574 resultados para afro descendência


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Pós-graduação em Letras - FCLAS

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Pós-graduação em Serviço Social - FCHS

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Pós-graduação em Medicina Veterinária - FCAV

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Este artigo, elaborado à convite do IBGE (Instituto Brasileiro de Geografia e Estatística), pretende realizar uma problematização das categorias de classificação, na área temática da cor ou raça, mobilizadas e resultantes da Pesquisa das Características Étnico-raciais da População (PCERP/2008). Para satisfazer esta proposta, refletiu-se em diálogo com a literatura especializada a respeito das relações entre as categorias de cor ou raça, adotadas pela PCERP/2008, e aquelas apresentadas, espontaneamente, pelo público pesquisado destacando, de forma comparativa, os resultados dos procedimentos de autoclassificação (aberta e fechada) e de heteroclassificação. Em seguida, analisaram-se as dimensões mais frequentes, selecionadas pelos entrevistados, seja para a definição de sua autoidentificação seja para a identificação das pessoas em geral. Com estas abordagens, concluiu-se que as definições de cor ou raça, presentes na PCERP/2008, apresentaram mudanças e continuidades, as quais dialogaram, diretamente, com os métodos de classificação e com a terminologia oficial adotada para induzir e para traduzir o complexo processo de construção de identidades étnico-raciais, individuais e coletivas, no Brasil.

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As Ciências Sociais foram constituídas no bojo do processo de conquista colonial da Europa sobre a África no século XIX, isto fez com que muitas reflexões, conceitos, teorias, metodologias fossem inspiradas neste contexto social que vinculou homens de diferentes realidades históricas de maneira antagônica. Este artigo faz uma abordagem analítica e interpretativa deste período de nascedouro das Ciências Sociais e da literatura oitocentista sobre a África e os africanos.

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As reflexões e iniciativas brasileiras e africanas sobre acordos de cooperação mútua no plano científico, artístico e cultural vem crescendo nesta primeira década do século XXI visando uma integração e a constituição de mecanismo de cooperação técnico-científico a partir das história comuns que envolvem os escravismos, o tráfico, a diáspora africana, as independências e nossa identidade cultural construída no Atlântico. As universidades brasileiras através de seus centros e núcleos de pesquisas vinculados aos estudos sobre as populações afro-brasileiras e as sociedades africanas tem caminhado nesta direção de modo paulatino, mas flagrante.

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This article aims to reflect on the contribution of oral history in studies involving memory and identity of ethnic groups. Problematic issues here are part of the result of two recently completed researches, which consisted of reconstructing the memory of Afro-Brazilians from the methodology of oral history. These surveys were intended to transpose, into written language, memories transmitted by oral tradition and which was confined to family circles. The first was to investigate the process of identification and transmission of knowledge from a black cultural practice in the countryside of São Paulo (Piracicaba, Capivari, and Tietê), the Batuque of Umbigada, and the second to reconstruct the stories and culture of Afro-Brazilians in the city of Itu, São Paulo.

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The aim is to reflect on religious practices and articulation of the sacred elements that constitute the religious spaces constituted by Umbanda in the city of Dourados-MS. Part on the assumption that they are territories of expression of religiosity, hybrid and syncretic product processes.

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This article makes a historiography discussion about slavery, indicates the advances in combats for an afro-brasilian history and, in view of cultural re-sense shows a need to consider the student’s prior knowledge and content of teaching History. These knowledges are essential to move beyond the denunciation of the violence of slavery and lead to the classroom buildings of the recent historiography on slavery in Brazil in view of breaking of stereotypes and changing attitudes.

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Dance-fight-game, art, religiosity, therapy, entertainment, ritual act, in short, "a way of being", are some of the various definitions/qualities attributed to the afro-brazilian cultural manifestation called "Capoeira Angola". Multivocal polysemic in its essence, Capoeira Angola is expressed in different languages which ranges from the types of touches of the musical instruments that make up the orchestra, through different types of songs, until we get the non-verbal communication established by the bodies of "capoeiristas" in the game and/or in the training body situation. The aim of this paper is to think of the line drawing in space, a significant problem in the execution of body movements of this practice. To address the relationship between line, efficiency and aesthetics of body movements, it is developed an ethnography in the Academy of João Pequeno de Pastinha-Sports Center of Capoeira Angola, based on anthropological interpretative approach, in which the concept of culture is semiotic.

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This article aims to present the Botuafrica Project and graphism generated by the stencil printing process. We will address the issue of valuing African-Brazilian aesthetics by producing symbols created by the participants of the project and fashion as a vehicle for social inclusion in the context of Botucatu Municipality of state of São Paulo. The study proposes a reflection on the work of professionals that contributed on practices of technical and concept development in order to promote the creation of local fashion and production. This research will verify the implications of act of drawing, printing and wearing the textiles designed by the participants of the project. Botucatu Institute collected and archived photos and drawings during the project between years 2010 and 2012 and provided this material for this research.

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In the last decade, Brazilian meat export rates for Muslim religious countries have increased, and also has the immigration of Africans workers able to perform the slaughter following the precepts of Islam - religion that has expanded in the world, and thus, has the halal food segment. Halal, the Islamic ideology, means lawful, authorized by God: are those products that Allah in the Holy Qur'an releases for human consumption. To get halal certification some measures during slaughter/processing food should be taken. In the case of the slaughterhouses the animal must be slaughtered by a Muslim. Consequently, the demand for this skilled labor makes many African-Muslims get jobs in factories owned by BRF Foods, JBS and Marfrig; refugees and with their citizenship rights committed, these individuals live in a socio-political state of exception and overexploitation. In this study we intend to discuss the object of study Islamist workforce in Brazilian halal meat industry using the theoretical reflections of Giorgio Agamben (Homo Sacer in 2002, and State of Exception, 2004) and David Harvey (The Condition of Postmodernity, 2008, and The New Imperialism, 2004) to address the situation of immigrants in the meat business in Brazil, specially those on the halal certification segment, whose working and living conditions were described from academic studies and primary sources (articles in newspapers / magazines, websites, immigration official data). In addition we use the works of Rogério Heasbaert (O mito da desterritorialização, 2007) and Robert Kurz (Os paradoxos dos direitos humanos: inclusão e exclusão na modernidade, 2003) to discuss human mobility in this new century