819 resultados para magical realism


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A propósito de esta exposición de joyas y objetos ornamentales confeccionados a base de tagua y plata, el autor realiza un breve recorrido sobre la presencia y significaciones de estos dos materiales en la literatura y el folklore ecuatorianos. Indica que la muestra propone renovadas perspectivas en cuanto a colores, texturas y diseño, en una acertada amalgama de vegetal y mineral. Los diseños de plata recurren, al mismo tiempo, a motivos ancestrales, mágicos, sin olvidarse del impacto visual y táctil que pueden producir. La concepción de estas joyas de creación colectiva trasciende, entonces, los límites de lo folklórico, y las convierte en una propuesta estética novedosa.

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Estos escritores publicaron entre 1945-1962, y avanzaron mucho más en algunos planteamientos de los narradores del 30. Habiendo asumido su extracción de clase, se preguntaron respecto de su propia identidad, de la problemática del mestizo, de su rol como escritores, del impacto de la incipiente modernidad que desestructuraba la vida cotidiana en sus pueblos y ciudades. Coinciden pues, en lo temático, con los narradores latinoamericanos del período, quienes en lo estético mantuvieron la tensión entre regionalismo y vanguardias, los ecuatorianos se reafirmaron en un realismo que dio espacio al lirismo, aunque también mirando hacia las vanguardias latinoamericanas desde diferentes ángulos. César Dávila Andrade planteó una estética del horror «suprarreal», Ángel F. Rojas manejó modernamente temas emparentados con el regionalismo, Walter Bellolio sintetizó lo mejor de la vanguardia narrativa y la tradición relatística ecuatorianas, Alfonso Cuesta y Cuesta configuró una estética de las metáforas iluminadoras, y Arturo Montesinos trabajó con la metáfora de la ruptura que trae toda modernidad, por más periférica e incipiente que pueda parecer.

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La autora revisa tres novelas que leen la Historia bajo nuevos planteamientos y que proponen otro sentido de heroicidad. La tragedia del Generalísimo, de Denzil Romero, evoca al criollo ilustrado Francisco de Miranda, teórico de los procesos de Independencia. Riera enfatiza las cualidades casi divinas del héroe, sus dudas y excentricidades, su paso de la defensa del realismo al de la causa americana. Mientras llega el día, de Juan Valdano, mira a la Independencia desde una visión contrahegemónica. Riera rescata la noción de que los eventos de 1810, en Quito, no fueron manifestación del nacionalismo criollo, sino de un heterogéneo colectivo social y cultural, el mestizo, que buscaba superar viejos agravios. La biografía Bolívar. Delirio y epopeya, de Víctor Paz, juega con el mito sin alejarse de las fuentes historiográficas. La autora reflexiona sobre los rasgos que definirían al Libertador: cordura-delirio, lucidez-locura, sobre la idea de la emancipación como deseo de posesión de tierras, otorgado por el derecho de nacimiento y negado por la herencia de la sangre. El protagonismo entonces no sería exclusivo de Bolívar, aunque este perviva como paradigma cultural, capaz de legitimar actuales presupuestos de de-colonialidad.

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Esta novela corta de Salazar Arboleda pertenece al Realismo en transición hacia el Naturalismo, pero, a la vez, enlaza tanto con la novela gótica inglesa del siglo XVIII, como con el cuento fantástico prevalente en la primera mitad del siglo XIX en Francia y Alemania. El cambio de tipos narrativos dentro de la historia que se relata: novela histórica-novela psicológica- novela fantástica-novela ética muestra la forma en que las literaturas europeas eran asimiladas, adaptadas e innovadas durante el siglo XIX en la narrativa ecuatoriana, pero también la manera en que la novela era un vehículo de difusión ideológica.

