A graphic summary of farm machinery, facilities, roads, and expenditures : based largely on the census of 1930 and 1935 /

"Issued July 1937."

A graphic summary of farm labor and population : based largely on the census of 1930 and 1935 /

"Issued November 1937."

A graphic summary of the number, size, and type of farm, and value of products : (based largely on the census of 1930 and 1935) /

"Issued October 1937."

A graphic summary of farm crops : (based largely on the census of 1930 and 1935) /

"Issued March 1938."

A graphic summary of farm animals and animal products : (based largely on the census of 1930 and 1935) /

"Issued February 1939."

UM Men's Swimming Team, 1930

Back Row: Sidney R. Raike, Charles H. Frantz, Robert B. Ladd, Miller, Carl Staelin, John D. Hubly

3rd Row: Byron O. Hughes, Howard G.Brown, assistant coach John W. MacMahon, Edward L. Warner, Charles F. McCaffree, head coach Matt Mann, Benjamin Fishman, Jack L. Lait

2nd Row: Frederick J. Grimshaw, Rawson F. Hosmer, Robert P. Walker, Frank W. Walaitis, Garnet W. Ault, Robert C. Goldsmith, Ivan C. Smith, William F. McDonald, J.J. Thompson,

Front Row: Clarence J. Boldt, Jr., Irving R. Valentine

UM Men's Cross Country Team. 1930

L-R: coach Charles Hoyt, captain David W. Fitzgibbons, ? Bedenik, R.D. Crawford, William Hill, ? Kahn, J. Perry Austin, R. Feustal, Harmon Wolfe, Roger Howell, Darrow, mngr. M.H. Hawkins

Final enrollment of the Indians of the Klamath reservation : hearing, Seventy-first Congress, second session, on SS. 3156, a bill providing for the final enrollment of the Indians of the Klamath Indian Reservation in the state of Oregon. February 26, 1930.

Mode of access: Internet.

Regulating and licensing of real estate brokers : hearing before a subcommittee of the Committee on the District of Columbia, United States Senate, Seventy-first Congress, second session on S. 3490 ... April 19, 1930.

"Printed for the use of the Committee on the District of Columbia."

Thomas D. Foster, 1847-1915 : a biography /

Includes bibliographical references and index.

PRÁXIS MISSIONÁRIA DO METODISMO EM BELO HORIZONTE (1892-1930) DESAFIOS E NOVOS CAMINHOS PASTORAIS PARA OS GRANDES CENTROS URBANOS

O presente trabalho teve como um de seus objetivos analisar a inserção e a expansão do metodismo em Belo Horizonte MG, na perspectiva da práxis pastoral da Igreja, no período de 1892 a 1930, a fim de demonstrar que esse grupo, que foi o primeiro de natureza protestante a chegar à capital de Minas Gerais, desenvolveu sua ação missionária, caracterizada pela educação e evangelização. Sua inserção se d�� num contexto marcado pelos ideais de modernização, inspirados no liberalismo e positivismo, quando profundas transformações na esfera econômica, política, nas concepções urbanístico-arquitetônicas e nos aspectos socioculturais se processavam na sociedade brasileira, especialmente entre o rompimento com o passado colonial e o desejo de modernização identificado na mudança do Império para a República, alterando assim o jeito do Brasil ser nação e apontando novos caminhos de diversidade religiosa. Esse novo momento permitiu ao metodismo construir sua identidade missionária a partir da relação da Igreja com a cidade e a cultura. A pesquisa, ao realçar ênfases missionárias do metodismo histórico e brasileiro, objetiva também resgatar a identidade do metodismo à luz da realidade urbana, entendendo ser essencial para ressignificar a práxis missionária nos dias de hoje. As ênfases do metodismo nascente, tanto na Inglaterra como nos EUA, e brasileiro puderam ajudar a construir uma nova proposta de missão para as grandes metrópoles brasileiras como Belo Horizonte. A construção dessa nova proposta nos contextos urbanos passou pelo redimensionamento de ênfases do metodismo (santificação transformadora, espiritualidade relevante, vocação pública, comunidade solid��ria), contribuindo na construção de uma pastoral que seja relevante para o contexto urbano.

Terra de charneca erma e de saudade: a construção simbólica do Alentejo português na obra de Florbela Espanca (1916-1930)

In this work, we investigate the symbolic construction of a particular spatiality, starting from the theoretical assumption that spaces are subjective constructions guided by different cultures, feelings and rationales, but mostly spaces are human constructs driven by social relations, as a result of the material investment and symbol that reflects the needs of a particular society at a given time of historical development. Accordingly, we analyze the construction and symbolic imagery of the central region of Portugal, the Alentejo, from the literary production (1916 – 1930) the English poet Florbela Espanca D'Alma Conception Espanca. Thus, we propose to analyze the florbelian work not only from its internal relations, but also external, emphasizing the link between history, space and literature. Thus, we propose to inquire about the symbolic dimension – the meanings of images and representations – which prompted one of the most controversial Portuguese poets of the early twentieth to look into the poetic construction of space Alentejo century, questioning not only the senses brokered by speech literary Florbela Espanca to invent your Alentejo, adorned with memories, pain and longing, but investigate how the socio-cultural environment influenced your work, in your life and ways to feel and live the Alentejo. To better understand how the poet means the Alentejo spatiality, throughout this work we question three categories of space in the work of Florbela Espanca: the region, the countryside and the landscape of the Alentejo. Thus, this research falls within the field of cultural history in the medical we will work with the entire literary output Florbela Espanca, letters, diaries, photos and biographical and literary criticism, by establishing the time frame of 1916 – beginning of intellectual activity Florbela Spank – the 1930 – publication of Blossom Heath (posthumous) and the suicide of the poet. Therefore, a constant symbolic exercise of words crossed by more subjective feelings of the subject, all the time our work will be guided by the question of what would be the Alentejo for the poet, who senses and meanings across this spatiality that marked so sovereignly happiest memories and sad life Florbela Espanca.

Anti-war demonstration in Washington, D.C.

General note: Title and date provided by Bettye Lane.