As operações militares e os media : O Teatro de Operações do Afeganistão

O presente Trabalho de Investigação Aplicada, intitulado de “As Operações Militares e os Media – O Teatro de Operações do Afeganistão”, tem como objetivo geral identificar e descrever as implicações relacionadas com a presença dos jornalistas portugueses no Teatro de Operações do Afeganistão na perspetiva dos militares de infantaria portugueses e dos próprios jornalistas. Fruto de compromissos de Estado ao nível internacional, o Exército Português tem empenhado forças militares no cumprimento de missões em vários Teatros de Operações. Para que os cidadãos e cidadãs tomem conhecimento da missão das Forças Armadas em Portugal e no mundo, os media assumem um papel crucial. É através das instâncias mediáticas que a população adquire noções sobre o trabalho que as suas Forças Armadas desenvolvem nos diversos pontos do globo. Neste sentido, é importante saber como se processa a interação entre militares e jornalistas num Teatro de Operações, sendo esta a problemática em que assenta a presente investigação. A metodologia implementada adotou uma perspetiva descritiva, procedendo-se a um estudo de caso, focado na participação portuguesa no Afeganistão entre 2002 e 2014, com o intuito de analisar a interação que resultou entre os militares e os jornalistas, com particular ênfase para as implicações. No que tange aos métodos e técnicas de recolha de dados, utilizámos a análise documental e consultámos fontes documentais para sustentar e enriquecer a investigação. As entrevistas constituem porém a técnica de recolha de informação fundamental, sendo a partir da sua análise que se discutirão as hipóteses levantadas. Visto que se pretendeu abranger a perspetiva de militares e de jornalistas realizaram-se entrevistas a quatro militares que foram comandantes de forças militares no Afeganistão e a cinco jornalistas que estiveram presentes nesse cenário de guerra durante o período em análise.Os resultados apurados permitem verificar que a incorporação de jornalistas no seio das forças militares e o consequente acompanhamento das operações, resultou na adaptação e aplicação de algumas medidas, algo fundamentável pela presença de elementos que não pertenciam à força e que não eram militares. Conclui-se que a interação entre os militares e os jornalistas no Afeganistão resultou em implicações para ambos. Nomeadamente na segurança, como foi o caso do fornecimento de equipamento de proteção aos jornalistas quando estes não dispunham, a segurança física que os militares garantiram aos jornalistas e a explicação das operações por parte dos militares (briefings). Relativamente ao acesso à informação por parte dos jornalistas, existiu um acordo verbal atinente às condições de acesso e divulgação da informação e existiram também restrições em matérias de importância militar e de natureza sensível, as quais mereceram consenso entre os entrevistados. Na componente logística, existiram implicações como foram o caso da alimentação, o alojamento, os equipamentos de proteção fornecidos e os cuidados médicos prestados aos jornalistas, contudo foi algo que não comprometeu o cumprimento das diversas missões e tarefas militares. Nos aspetos relacionais, assinalaram-se casos pontuais de alguma tensão, justificada pelos próprios como resultantes das circunstâncias e da especificidade das missões e objetivos de uns e outros. Porém, é de realçar que a convivência de jornalistas e militares no TO é reveladora de respeito e compreensão pelo trabalho mútuo. Deste modo, pode-se concluir que no plano relacional as implicações da presença de jornalistas contribuem para uma maior conhecimento e sensibilização a respeito do trabalho e das condicionantes a que estão sujeitos militares e jornalistas.

Modelo de Informações Português no Teatro de Operações de Angola 1961-1974

A presente investigação centra-se na temática das Informações no conflito entre Portugal e os Movimentos Independentistas de Angola no período de 1961 a 1974. Existindo uma extensa bibliografia centrada na componente das Operações, este trabalho explora outra vertente desenvolvendo a organização e a atividade de todas as entidades ligadas às Informações, procurando sistematizar a solução portuguesa na área das Informações para a guerra subversiva que combatia. O Objetivo Geral do trabalho visa “Descrever o Modelo de Informações Português no Teatro de Operações de Angola entre 1961-1974”. Para possibilitar essa descrição abordou-se a temática segundo um Modelo de análise de Informações apresentado pelo General Lucena, em que enquadra as Informações segundo três aceções, o Conhecimento, a Atividade e a Organização, centrando-se o trabalho na análise da Atividade e Organização. Enquadrado pelo Modelo de análise já referido e pretendendo responder aos objetivos utilizou-se o método dedutivo e a nível de procedimentos, o método histórico. Conclui-se que o Modelo de Informações Português foi evoluindo ao longo do tempo e reflete a doutrina portuguesa desenvolvida no período do conflito. A existência de agentes de informações, entidades militares e civis, que se especializaram na dimensão de recolha e tratamento de Informações foi significativa. A especialização na pesquisa, na análise ou na fiscalização garantiu uma rentabilização de meios. A criação de uma estrutura civil-militar e a partilha de informações nessa estrutura, demonstra um comando centralizado para este período, garantindo uma abordagem holística e integrada na compreensão do problema da subversão.

