Jean-Baptiste-Charles Dancla, Kniestück

Signatur des Originals: S 36/G03993

Notices et discours : Charles Blanc, Paul Baudry, M. Jean Alaux, Antoine Barye : discours /

Includes bibliographical references.

The memoirs of Philip de Commines, Lord of Argenton: containing the histories of Louis XI, and Charles VIII. kings of France and of Charles the Bold, duke of Burgundy. To which is added, The scandalous chronicle, or Secret history of Louis XI., by Jean de Troyes.

Mode of access: Internet.

Vie de Jean Chandon, seigneur de la Montagne, maître des requêtes sous Charles IX, président au Grand Conseil, premier président de la Cour des aides, conseiller d'Etat sous Henry III et Henry IV ; suivie de son testament.

Mode of access: Internet.

Histoire de Charles XIV (Jean Bernadotte) : roi de Suède et de Norvége /

Contiene: Tome premier - Tome deuxième - Tome troisième.

La Suède et le saint-siége [i.e. siège] sous les rois Jean III, Sigismond III, et Charles IX : d'après des documents trouvés dans les archives du Vatican /

Each volume includes an appendix of Latin documents.

Histoire de Charles XIV (Jean Bernadotte), roi de Suède et de Norvége /

Mode of access: Internet.

Memoires pour servir a l'histoire de France et de Bourgogne : contenant un journal de Paris, sous les regnes de Charles VI. & de Charles VII., l'histoire du Meurtre de Jean sans peur, Duc de Bourgogne, avec les preuves; les tats des maisons & officiers des ducs de Bourgogne de la derniere race, enrichis de notes historiques très-interessantes pour un grand nombre de familles illustres Des lettres de Charles le Hardy, Duc de Bourgogne, au Sieur de Neuschastel du 'Fay, ... [Title continues in note]

Title continued: ... gouverneur du Luxembourg; & plusieurs autres monumens très-utiles pour l'éclaircissement de l'histoire du XIV. & XV. siecle. Avec une table des matieres, & des noms des familles les plus considerables dont il est fait mention dans l'ouvrage.

Jean de Reilhac, secrétaire, maître des comptes, géneral des finances et ambassadeur des rois Charles VII, Louis XI & Charles VIII. Documents pour servir à l'histoire de ces règnes de 1455 à 1499.

Preface signed. A. de R.

Jean Perréal dit Jean de Paris : peintre de Charles VIII, de Louis XII et de François Ier /

Includes bibliographical references.

The memoirs of Philippe de Commines, Lord of Argenton : containing the histories of Louis XI and Charles VIII kings of France and of Charles the Bold, duke of Burgundy to which is added, The scandalous chronicle, or Secret history of Louis XI, by Jean de Troyes /

Translation of: Les memoires.

La Suède sous Charles XIV Jean,

"Pièces justificatives": p. [361]-392.

FLUTE MUSIC FROM THE MID-TWENTIETH CENTURY BY THREE FRENCH COMPOSERS: JEAN-MICHEL DAMASE, ANDRE JOLIVET, AND HENRI TOMASI

Jean-Michel Damase (b.1928), Andre Jolivet (1905-1974), and Henri Tomasi (1901-1971) are three prominent French composers ofthe twentieth century. Tomasi won the Prix de Rome in 1927, and Damase won the Prix de Rome in 1947. All three composers were educated and lived in Paris around the same period; however, their musical styles are quite distinct. Most of Jolivet's compositions for flute are well known and are often selected as international competition repertoire. The compositions for flute by Damase and Tomasi are not as recognized as those of Jolivet, and most of their works for flute still have not been commercially recorded. The purpose of this dissertation is to provide a more comprehensive guide to the compositions for flute by Damase, Jolivet and Tomasi, and, in addition, to make the works ofDamase and Tomasi familiar to flutists. This dissertation will focus on the compositions ofDamase, Jolivet, and Tomasi for flute alone and those for flute and piano, written between 1928 and 1971 (1928 is the year Damase was born, and 1971 is the year that Tomasi died). Damase continues French romanticism, and his music is always playful, elegant, and accessible with rhythmic and harmonic surprises, but with an underlying complexity. His compositions for flute include three concertos, two double concertos, one flute solo work, and nine works for flute and piano. Jolivet's compositions make use of ancient rituals, incantations, and spirituality, as well as repeated phrases and single notes, irregular rhythmic patterns, dissonant effects, and rhythmic drive. He composed one flute concerto, three works for flute solo, and four works for flute and piano. Tomasi's compositions also continue French romanticism and contain melodies which often seem to tell a story, and which are not only full of flourishes and vitality, but are also delicate, colorful, and romantic. Virtuosic technical demand is another characteristic of his style. Tomasi composed three flute concertos, three works for solo flute, and one work for flute and piano. Appendix I is a list of the compositions for flute by Damase, Jolivet, and Tomasi, and Appendix II is a discography of their works.