986 resultados para Landseer, Edwin Henry, Sir, 1802-1873.
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Mode of access: Internet.
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Memoirs communicated to the Royal Society, and works published during the author's life: v. 2, p. 450-456.
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Mode of access: Internet.
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Paged continuously.
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Includes index.
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Mainly manuscript sources; appendix, "A list of materials for our history which have hitherto been printed": v. 1, pt. 2, p. [677]-918.
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Mode of access: Internet.
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Reminiscences of royal and noble personages during the last and present centuries: v. 5, p. [341]-396.
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Printed in Great Britain.
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I. Edwin Chadwick, C. B.,-a biographical dissertation. Introductory note. pt. I. Political and economical. pt. II. Educational and social.-II. Introductory note. pt. I. Sanitary and preventive of disease. pt. II. Prevention of pauperism and poverty. pt. III. Prevention of crime.
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The proposed third volume was never published, although copyright claim is printed on back of t.-p. ("The Reminiscences copyright 1881 by Henry Stevens of Vermont." The records of the Copyright office do not bear out this statement) The material was later published in Transactions and proceedings of the Library association of the United Kingdom at their seventh annual meeting...1884. London, 1890 (p. 117-124: Twenty years reminiscences of Panizzi and the British museum, 1845-1865)
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Mode of access: Internet.
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Mode of access: Internet.
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Mode of access: Internet.
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The picturesque aesthetic in the work of Sir John Soane, architect and collector, resonates in the major work of his very personal practice – the development of his house museum, now the Soane Museum in Lincoln’s Inn Fields in London. Soane was actively involved with the debates, practices and proponents of picturesque and classical practices in architecture and landscape and his lectures reveal these influences in the making of The Soane, which was built to contain and present diverse collections of classical and contemporary art and architecture alongside scavenged curiosities. The Soane Museum has been described as a picturesque landscape, where a pictorial style, together with a carefully defined itinerary, has resulted in the ‘apotheosis of the Picturesque interior’. Soane also experimented with making mock ruinscapes within gardens, which led him to construct faux architectures alluding to archaeological practices based upon the ruin and the fragment. These ideas framed the making of interior landscapes expressed through spatial juxtapositions of room and corridor furnished with the collected object that characterise The Soane Museum. This paper is a personal journey through the Museum which describes and then reviews aspects of Soane’s work in the context of contemporary theories on ‘new’ museology. It describes the underpinning picturesque practices that Soane employed to exceed the boundaries between interior and exterior landscapes and the collection. It then applies particular picturesque principles drawn from visiting The Soane to a speculative project for a house/landscape museum for the Oratunga historic property in outback South Australia, where the often, normalising effects of conservation practices are reviewed using minimal architectural intervention through a celebration of ruinous states.