992 resultados para Adams, Samuel, 1722-1803.
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In their sparse and isolated spaces, Samuel Beckett's figures imagine the touch of a lost love or dream of the comfort and care that the hands of a dear one might bring. Applying philosophical writings that feature sensation, particularly touch, this study examines how Beckett's later work for stage and screen dramatizes moments of contact between self and self, self and world, and self and other. With implications for how gender and ethics can be approached within Beckett's aesthetic, this study explores the employment of haptic imagery as an alternative to certain dominant codes of visual representation.
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From 1991, when the Dublin Gate Theatre launched their Samuel Beckett Festival featuring nineteen of Beckett’s stage plays, to more recent years, the Gate dominated Irish productions of Beckett’s theater. The Gate Beckett Festival was remounted in 1996 at the Lincoln Center, New York, and at the Barbican Centre, London, in 1999, and individual or grouped productions have toured regularly since then in Ireland and internationally. However, since the Irish premiere of Waiting of Godot at the Pike Theatre in 1955, in addition to several Beckett plays mounted by the National Theatre, many independent Irish theater companies, such as Focus Theatre, Druid Theatre, and more recently Pan Pan Theatre, Blue Raincoat Theatre, The Corn Exchange, and Company SJ (under director Sarah Jane Scaife), have produced Beckett’s drama. While acknowledging earlier Irish productions, this essay will consider the role of the Dublin Gate Beckett Festival and the Beckett Centenary celebrations in Dublin in 2006 in greatly enhancing the marketability of Beckett’s work, and will discuss the proliferation of productions of Beckett’s stage plays (as opposed to stage adaptations of the prose work, which is a topic for another essay) in the independent theater sector in the Republic of Ireland since 2006. In addition to giving an overview of these recent productions, the essay will consider some issues at stake in creating or constructing performance histories
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A digital reconstruction of Samuel Beckett's personal library, based on the volumes preserved at his apartment in Paris, in archives (Beckett International Foundation) and private collections (James and Elizabeth Knowlson Collection, Anne Atik, Noga Arikha, Terrence Killeen,...).
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The human malaria parasite Plasmodium vivax is responsible for 25 - 40% of the similar to 515 million annual cases of malaria worldwide. Although seldom fatal, the parasite elicits severe and incapacitating clinical symptoms and often causes relapses months after a primary infection has cleared. Despite its importance as a major human pathogen, P. vivax is little studied because it cannot be propagated continuously in the laboratory except in non- human primates. We sequenced the genome of P. vivax to shed light on its distinctive biological features, and as a means to drive development of new drugs and vaccines. Here we describe the synteny and isochore structure of P. vivax chromosomes, and show that the parasite resembles other malaria parasites in gene content and metabolic potential, but possesses novel gene families and potential alternative invasion pathways not recognized previously. Completion of the P. vivax genome provides the scientific community with a valuable resource that can be used to advance investigation into this neglected species.
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Much has been written about Samuel Beckett’s Waiting for Godot, but as far as I am aware no one has compared the two characters of Vladimir and Estragon in order to analyse what makes Vladimir more willing to wait than Estragon. This essay claims that Vladimir is more willing to wait because he cannot deal with the fact that they might be waiting in vain and he involves himself more in his surrounding than Estragon. It is Vladimir who waits for Godot, not Estragon, and Vladimir believes that Godot will have all the answers. This will be explored by examining four topics, all of which will be dealt with from a psychoanalytical point of view and in relation to waiting. Consciousness in relation to the decision to wait; Uncertainty in relation to the unknown outcome of waiting; Coping mechanisms in relation to ways of dealing with waiting; Ways of waiting in relation to waiting-time and two kinds of waiting-characters.