O tema no processo criativo da Asmarias Companhia de Teatro

Seted in the context of the educational actions of Casa Renascer, a non-governmental organization, located in Natal city, which had as its primary purpose the care with children and adolescent girls in vulnerable situations, this research is based on describing and analysis on the topic in the creative process developed by Asmarias Theatre Company from 1993 to 2003, a process that culminated in the assembly of the dramatic text, Mateus e Mateusa, of Qorpo-Santo. In this research is focused on the route of the Theatre Company has done so much theater in its early history (1993), with the practice of reading and dramatic writing in the preparation of didactic material called Primer of Inventions, as in the procedures with theater street and forum theater (1997 to 2000) to the reunion in 2001 of seven teenagers which articulated the last group formation next to the assembly's text Qorpo-Santo (2002- 2003). During the development on this learning, the evolution of the creative process based on institutional theme when asked if one can provide moments of educational experiences through the traditional form of theater, with reference to the issues inherent in the dramatic texts considered classics. The debate on the issue through research and analysis in its descriptions and finds in the interim between his past and present indications that lead to conclusive guises. The methodology, which is guided by research, is based in theatrical archeology (PAVIS, 2005), the evidential paradigm (GINZBURG, 1989) and the second approaches the experiences narrated by Benjamin (1985). We selected documents in formats of written texts, photographic and filmed, and identified in these files, marks and tracks which took us to understand the subject in the creative process of Asmarias Theatre Company during the tests with the dramatic text, Mateus and Mateusa, of Qorpo-Santo. In this theatrical practice, located in the field of the theater pedagogy, it appears that the actions across thematic theater in the Casa Renascer and allowed the formation of critical aesthetic perspective and personal social dimension of the subjects involved. The theme has gained a significant proportion in the theatrical activity as a guiding point of the creative process of Theatre Company, taking in the theatrical art form. In this sense, the creative process with the dramatic and classic texts won the educational dimension to address the issue in the movement of the drama as the focus of individual creation which added to the collective universe of the interactive game

Escarcéu e escassez no teatro de Mossoró: percursos e percalços de uma dramaturgia na rua

This research is a result of the theatrical Street show named A Árvore dos Mamulengos, an appropriation of the drama text by Vital Santos, this presentation was done from 1989 to 2001, with the Companhia Escarcéu de Teatro, in the city of Mossoró/RN, Brazil. The intention here is to mapping the voices and memories of actors and actresses who have experienced the performance, the developments and achievements which resulted from twelve years of the season. In our study, we consider the importance of the choice for the open space such as streets and squares as the main local for representation considering it as a catalyst factor of aesthetic choice. However, we`ve consider the option for the collaborative process as the methodology staging by interpreters, as well as, the social and cultural determinants that were taking place deeming the realization of the spectacle

No palco, os quadrinhos: a influência do teatro judaico no desenvolvimento das histórias em quadrinhos modernas

This dissertation has its main goal on signing the modern Comic Books` narrative development aspects. It goes from its relationship with performing arts, specifically with the Yiddish (Jewish theatre). The research was done from the Will Eisner´s work analysis. He is a cartoonist and has a wide and influent in his area. Moreover he clearly reflects the similarities between Comic Books and Theatre. In this study was adopted the qualitative methodology on historic-comparative procedure through bibliography. The study indicates that, although their media and distinct principles, the Comic Books and Yiddish Theatre have close influence relationship considering their narrative solutions

O teatro do oprimido e sua contribuição na formação da criança com transtorno do déficit de atenção com hiperatividade

This research investigates and reports the contributions of the Theatre of the Oppressed and its techniques as a therapeutic resource in the education of children with Attention Deficit Disorder with Hyperactivity. In the first chapter organize one studying theoretical seeking to conceptualize and understand the Learning, Attention Deficit Hyperactivity Disorder, seeking to better understand the behavior and the behavior of children with ADHD. Researching on the symptoms, causes and effects of this syndrome. Trace a relationship between familyschool- specialists in an attempt to prove the importance of family support in the teachinglearning process and treatment of these children. In the second chapter start conceptualizing theater, the relationship between work-Theatre-Education Therapy, explain the difference between the theatrical stage and the therapeutic stage. Account the importance of theater games in the classroom and its contribution to social and educational training of the child. Justify the choice of the Theatre of the Oppressed recognizing him as the primary method for this research, because it is a set of exercises, games and techniques that help the child regain equilibrium relations, developing autonomy, encourages creativity and spontaneity, freeing them from their oppression. Besides being an efficient transformation behavior, improving behavior, allowing the inclusion of children in society. It is verified the effectiveness of the method and techniques in their work with children Municipal School Professor. Antonio Severiano in Natal / RN, allowing these children develop body awareness, working senses, thought, memory, inhibition, teaching to expose your point of view, understand and deal with their emotions, respecting its limits and develop their motor and cognitive skills

