the templates have been processed using the epitaxial lateral overgrowth technique. As expected for polarization-free heterostructures, the larger the QW width for a given Al content, the narrower the QW emission line. In structures with an Al content set to 5 or 10%, we also observe emission from excitons bound to the intersection of I1-type basal plane stacking faults (BSFs) with the QW. Similarly to what is seen in bulk material, the temperature dependence of BSF-bound QW exciton luminescence reveals intra-BSF localization. A qualitative model evidences the large spatial extension of the wavefunction of these BSF-bound QW excitons, making them extremely sensitive to potential fluctuations located in and away from BSF. Finally, polarization-dependent measurements show a strong emission anisotropy for BSF-bound QW excitons, which is related to their one-dimensional character and that confirms that the intersection between a BSF and a GaN/(Al,Ga)N QW can be described as a quantum wire.
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Este proyecto pretende mostrar los desfases existentes entre señales de audio obtenidas de la misma fuente en distintos puntos distanciados entre sí. Para ello nos basamos en el análisis de la correlación de las señales de audio multi-microfónicas, para determinar los retrasos entre dichas señales. Durante las de tres partes diferentes que conforman este proyecto, explicaremos el dónde, cómo y por qué se produce este efecto en este tipo de señales. En la primera se presentan algunos de los conceptos teóricos necesarios para entender el desarrollo posterior, tales como la coherencia y correlación entre señales, los retardos de fase y la importancia del micro-tiempo. Además se explican diversas técnicas microfónicas que se utilizarán en la tercera parte. A lo largo de la segunda, se presenta el software desarrollado para determinar y corregir el retraso entre las señales que se deseen analizar. Para ello se ha escogido la herramienta de programación Matlab, ya que ha sido la más utilizada en la mayoría de las asignaturas que componen la titulación y por ello se posee el suficiente dominio de la misma. Además de presentar el propio software, al final de esta parte hay un manual de usuario del mismo, en el que se explica el manejo para posibles usos futuros por parte de otras personas interesadas. En la última parte se demuestra en varios casos reales, el estudio de la alineación de tomas multi-microfónicas en las cuales se produce en efecto que se intenta detectar y corregir. Aquí se realizan tres estudios de dicho fenómeno. En el primero se emplean señales digitales internas, concretamente ruido blanco, retrasando algunas muestras dichas señales unas de otras, para luego analizarlas con el software desarrollado y comprobar la eficacia del mismo. En el segundo se analizan la señales de audio obtenidas en el estudio de grabación de varios grupos de música moderna, mostrando los resultados del empleo del software en algunas de ellas, tales como las tomas de batería, bajo y guitarra. En el tercero se analizan las señales de audio obtenidas fuera del estudio de grabación, en donde no se dispone de las supuestas condiciones ideales que se tienen en el entorno que rodea a un estudio de grabación (acústicamente hablando). Se utilizan algunas de las técnicas microfónicas explicadas en el último apartado de la parte dedicada a los conceptos teóricos, para la grabación de una orquesta sinfónica, para luego analizar el efecto buscado mediante nuestro software, presentando los resultados obtenidos. De igual manera se realiza en el estudio con una agrupación coral de cuatro voces dentro de una Iglesia. ABSTRACT This project aims to show delays between audio signals obtained from the same source at diferent points spaced apart. To do this we rely on the analysis of the correlation of multi-microphonic audio signals, to determine the delay between these signals. During three diferent parts that make up this project, we will explain where, how and why this effect occurs in this type of signals. At the first part we present some of the theoretical concepts necessary to understand the subsequent development, such as coherence and correlation between signals, phase delays and the importance of micro-time. Also explains several microphone techniques to be used in the third part. During the second, it presents the software developed to determine and correct the delay between the signals that are desired to analyze. For this we have chosen the programming software Matlab , as it has been the most used in the majority of the subjects in the degree and therefore has suficient command of it. Besides presenting the software at the end of this part there is a user manual of it , which explains the handling for future use by other interested people. The last part is shown in several real cases, the study of aligning multi- microphonic sockets in which it is produced in effect trying to detect and correct. This includes three studies of this phenomenon. In the first internal digital signals are used, basically white noise, delaying some samples the signals from each other, then with software developed analyzing and verifying its efectiveness. In the second analyzes the audio signals obtained in the recording studio several contemporary bands, showing the results of using the software in some of them, such as the taking of drums, bass and guitar. In the third analyzes audio signals obtained outside the recording studio, where there are no ideal conditions alleged to have on the environment surrounding a recording studio (acoustically speaking). We use some of the microphone techniques explained in the last paragraph of the section on theoretical concepts, for the recording of a symphony orchestra, and then analyze the effect sought by our software, presenting the results. Similarly, in the study performed with a four-voice choir in a church.
