969 resultados para Constantine VII Porphyrogenitus, Emperor of the East, 905-959.
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DSDP 162 is located due north of DSDP 161 on the lower west flank of the East Pacific Rise about 3900 km west of the crest. It is in the Clarion-Clipperton block, about 80 km south of the Clarion Fracture Zone. The site lies at the extreme northern edge of the zone of thick sediments that parallels the equator in the Pacific and marks the region of high biological productivity.
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DSDP 159 is one of a series of sites in the eastern equatorial Pacific on the west flank of the East Pacific Rise. It was selected by the Pacific Site Selection Panel on the premise that if hydrothermal processes on the crest of the East Pacific Rise supply the transition metals, a broad zone of such deposits should be present immediately above basement over the entire flank of the Rise.
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In 1964, the South Korean government designated the music for the sacrificial rite at the Royal Ancestral Shrine (Chongmyo) as Intangible Cultural Property No. 1, and in 2001 UNESCO awarded the rite and music a place in the Intangible Cultural Heritage of Humanity. The Royal Ancestral Shine sacrificial rite and music together have long been an admired symbol of Korean cultural history, and they are currently performed annually and publicly in an abridged form. While the significance of the modern version of the music mainly rests on the claimed authenticity and continuity of the tradition since the fifteenth century, scholarly inquiry sheds further light on contextual issues such as nationalism, identity, and modernity in the post-colonial era (after 1945), as well as providing additional insights into the music. This dissertation focuses on the Royal Ancestral Shrine’s musical past as reflected in documentary sources, especially those compiled in the eighteenth century during the Chosŏn dynasty (1392–1910). In particular, the substantial music section of an encyclopedic work, Tongguk Munhŏn pigo (Encyclopedia of Documents and Institutions of the East Kingdom, 1770), mainly compiled by a government official, Sŏ Myŏngŭng (1716–1787), provides a considerable amount of information on not only the music and sacrificial rite program, but also on eighteenth-century and earlier concerns about them, as discussed by the kings and ministers at the Chosŏn royal court. After detailed examination of various relevant documentary sources on the historical, social and political contexts, I investigate the various discourses on music and ritual practices. I then focus on Sŏ Myŏngŭng’s familial background, his writings on music prior to the compilation of the encyclopedia, and the corresponding content in the encyclopedia. I argue that Sŏ successfully converted the music section of the encyclopedia from a straightforward scholarly reference work to a space for publishing his own research on and interpretation of the musical past, illustrating what he considered to be the inappropriateness of the existing music for the sacrificial rite at the Royal Ancestral Shrine in the later eighteenth century.
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
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Includes bibliographical references and index.
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Probably written over some time by various authors.
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No title-page for pt. 2?
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Includes bibliographical references.
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Covers mostly the years 1320-1356.
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1. Bd. Persische Denkwürdigkeiten -- 2. Bd. Wandalische Denkwürdigkeiten -- 3.-4. Bd. Gothische Denkwürdigkeiten.
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v. 1. Advertisement to the second edition. Introduction; Essay on the writings of Massinger / by John Ferriar, &c. The virgin-martyr. The unnatural combat. The Duke of Milan -- v. 2. The bondman. The renegado. The parilament of love. The Roman actor. The great Duke of Florence -- v. 3. The maid of honour. The picture. The Emperor of the East. The fatal dowry. A new way to pay old debts -- v. 4. The city madam. The guardian. A very woman. The bashful lover. The old law.
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1. Testo -- 2. Tavole.
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Vols. 2-4 have title: Works.