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Escritas durante la primera mitad del siglo XX, Canaima, La vorágine, y Sangama son tres novelas de la selva en las cuales aparece una representación del mundo indígena del Amazonas o del Orinoco. Se ha repetido que se trataba de novelas progresistas, que encerraban una crítica del sistema social de la época, y más particularmente del genocidio acarreado por la explotación del caucho durante el “ciclo da borracha”. Sin embargo estas ficciones nos proporcionan un enfoque ambiguo de la realidad indígena. Una visión impregnada por las mismas concepciones del siglo XIX que favorecieron los excesos, maltratos y masacres que dichas novelas pretenden denunciar. Este ensayo se propone analizar la matriz científica de estas representaciones, insistiendo en el paradigma racialista decimónico, derivado de la teoría evolucionista y de la ideología del progreso. Los indios de las ficciones se desplazan como fantasmas en un universo mágico, embrujado, o infernal que carece de realidad. Este “flor” romántico es la proyección literaria de una estrategia biopolítica que se da en las sociedades de la época: la cuestión gira en torno a la construcción del pueblo nacional. Los “aparecidos” del espacio novelesco son un momento de unas estrategias discursivas más globales: se trata de construir una homegeneidad nacional a partir de una etnicidad ficticia que requiere el rechazo del “otro atrasado”. El espectro es la huella o el testigo de esta violencia fundadora.

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El artículo pasa revista a la carrera literaria de uno de los más grandes escritores guayaquileños del período posterior a la Generación del Treinta: Rafael Díaz Ycaza. Extraordinario cuentista, el autor se inicia con una deuda realista muy cercana a sus predecesores, pero, poco a poco, se va dando una transición hacia lo poético y lo fantástico, sin desprenderse nunca del realismo, en sus penetrantes análisis de problemáticas cercanas a su entorno: la aventura marítima, el enfrentamiento con la muerte, la obsesión del suicidio – perceptibles en algunos de sus mejores títulos, entre ellos “Rosamel” y “Las equivocaciones”. Poeta de notables calidades, está en más de una ocasión a la misma altura de sus grandes contemporáneos: David Ledesma Vásquez, Ileana Espinel Cedeño y Fernando Cazón Vera, los nombres sobresalientes de la lírica de su ciudad (Guayaquil). Los temas son cercanos a los de su narrativa, pero predomina su canto a la ciudad, que se da en diferentes momentos creativos.

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Changes in mature forest cover amount, composition, and configuration can be of significant consequence to wildlife populations. The response of wildlife to forest patterns is of concern to forest managers because it lies at the heart of such competing approaches to forest planning as aggregated vs. dispersed harvest block layouts. In this study, we developed a species assessment framework to evaluate the outcomes of forest management scenarios on biodiversity conservation objectives. Scenarios were assessed in the context of a broad range of forest structures and patterns that would be expected to occur under natural disturbance and succession processes. Spatial habitat models were used to predict the effects of varying degrees of mature forest cover amount, composition, and configuration on habitat occupancy for a set of 13 focal songbird species. We used a spatially explicit harvest scheduling program to model forest management options and simulate future forest conditions resulting from alternative forest management scenarios, and used a process-based fire-simulation model to simulate future forest conditions resulting from natural wildfire disturbance. Spatial pattern signatures were derived for both habitat occupancy and forest conditions, and these were placed in the context of the simulated range of natural variation. Strategic policy analyses were set in the context of current Ontario forest management policies. This included use of sequential time-restricted harvest blocks (created for Woodland caribou (Rangifer tarandus) conservation) and delayed harvest areas (created for American marten (Martes americana atrata) conservation). This approach increased the realism of the analysis, but reduced the generality of interpretations. We found that forest management options that create linear strips of old forest deviate the most from simulated natural patterns, and had the greatest negative effects on habitat occupancy, whereas policy options that specify deferment and timing of harvest for large blocks helped ensure the stable presence of an intact mature forest matrix over time. The management scenario that focused on maintaining compositional targets best supported biodiversity objectives by providing the composition patterns required by the 13 focal species, but this scenario may be improved by adding some broad-scale spatial objectives to better maintain large blocks of interior forest habitat through time.