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El presente proyecto desarrolla un estudio acústico del recinto: Auditorio Rafael Frühbeck de Burgos, cumpliendo con las indicaciones exigidas por la norma UNE-EN ISO 3382-1: 2010, “Medición de parámetros acústicos en recintos, Parte 1: Salas de Espectáculos”. Se desarrollan dos estudios acústicos sobre el mismo recinto. En el primero de ellos, el recinto está configurado para la realización de eventos tales como conferencias o congresos, donde la inteligibilidad de la palabra es un factor determinante. En el segundo estudio, el recinto se configura para espectáculos musicales como conciertos de orquesta sinfónica o música de cámara. En esta configuración, la palabra ya no es tan determinante como la correcta interpretación y disfrute de la música por parte de la audiencia. Para ambas configuraciones del recinto se ha realizado un procesado estadístico de los datos con el fin de obtener un valor único de cada parámetro acústico estudiado. De esta forma, se comparan los resultados para ambas configuraciones, y se evalúan los valores obtenidos de cada uno de los parámetros acústicos con el fin de conocer si se adecuan a las necesidades acústicas exigidas por el tipo de evento desarrollado. Además, se ha construido un modelo geométrico del recinto por ordenador, para ambas configuraciones acústicas, haciendo uso del software profesional de predicción y simulación acústica EASE. Se realiza un estudio acústico sobre el modelo geométrico mediante simulación, siguiendo las pautas llevadas a cabo durante la medición “in situ”. Los resultados obtenidos por simulación se comparan con los obtenidos de las mediciones “in situ”, para estudiar la validación del modelo geométrico. El parámetro acústico elegido para validar el modelo, en un primer momento, será el tiempo de reverberación. Si se consigue una buena validación del modelo geométrico, este puede ser utilizado para realizar predicciones acústicas mediante simulación, cuando un sistema de refuerzo sonoro sea utilizado dentro del recinto. El sistema de refuerzo sonoro ubicado en el recinto sometido a estudio, no ha sido utilizado en el presente proyecto. ABSTRACT. The present projects carry out an acoustic study of enclosure: Rafael Frühbeck Concert Hall, in Burgos, fulfilling the indications demanded by the standard UNE-EN ISO 3382-1:2010 “Measurement of room acoustic parameters – Part 1: Performance spaces. Two acoustics studies are developed on the same enclosure. In first of them, the enclosure is formed for the accomplishment of events such as conferences or congresses, where speech intelligibility is a determining factor. In the second study, the enclosure forms for musical performances like concerts of symphony orchestra or chamber music. In this acoustic configuration, speech intelligibility is not as determining as the correct interpretation and enjoyment of music in audience areas. For both configurations of the enclosure, a statistical processing of the data has been realised with the purpose of obtaining a unique value of each studied acoustic parameter. In this way, the results for both configurations are compared, and the obtained values of each one of the acoustic parameters are evaluated with the purpose of knowing if they are adapted to the acoustic needs demanded by the type of developed event. In addition, a geometric model of the enclosure has been constructed by computer, for both acoustic configurations; making use of the professional software of prediction and acoustical simulation, EASE. An acoustic study is developed on the geometric model by means of simulation, following the rules carried out during the measurement “in situ”. The results obtained by simulation are compared with the obtained ones from the measurement “in situ”, to study the validation of the geometric model. Initially the acoustic parameter chosen to validate the model is Reverberation Time. If a good validation of the geometric model is reached, it can be used to realize acoustic predictions by simulation, when a sound reinforcement system is used within the enclosure. The sound reinforcement system located in the enclosure under study has not been used in the present project.
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Dissertação apresentada à Escola Superior de Artes Aplicadas do Instituto Politécnico de Castelo Branco para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Música.
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In today’s globalized world, air travel is one of the fastest growing markets. Millions of aircrafts take off and then touch down all around the world each day. This well-synchronized symphony, however, is much more complex than it seems, and communication – language - plays a crucial role during a plane’s journey. Misunderstandings and miscommunications can have disastrous effects, so the adoption of a standard phraseology to be used during flight is a means to overcome language barriers, avoid ambiguous expressions and guarantee a safe and effective operation of an aircraft. Little is known about the interaction that goes on between pilots and air traffic controllers (ATCOs), and even though the language of aviation is English, cockpit communication can be hard to understand for people who are not familiar with this specific language. The scope of this thesis is to examine the origins of this uncommon language, the characteristics and peculiarities of air communication and to shed a little light on this mystery called Aviation English.
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Cette thèse de doctorat en composition comprend deux projets de nature différente et complémentaire : (1) un projet de recherche théorique sur la communication des caractères musicaux; (2) un projet artistique s'articulant autour de la composition de trois pièces : L'homme à deux têtes - opéra de chambre, Un instant dans l'esprit de Lovecraft - pour clarinette solo, orchestre à cordes et percussions, et Balade ornithologique - pour orchestre à vents. La conception de la musique comme un moyen de communication est à l'origine de cette recherche théorique qui est motivée par un désir de compréhension des stratégies d'expressions des émotions en musique, à partir du point de vue du compositeur. Cette thèse aborde les modèles de communication, le concept de personnage virtuel et la théorie de la contagion des humeurs. Par la suite, nous détaillerons les indices acoustiques menant à la perception des caractères musicaux. Toutes ces notions sont illustrées et explorées par la composition de miniature ayant un caractère bien ciblé. Finalement, nous proposons un système d'analyse musical des caractères et des émotions qui est appliqué à l'analyse de sections des pièces composées au cours de ce projet de doctorat. Ce dernier chapitre met en lumière les stratégies utilisées pour créer un discours dramatique tout en exposant l'évocation de différents caractères musicaux.
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Symphony, with vocal solos and chorus; French and German words.
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Description based on: 3rd season (1893/94).
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Not issued consecutively.
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Includes index.
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"February 1980."
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Translation of Vie des martyrs.
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Title from cover.