A sala de aula em cena: uma pesquisa em ensino do teatro a partir da experiência docente

At first moment we present a reflection about the history of theater and later a contextualization of didactic movements oriented to scenic arts. Through at the constant dialogue with authors of areas involving education, theatre, corporeality and music was possible analyzing, develop and criticize a education work under my responsibility involving fourteen classes. At the second moment will occur a critical self about the quality of theater classes his contents and methodologies. The technique will be at side of the emotion and together develop skills aimed at tracing paths for theater developed at a classroom of a especific private school in Natal-RN. At the third moment one class is chosen for analyze of the academic research and many experiments happen after this decision, initiated and sensitized through of the music with a significant look at the corporeality and prioritizing the theater as content in ninth grade - elementary school two. At the conclusion is possible see that learning is mutual and the theater can become life routine as well as the arts in general and when all arts will be regularized into the national educational system for public and private schools we will have more susceptible humans and more intellectual capacity

A arte de conduzir-se pelo ensino de teatro: realidades e ficções de alunos-diretores em Camarão

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior

A iluminação cênica no trabalho do ator de teatro

This research aims to investigate how the stage lighting can be articulated in the creation of theater actor process. To we reach this reflection, it is necessary to understand the space of the rehearsal room, where the actor works as a place where their function receives influences of other artists who are creating the spectacle.Collaborative processes are analyzed three Cia de Teatro Engenharia Cênica: Irremediável, 2007; Doralinas e Marias , 2009; O Menino Fotógrafo, 2011, aiming to understand the collaborative theater potentializes, the intersection and the exchange of experiences in the rehearsal room, collaborating actively for the training of persons involved in creating the show. The research proposes an investigation of how the creative process of stage lighting is gaining ground in the rehearsal room in the language of theater directing, showing mainly how is your "co-evolutionary" creation with the creative process of the actor

O balanceamento entre as posições esquizo-paranóide e depressiva (PS↔D) na psicodinâmica criativa

No presente trabalho de psicanálise extra-clínica aplicada ao estudo de objectos culturais artísticos, o autor procura mostrar a pertinência da aplicação do modelo bioniano dos elementos em psicanálise, nomeadamente o das inter-relações entre as posições esquizo-paranóide e depressiva (PS↔D) ao processo criativo artístico, isto é, a compreensão de obras artísticas modernas como o resultado da oscilação permanente entre os modos distintos de pensar/sentir dispersivo e integrativo, ilustrando com obras de vários campos artísticos: do teatro (Galileu Galilei de Brecht), da pintura (cubismo de Picasso), da literatura (Ulisses de Joyce) e da dança moderna.

Relação precoce mãe-filho. Revisão dos indicadores pós-parto do projeto Maternidade com Qualidade no CHBM-EPE

O aleitamento materno exclusivo é uma recomendação universal e o contacto pele-a-pele mãe/recém-nascido é fator de desenvolvimento para a díade. O trabalho académico desenvolvido centra-se nos indicadores de medida e evidência - amamentação na 1ª hora de vida & contacto pele a pele entre a díade. Tal enraíza-se no projeto Maternidade com Qualidade, da Ordem dos Enfermeiros Portugueses e em curso no Centro Hospitalar Barreiro-Montijo EPE. O projeto iniciou-se em setembro de 2015, seguindo-se os procedimentos que se relatam no atual documento. No diagnóstico de situação recolheu-se o estado dos indicadores. A vertente de investigação considerou como amostras profissionais e utentes do Centro Hospitalar Barreiro-Montijo e recolheu dados. A intervenção realizada produziu evolução positiva nos indicadores. O bonding em período sensível é reconhecido pelos profissionais como um elemento relevante nos cuidados. Com a implementação deste projeto contribuiu-se para a melhoria da qualidade dos cuidados na área de saúde materna; Mother-Child early relationship. Evaluating postpartum indicators from the Project Maternity with Quality at CHBM-EPE ABSTRACT: Exclusive breastfeeding is a universal recommendation and skin-to-skin mother / newborn is a development factor for the dyad. The academic work focuses on the measurement indicators and evidence - breastfeeding within the 1st hour of life & skin-to-skin between the dyad. This is rooted in the Maternity design with quality, of the Portuguese Nurses and ongoing in-Hospital Center Barreiro Montijo EPE. The project began in September 2015, following the procedures that are reported in the current document. In the situation analysis was collected status indicators. The research strand considers sample practitioners and users Barreiro-Montijo Hospital Center and collects data. The intervention performed produced positive results for these indicators. The bonding in the sensitive period is recognized by professionals as an important element in the care. With the implementation of this project contributed to improving the quality of care in maternal health.