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Integrations of a fully-coupled climate model with and without flux adjustments in the equatorial oceans are performed under 2×CO2 conditions to explore in more detail the impact of increased greenhouse gas forcing on the monsoon-ENSO system. When flux adjustments are used to correct some systematic model biases, ENSO behaviour in the modelled future climate features distinct irregular and periodic (biennial) regimes. Comparison with the observed record yields some consistency with ENSO modes primarily based on air-sea interaction and those dependent on basinwide ocean wave dynamics. Simple theory is also used to draw analogies between the regimes and irregular (stochastically forced) and self-excited oscillations respectively. Periodic behaviour is also found in the Asian-Australian monsoon system, part of an overall biennial tendency of the model under these conditions related to strong monsoon forcing and increased coupling between the Indian and Pacific Oceans. The tropospheric biennial oscillation (TBO) thus serves as a useful descriptor for the coupled monsoon-ENSO system in this case. The presence of obvious regime changes in the monsoon-ENSO system on interdecadal timescales, when using flux adjustments, suggests there may be greater uncertainty in projections of future climate, although further modelling studies are required to confirm the realism and cause of such changes.

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This major curated exhibition, publication and events builds on Rowlands’ curatorial research. Working in collaboration with co-curators Martin Clark, Artistic Director, Tate St Ives and Michael Bracewell, cultural historian, the exhibition sought to explore new narratives within British art. The innovative curatorial methodology developed from a fiction found in the infamous novel, The Dark Monarch by Sven Berlin, Gallery Press 1962. The research sought specific archival and collection work that allowed thematic strands to emerge that represented influences across generations. The exhibition features two-hundred artworks, from the Tate Collection, archives and other significant British public and private collections. It examines the development of early Modernism, in the UK, as well as the reappearance of esoteric and arcane references in a significant strand of contemporary art practice. Historical works from Samuel Palmer, Graham Sutherland, Henry Moore and Paul Nash are shown alongside contemporary artists including Derek Jarman, Cerith Wyn Evans, Eva Rothschild, Linder and John Russell. The exhibition includes a key work by Damien Hirst ¬ the first time he has been shown at Tate St Ives and a number of contemporary commissions. The Dark Monarch publication extended the discourse of the research critically examining the tension between progressive modernity and romantic knowledge, the book focuses on the way that artworks are encoded with various histories - geological, mythical and magical. Essays examine magic as a counterpoint to modernity’s transparency and rational progress, but also draw out the links modernity has with notions such as fetishism, mana, totem, and the taboo. Often viewed as counter to Modernism, this collection of essays suggest that these products of illusion and delusion in fact belong to modernity. Drawing together 15 different writers commissioned to explore magic as a counterpoint of liberal understanding of modernity, drawing out links that modernity has with notions of fetish, taboo and occult philosophy. Including essays by Marina Warner, Ilsa Colsell, Philip Hoare, Chris Stephens, Jennifer Higgie and Morrissey.

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Some scholars have read Virgil’s grafted tree (G. 2.78–82) as a sinister image, symptomatic of man’s perversion of nature. However, when it is placed within the long tradition of Roman accounts of grafting (in both prose and verse), it seems to reinforce a consistently positive view of the technique, its results, and its possibilities. Virgil’s treatment does represent a significant change from Republican to Imperial literature, whereby grafting went from mundane reality to utopian fantasy. This is reflected in responses to Virgil from Ovid, Columella, Calpurnius, Pliny the Elder, and Palladius (with Republican context from Cato, Varro, and Lucretius), and even in the postclassical transformation of Virgil’s biography into a magical folktale.

