Visual Manifestations of Primary Metaphors Through Mise-en-scène Techniques

Grady distinguishes two main types of metaphor in order to provide a solution in the controversies stemming from the conceptual theory of metaphor: correlation-based metaphors and resemblance metaphors. In “correlation-based metaphors”, the source domain is sensory-motor, while the target domain is not. On the contrary, “resemblance metaphors” are originated by a physical or conceptual perception which is common in both domains, by the association of concepts with common features. Primary metaphors are the minimal units of correlation-based metaphors; they are inherent in human nature and the result of the nature of our brain, our body and the world that we inhabit. We acquire them automatically and we cannot avoid them. Furthermore, as corporal experiences are universal, so are primary metaphors. In this paper, I will argue that primary metaphors manifest themselves visually through scene-setting techniques such as composition, framing, camera movement or lighting. Film-makers can use the different aspects of mise-en-scène metaphorically in order to express abstract notions like evil, importance, control, relationship or confusion. Such visual manifestations, as also occurs with their verbal equivalents, frequently go unnoticed or have been used so often that they have become clichés. But the important thing to bear in mind is that their origin lies in a primary metaphor and due to this origin these kinds of film-making strategies have been so expressively successful.

The European Resonance of Napoleon’s Defeat in Spain

The military event that sealed the defeat of Napoleon in Spain was the Battle of Vitoria on 21st June 1813, which saw the allied British, Spanish and Portuguese troops led by Wellington gain victory over Joseph Bonaparte's forces. It was the last great battle of what is known in Spain as the Guerra de la Independencia, in the United Kingdom as the Peninsular War and in France as the Guerre d'Espagne. While a sliver of Spanish territory remained under French control and the war itself went on for a few more months, it was the Battle of Vitoria that marked the end of Napoleon's rule on the Iberian Peninsula, as symbolised by the departure from Spain of Joseph Bonaparte, the monarch who had been imposed five years earlier to remove the Bourbons from the Spanish throne.

Relation de ce qui s'est passé en Canada depuis le départ des vaissaux de l'année 1694 jusq'au départ des vaisseaux 1695 : manuscript, [not before 1695]

Mentions Governor-General Louis de Frontenac, Antoine de Lamothe Cadillac, commandant of the Michilimackinac station, and the Iroquois Indian tribe.

Lyon, France, 1872 (Raster Image)

This layer is a georeferenced raster image of the historic paper map entitled: Plan de la ville de Lyon, dressé en 1872 par M.M.[rs] Dignoscyo et E. Rembielinksi auteurs des Cartes du Cours général du Rhône et de la Saône; gravée sur pierre par E. Rembieinksi. It was published by Lemercier in 1872. Scale 1:10,000. Covers portions of Lyon and Villeurbanne, France. Map in French. The image inside the map neatline is georeferenced to the surface of the earth and fit to the 'European Datum 1950 UTM Zone 31N' coordinate system. All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, index maps, legends, or other information associated with the principal map. This map shows features such as roads, railroads and stations, drainage, built-up areas and selected buildings, fortification, property boundaries, parks, and more. Relief shown by hachures. Includes measurements and notes for navigation. This layer is part of a selection of digitally scanned and georeferenced historic maps from The Harvard Map Collection as part of the Imaging the Urban Environment project. Maps selected for this project represent major urban areas and cities of the world, at various time periods. These maps typically portray both natural and manmade features at a large scale. The selection represents a range of regions, originators, ground condition dates, scales, and purposes.

Nieuwe en Accurate Caart vann de Omleggende Lande van Belgrado: als mede des selfs Belegeringh, ende Marse der Keyserlycke Armee, Ao. 1717

by Joachim Ottens.

No more compulsory engagement. The emancipation of German security policy. OSW Commentary no. 57, 2011-07-18

Germany’s stance on Libya at the UN Security Council and its later decision not to take part in the military intervention gave rise to heated controversy both in Germany and abroad. At home, this was criticised as “an enormous mistake of historic impact”1; while abroad this raised questions about Germany’s willingness to co-operate with its key Western allies. With its decision on Libya, Germany sealed the process of making its security policy independent from the stances of the US and France. It thus ceased to feel any compulsion to provide not only military engagement but also political support for overseas operations initiated by its key allies, even if these are legitimised by the UN Security Council. Germany’s stance, apart from finishing off a certain process, is also setting a starting point for a discussion inside Germany about its military engagement in international security policy. This will bring about a more assertive and selective approach to cooperation with NATO and the EU’s Common Security and Defence Policy.

Entre la historia y el mito : La figura de Ramsés II ante los enemigos en relieves y textos de la Batalla de Kadesh

De acuerdo a lo que se ha dado en llamar "historia del sentido" (Assmann, 2005), cada sociedad posee una forma cultural que le es inherente y es precisamente en ella donde adquieren sentido los acontecimientos y procesos históricos, comprensibles sólo a través de los discursos producidos. Los relieves y las inscripciones de la Batalla de Kadesh, durante el reinado de Ramsés II (1279-1213 a.C.) constituyen un claro ejemplo de rememoración y manifestación de esos discursos. En este trabajo, nos proponemos analizarlos como ejemplos de procesos constructivos de la "memoria cultural" (Assmann, 2008), tomando como categorías de análisis los postulados de la semiótica de Umberto Eco (1994 (1973); 2013 (1968)) y del análisis de la imagen de Martine Joly (2012 (1993)). Como premisa básica, consideraremos a los relieves y las inscripciones que los acompañaban como una unidad total narrativa, como discursos que se completan y complementan, para ser eficaces.

(Table I, page 1348) Composition of ferromanganese oxide concretions from lake Ontario (Extract)

A large deposit of ferromanganese oxide concretions has been found in the northern portion of Lake Ontario. The concretions occur mainly in the form of coatings on sand grains but manganese nodules are present at several localities. Mineralogically, the ferromanganese oxide phases are amorphous, and their Fe and Mn contents are similar to those in concretions from other environments. However, their Ni, Co, and Cu contents are significantly higher than those reported in previously described North American lacustrine ferromanganese concretions, and this may, in part, be a reflection of their probable low rates of accumulation.

Curupayty, homenaje a la memoria del teniente general Bartolomé Mitre en el primer centenario de su nacimiento.

"Obras del autor": p. [229]-230.

Dixmude, the epic of the French marines (October 17- November 10, 1914)

U. of M. copy also bears imprint: Philadelpha, J. B. Lippincott co.

Combate de Trafalgar. Vindicacion de la armada española contra las aserciones injuriosas vertidas por Mr. Thiers en su Historia del consulado y el imperio,

Mode of access: Internet.

Gettysburg, a history of the Gettysburg battle-field memorial association, with an account of the battle

A later edition, abridged, was published under title: Gettysburg; where and how the regiments fought.