Avaliação física do tomate de mesa 'Romana' durante manuseio na pós-colheita

Tomato postharvest losses are very high in Brazil and the goal of this research was to evaluate the effect of handling and the transport of tomato fruits, cultivar Romana on the steps of harvesting, weight and transportation to the packinghouse, pointing some critical points. Tomatoes were harvested at plastic boxes, weighted and shipped to a packinghouse. Fruits taken directly from the plant were determined as reference. The parameters evaluated were weight loss and mechanical injury and tomato physical quality after storage during 21 days. It was observed an increasing on the weight loss, external damage, and postharvest losses, after storage. Handling and transportation were the cause of an increase in 6.6% in external damage and 1.93% of weight loss after storage, when comparing harvested fruits and fruits evaluated on the packing-house. The main reason for postharvest losses was due to mechanical injury caused during transportation mainly due to the compressure force among fruits and against the plastic boxes.

Inibidor da ação do etileno na conservação pós-colheita de Chrysanthemum morifolium Ramat cv. Dragon

The durability and postharvest quality of cut flowers are fundamental attributes in value along the production chain and in consumer satisfaction. The objective of this study was to evaluate the effect of chemical inhibitors of ethylene action on maintaining the postharvest quality of chrysanthemum stems (Chrysanthemum morifolium Ramat cv. Dragon). The experiment tested maintenance solutions with silver thiosulfate (STS) under five levels (distilled water, a 0.2 mM STS, the STS 0.2 mM + sucrose at 50 g L-1, STS at 0.4 mM; STS at 0.4 mM + sucrose at 50 g L-1), and date of sampling, for three levels (0, 3, 6 days). Three replications with two flower stems in each treatment were used in the experiment. Physical assessments were made: color, fresh mass and relative water content; chemical evaluations: reducing sugars and pigments, and qualitative assessments: turgidity, flower color, and number of buds, open flowers and partially open flowers. Treatment with 0.2 mM STS resulted in better maintenance of fresh mass of stems. The concentration of pigments and reducing sugar was higher in those treatments in which sucrose was associated. The color and relative water content were favored in treatments STS 0.2 mM and 0.4 mM. The concentration of 0.2 mM STS obtained the best results, prolonging the vase life the stems. The quality of these stems was higher, with the best assessments of water content, color and turgidity.

Soluções de manutenção na pós-colheita de Chrysanthemum morifolium cv. Dragon

The development and use of techniques that extend the life vase of the flowers, maintaining the quality of the product, is essential for reducing postharvest losses. The objective of this work was to evaluate different solutions for maintenance, associated or not to sucrose, in maintaining the postharvest quality of chrysanthemum stems. The treatments used distilled water, 8-HQC to 100 mg L-1, 8-HQC to 100 mg L-1 + sucrose 50 g L-1, 8-HQC to 200 mg L-1, 8-HQC to 200 mg L-1 + sucrose 50 g L-1. Physical assessments were made: color, fresh mass and relative water content; chemical evaluations: reducing sugars and pigments, and qualitative assessments: turgidity, color of the flowers, and number of buttons, open flowers and partially open flowers. The combination of 8-HQC 200 mg L-1 + sucrose 50 g L-1 was the best performance that made for maintaining the quality of flower stems, favoring the opening of buttons and turgidity of petals. Sucrose contributed to better maintenance of the reserve substances in the shaft, which had increased the flower vase life.

Qualidade pós-colheita de caqui 'fuyu' com utilização de diferentes concentrações de cobertura comestível

One of the main objectives of applying edible coatings on fruits surface is to create a protective film to reduce weight loss due to evaporation and transpiration and also to decrease the risk of fruit rot caused by environmental contamination, in order to improve the visual aspect. Therefore, it is possible to increase shelf life, and decrease post harvest losses. Persimmon is a much appreciated fruit, with high potential for export, but sensitive to handling and storage. This study aimed to evaluate the effect of applying the edible coating Megh Wax ECF-124 (18% of active composts, consisting of emulsion of carnauba wax, anionic surfactant, preservative and water) produced by Megh Industry and Commerce Ltda in three different concentrations (25, 50 and 100%) on post harvest quality of 'Fuyu' persimmon stored for 14 days. The attributes evaluated for quality were: firmness, pH, acidity, soluble solids, weight loss and color. The results showed that application of carnauba wax in different concentrations was effective on decreasing weight loss of persimmon cv. Fuyu and maintenance of color aspects. Treatment at lower concentration, 25%, showed lower rate of discharge, but high concentrations showed lower values of mass loss. Carnauba wax application showed a high potential for use on postharvest conservation, and can be applied together with other technologies, helping to maintain quality for export.