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Minha dissertação consiste em desenvolver a relação estabelecida entre o texto e o leitor no processo de leitura literária como produtividade, considerada como um conjunto, compreendendo o produtor do texto e seu leitor. A leitura vista como ‘‘jogo", em que o retorno do diferente não desdenha a tradição da leitura, conduz o leitor à produzir um texto múltiplo, plural. O texto é o mesmo e um outro ao mesmo tempo. Este estudo compreende três textos singulares da obra de Samuel Beckett: Malone meurt, L’Innommable e En attendant Godot. Tudo o que é assimilado, assim como refutado por Beckett, é convidado a entrar em cena no decorrer deste trabalho. Como via de acesso para a composisão da escritura becketiana, foi necessário seguir os passos da memória de leitura do autor para chegar a uma conclusão, segundo minha própria leitura, a partir da leitura dos três textos escolhidos. Por isso, reencontrei em Proust, a idéia do leitor ‘‘livre’’ e ‘‘independente’’ mantido por Beckett. Seguindo os traços da tradição, foi possível desenvolver uma memória de leitura como uma repetição, conduzindo a um resultado imprevisto. Balzac é a primeira referência da leitura beketiana. O autor é trabalhado como fonte principal da leitura becketiana. Assim, a composição da memória em Beckett não pode ser recuperada senão na articulação dos estudos textuais como ‘‘produção’’ e, cujas imagens repetitivas fornecidas pelos três textos de Samuel Beckett asseguram a continuidade, a produtividade de leitura, em que, esta memória, torna-se inevitavelmente, memória do texto.
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O gênero Edessa Fabricius, 1803 pertence à subfamília Edessinae de Pentatomidae e possui um grande número de espécies já descritas (259), sendo provavelmente o maior de Heteroptera e um dos menos estudados desta família. Neste trabalho foi revisado o grupo denominado Edessa rufomarginata com base em caracteres morfológicos, principalmente da genitália de ambos os sexos. Para análise cladística do grupo foi montada uma matriz de dados com 25 caracteres da morfologia geral e da genitália. A polarização dos caracteres foi realizada através do método de comparação com grupo externo. Para análise dos dados obtidos foi utilizado o programa Hennig86, os algoritimos empregados foram “ie*” e “ne”, sendo que como interface gráfica com Windows®, foi utilizado o programa Tree Gardener V.2.2. A metodologia empregada propiciou o estudo das variações morfológicas em Edessa rufomarginata (De Geer, 1773), o que resultou na revalidação de Edessa marginalis (Dallas, 1951) e Edessa albomarginatus (Stål, 1855). Estas espécies foram redescritas bem como outras cinco a saber: Edessa abdominalis Erichson, 1848; Edessa corallipes Erichson, 1848; Edessa aulacosterna Stål, 1872; Edessa ovalis Stål, 1872 e Edessa nigropunctata Berg, 1884. Sete novas espécies foram descritas: Edessa brasiliensis sp. nov., Edessa castaneolineata sp. nov., Edessa cerradensis sp. nov., Edessa chapadensis sp. nov., Edessa luteovenulata sp. nov., Edessa rufodorsata sp. nov. e Edessa viridisdorsata sp. nov. Na análise cladística um único cladograma foi obtido, com 45 passos; Índice de Consistência = 60 e Índice de Retenção = 80; a monofilia do grupo foi corroborada por sete sinapomorfias.
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Considering that the Jesuitical tradition which Father Samuel Fritz belonged, has a clear political and institutional dimension that reveals itself in the missionary initiative placed since the Trento Council, his journal is a experience story as missionary at Maynás region during the period from 1686 until 1725. In his narrative, a series of data related to the conquer of Amazonia, conflicts among the Iberic Kingdoms and french, dutches and british, transformation of culture and space close the period of the Madrid Deal. I´ll explore the men and space relationship, in this case, the missionary in his special practice, therefore an effective and geometrical politic for border control was only applied at 1750 with reformist governments and that Amazônia was, until now, an object of autonomous initiatives, not being until now a priority focused state politics action like the ones in the central regions (silver mines) and that the missionary action of Samuel Fritz represented ant that moment represented the most important border advance to the Spanish Kingdom, coinciding with the end of the borders previously set in Madrid and Santo Idelfonso, I´ll put the question of how and with which politics the experience of Fritz in Maynás could represent an advance about Amazônia space. Then I´ll approach the problem about three aspects that are chapters: The first one was focused to the Iberic Kingdoms atlantic politics and the internal geopolitical relationships they created as the centre and the border emerging a new order; in the second chapter I studied the special transformation cause by the encounter and conflicts between the Indian and European order generating a new organization; in the third chapter I´ll examined the political border of the state and the emergency of the missionary body as an institution, with the tradition and missionary action as support, or not, to the exploration of the east border of Spanish America influencing the delimitation process of the border between Portugal and Spain
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)