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It has been shown previously that one member of the Met Office Hadley Centre single-parameter perturbed physics ensemble – the so-called "low entrainment parameter" member – has a much higher climate sensitivity than other individual parameter perturbations. Here we show that the concentration of stratospheric water vapour in this member is over three times higher than observations, and, more importantly for climate sensitivity, increases significantly when climate warms. The large surface temperature response of this ensemble member is more consistent with stratospheric humidity change, rather than upper tropospheric clouds as has been previously suggested. The direct relationship between the bias in the control state (elevated stratospheric humidity) and the cause of the high climate sensitivity (a further increase in stratospheric humidity) lends further doubt as to the realism of this particular integration. This, together with other evidence, lowers the likelihood that the climate system's physical sensitivity is significantly higher than the likely upper range quoted in the Intergovernmental Panel on Climate Change's Fourth Assessment Report.

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A powerful way to test the realism of ocean general circulation models is to systematically compare observations of passive tracer concentration with model predictions. The general circulation models used in this way cannot resolve a full range of vigorous mesoscale activity (on length scales between 10–100 km). In the real ocean, however, this activity causes important variability in tracer fields. Thus, in order to rationally compare tracer observations with model predictions these unresolved fluctuations (the model variability error) must be estimated. We have analyzed this variability using an eddy‐resolving reduced‐gravity model in a simple midlatitude double‐gyre configuration. We find that the wave number spectrum of tracer variance is only weakly sensitive to the distribution of (large scale slowly varying) tracer sources and sinks. This suggests that a universal passive tracer spectrum may exist in the ocean. We estimate the spectral shape using high‐resolution measurements of potential temperature on an isopycnal in the upper northeast Atlantic Ocean, finding a slope near k −1.7 between 10 and 500 km. The typical magnitude of the variance is estimated by comparing tracer simulations using different resolutions. For CFC‐ and tritium‐type transient tracers the peak magnitude of the model variability saturation error may reach 0.20 for scales shorter than 100 km. This is of the same order as the time mean saturation itself and well over an order of magnitude greater than the instrumental uncertainty.

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Arbuscular mycorrhizal (AM) fungi have a variety of effects on foliar-feeding insects, with the majority of these being positive, although reports of negative and null effects also exist. Virtually all previous experiments have used mobile insects confined in cages and have studied the effects of one, or at most two, species of mycorrhizae on one species of insect. The purpose of this study was to introduce a greater level of realism into insect-mycorrhizal experiments, by studying the responses of different insect feeding guilds to a variety of AM fungi. We conducted two experiments involving three species of relatively immobile insects (a leaf-mining and two seed-feeding flies) reared in natural conditions on a host (Leucanthemum vulgare). In a field study, natural levels of AM colonization were reduced, while in a phytometer trial, we experimentally colonized host plants with all possible combinations of three known mycorrhizal associates of L. vulgare. In general, AM fungi increased the stature (height and leaf number) and nitrogen content of plants. However, these effects changed through the season and were,dependent on the identity of the fungi in the root system. AM fungi increased host acceptance of all three insects and larval performance of the leaf miner, but these effects were also season- and AM species-dependent. We suggest that the mycorrhizal effect on the performance of the leaf miner is due to fungal-induced changes in host-plant nitrogen content, detected by the adult fly. However, variability in the effect was apparent, because not all AM species increased plant N content. Meanwhile, positive effects of mycorrhizae were found on flower number and flower size, and these appeared to result in enhanced infestation levels by the seed-feeding insects. The results show that AM fungi exhibit ecological specificity, in that different. species have different effects on host-plant growth and chemistry and the performance of foliar-feeding insects. Future studies need to conduct experiments that use ecologically realistic combinations of plants and fungi and allow insects to be reared in natural conditions.

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The findings from a study measuring consumer acceptance of genetically modified (GM) foods are presented. The empirical data were collected in an experimental market, an approach used extensively in experimental economics for measuring the monetary value of goods. The approach has several advantages over standard approaches used in sensory and marketing research (e.g., surveys and focus groups) because of its non-hypothetical nature and the realism introduced by using real goods, real money, and market discipline. In each of three US locations, we elicited the monetary compensation consumers required to consume a GM food. Providing positive information about the benefits of GM food production, in some cases, reduced the level of monetary compensation demanded to consume the GM food. (C) 2004 Elsevier Ltd. All rights reserved.