Le Réalisme dans le roman policier : Une Analyse du réalisme des décors, des personnages et de l'enquête dans deux romans policiers

Ce mémoire a pour but de comparer deux romans policiers contemporains et ayant eu un grand succès, l’un écrit par Henning Mankell dont la traduction française a paru sous le titre Les Morts de la Saint-Jean et le second est Pars vite et reviens tard de Fred Vargas. L’objectif de la candidate est d’essayer de trouver les éléments réalistes dans le décor, les personnages et l’enquête. Pour ce qui est du premier paramètre, la candidate montre que Mankell n’essaie jamais de cacher la vérité derrière une surface idéale ; il en va de même pour Vargas qui accentue les points de vue divergents des Français sur la réalité de leur pays. En ce qui a trait aux personnages, on distingue dans le portrait qu’en fait Mankell un combat compliqué et non manichéen, proche de la réalité psychologique; idem pour ceux de Vargas, mais le réalisme est quelque peu atténué par un recours au mystère. Enfin, l’enquête menée par Wallander aboutit un peu par hasard grâce à son intuition alors qu’Adamsberg résout l’énigme grâce à sa faculté de voir, de s’imaginer et d’aller au-delà de la capacité des autres. La conclusion générale du mémoire est que ces deux œuvres sont tout à fait réalistes, mais à un degré un peu différent. Le roman de Mankell l’est sans doute davantage dans la mesure où le recours au mystère est écarté et que l’enquête est menée de façon logique alors que le roman de Vargas, tout en suivant les règles de la logique, a tendance à faire appel au merveilleux. En tout état de cause, il s’agit de deux œuvres réalistes comportant un côté romantique plus ou moins bien exprimé.

Diagnostic de sécurité d’une entreprise brésilienne à partir de l’analyse des accidents du travail par la méthode de l’arbre des causes

We present here the results of a study of 21 work-related accidents that occurred in a Brazilian manufacturing company. The aim was to assess the safety level of the company to improve its work accident prevention policy. In the last 6 months of 1992 and 1993, all accidents resulting in 15 days' absence from work, reported for social security purposes, were analyzed using the INRS causal tree method (ADC) and a questionnaire completed on site. Potential risk factors for accidents were identified based on the specific factors highlighted by the ADC. More universal trees were also compiled for the safety assessment. Three hundred and thirty specific accident factors were recorded (mean of 15.71 per accident). This is consistent with there being multiple causes of accidents rather than the assertion of Brazilian business safety departments that accidents are due to dangerous or unsafe behavior. Introducing the idea of culpability into accidents prevents the implementation of an appropriate information feedback process, essential for effective prevention. However, the large number of accidents related to material (78%) and environment (70%) indicates that working conditions are poor. This shows that the technical risks, mostly due to unsafe machinery and equipment are not being dealt with. Seventy-five potential accident factors were identified. Of these, 35% were organizational, a high proportion for the company studied. Improvisation occurs at all levels, particularly at the organizational level. This is thus a major determinant for entire series of, if not most, accident situations. The poor condition of equipment also plays a major role in accidents. The effects of poor equipment on safety exacerbate the organizational shortcomings. The company's safety intervention policy should improve the management of human resources (rules designating particular workers for particular workstations; instructions for the safe operation of machines and equipment; training of operators, etc.) and introduce programs to detect risks and to improve the safety of machines and equipment. We also recommend the establishment of a program to follow the results of any preventive measures adopted.

Programa de trabajo y orden de prelación: informe del Secretario Ejecutivo a la Comisión Económica para América Latina en su cuarto período de sesiones sobre la marcha de los trabajos = Work programme and priorities: Progress Report by the Executive Secretary to the Fourth Session of the Economic Commission for Latin America = Programme du travail et ordre des prioritats: Rapport soumis par le Secretaire Executif a la cuatrieme session de la Commission Economique pour l'Amerique Latine sur l'etat d'avancement des travaux

Incluye Bibliografía

Analyse du processus d'inclusion d'un élève avec déficience physique en cours d'éducation physique: étude de cas

The aim of this study was to evaluate the effects of peer tutor teaching strategy, after a re-training, in relation to the inclusion process of a student with physical disability during physical education classes. The participants were: the student with physical disability, eight peer tutors, and a physical education teacher of a public school in Bauru, Brazil. As the students had previously experienced the tutoring training, a re-training was prepared, which enabled the reinforcement of some aspects of the tutoring and assistance strategies, in order to improve the tutor colleague action. To analyze, two observation instruments were used: System for Observing Fitness Instruction Time (SOFIT) and Souza Observation Protocol. Behavioral changes of the involved students were notable, due to the significant action of the re-training process. Thus, we highlight the importance of the periodic reinforcements of the training for the tutor colleagues, in order to preserve, or even improve the autonomy and self-esteem of the student with disability.

Les ornements dans l'architecture: comment préserver la mémoire du travail des artisans et des artists

This paper deals with one aspecto f a survey which has been carried out for my doctorate thesis, and with parto f what I have studied within the thematic Project FAPESP concerning the presence of foreign professional in São Paulo, coordinated by Prof. Dr. Ana Lúcia Duarte Lanna, between 2007 and 2011. My purpose is, starting from those thoughts , top ut in evidence the potential of sources and reports relating to the work porocesses of craftsmen and artists decorators linked with the environment of architectural practeces and the decoration of interiors in the first half of the XXth century. That preoccupation has accompanied me since the beginnings of my doctorate work, devoted to the study of the production, the circulation and the modes of appropriation of ornaments in teh field of architecture.

Analyse du poème “A une passante” de Baudelaire

Il lavoro da me svolto si concentra sull’analisi testuale della poesia “A une passante” di Charles Baudelaire, contenuto all’interno della raccolta “Les fleurs du mal”, nella sezione dei “Tableaux parisiens”. Oltre ad essermi soffermata sulla da sempre affascinante, misteriosa e complessa figura e personalità del poeta, ho fornito un’interpretazione generale del sonetto, mettendo insieme punti di vista di grandi critici letterari e tenendo anche conto della visione di celebri traduttori (quali Antonio Prete e Riccardo Sonzogno), che si sono cimentati, con svariati metodi e approcci, alla traduzione della raccolta; ho poi dedicato una breve parentesi ad una visione più generale di ciò che è la traduzione e a come essa può venire concepita e distinta nei diversi ambiti. Ho analizzato nel dettaglio la figura della ‘passante’ all’interno della poesia e l’importanza che Baudelaire le attribuisce, in un’eterna alternanza tra timore reale e amore surreale. La poesia, infatti, è ricca di espressioni essenziali per comprendere la concezione della donna da parte del poeta, ma anche per l’esistenza stessa del ‘poète maudit’. Egli si trova, infatti, costretto a muoversi in uno spazio intermedio tra realtà e immaginazione, nel quale nemmeno i suoi occhi sono più capaci di distinguere ciò che il poète voyant è in grado di scorgere per definizione; per sfuggire alla piattezza e alla quotidianità parigina egli sogna allora un passaggio, un’illusione, un miracolo, un amore. E, sebbene non si tratti affatto di un incontro realmente accaduto, questa è l’unica possibilità che il poeta ha per non far svanire l’immagine di questa donna sconosciuta, che di certo l’avrebbe amato, e per non farla svanire tra la folla dalla quale ha preso vita: è solo immortalando questo momento che il ritratto della ‘passante’ potrà restare impresso per sempre nelle più grandi pagine della letteratura francese.