The Experience of the National Rainbow Coalition (NARC) : Political Parties in Kenya from 1991 to 2007

This paper first examines splits and mergers among Kenya’s political parties (and inner-party factions) from the restoration of a multi-party system in 1991 until 2007, before the turbulent 10th general elections were conducted. It then considers what functions “political parties” have in Kenya with special reference to the period since 2002, the year in which President Moi announced his intention to retire. A look back at NARC’s five years of rule reveals that, although it succeeded in changing the government, NARC, as a “political party,” remained throughout an organization without any real substance. The paper looks at (1) NARC’s de facto split after its overwhelming win in the ninth general election, (2) malfunctions of the anti-defection laws that were introduced in the 1960s, and (3) Kenya’s election rules that require candidates to be nominated by registered political parties in general elections. The paper proceeds to argue that as a result of the operation of these three elements, Kenya’s political parties, and especially the victorious coalition sides, tend to end up being nothing more than temporary vehicles for political elites angling for post-election posts.

Presidentialism and political parties in Indonesia : why are all parties not presidentialized?

This paper analyzes whether the "presidentialization of political parties" is occurring in newly democratizing Indonesia, as argued by Samuels and Shugart (2010). In Indonesia not all parties are becoming presidentialized. Parties are presidentialized when they have a solid organizational structure and have the potential to win presidential elections. Parties established by a presidential candidate need not face an incentive incompatibility between their executive and legislative branches, since the party leader is not the "agent" but the "principal". On the other hand, small and medium-sized parties, which have few prospects of winning presidential elections, are not actively involved in the election process, therefore party organization is not presidentialized. As the local level, where the head of government has been directly elected by the people since 2005 in Indonesia, the presidentialization of political parties has begun to take place.

Retablissement des manufactures et du commerce d'Espagne [Texto impreso] : ouvrage dividé en deux parties : la premiere, qui considere principalement les manufactures d'Espagne. La seconde, qui traite de son commerce maritime

Segunda parte con portadilla propia : Retablissement des manufactures et du commerce d'espagne. Seconde partie ...

O CORPO COMO UM TEXTO VIVO A Festa e a Dança no Candomblé

Este trabalho é um estudo sobre o papel e a construção do corpo, a partir dos rituais públicos do candomblé. Durante esses rituais, dei-me conta de que o corpo, para essa cultura ágrafa, assumia o papel de um texto, no qual se podiam ler, por meio dos gestos e da dança, as histórias e os valores desse grupo social. Todo esse processo só é possível porque a noção de pessoa no candomblé é pensada como um todo, resultado de todas as partes do corpo, diferentemente da noção disjuntiva presente no ocidente. Todos os sentidos do corpo: olfato, tato, visão, audição e paladar, são onsiderados centros de força, e o processo de iniciação coloca em equilíbrio esses centros. Do mesmo modo que a pessoa é múltipla e construída ao longo do processo iniciático, o corpo manifesta suas múltiplas forças e é construído esteticamente, tornando um texto para ser lido pela sociedade. Dessa forma, o corpo se constrói, nos rituais do candomblé, graças à aprendizagem de valores sociais, culturais e religiosos, que se dá por meio da oralidade, dos atos, gestos e da experiência vivida no quotidiano do terreiro. Nos rituais públicos, através da dança de transe, o iniciado mostrará ao grupo seu estágio espiritual, a visão de mundo do grupo e o ethos de seu povo. A pesquisa de campo foi realizada na Casa de Candomblé Ilé Dara Àse Òsun Eyin, comandada pelo Pai Cido de Òsun Eyin, durante os anos de 2001, 2002 e 2003.(AU)

O CORPO COMO UM TEXTO VIVO A Festa e a Dança no Candomblé

Este trabalho é um estudo sobre o papel e a construção do corpo, a partir dos rituais públicos do candomblé. Durante esses rituais, dei-me conta de que o corpo, para essa cultura ágrafa, assumia o papel de um texto, no qual se podiam ler, por meio dos gestos e da dança, as histórias e os valores desse grupo social. Todo esse processo só é possível porque a noção de pessoa no candomblé é pensada como um todo, resultado de todas as partes do corpo, diferentemente da noção disjuntiva presente no ocidente. Todos os sentidos do corpo: olfato, tato, visão, audição e paladar, são onsiderados centros de força, e o processo de iniciação coloca em equilíbrio esses centros. Do mesmo modo que a pessoa é múltipla e construída ao longo do processo iniciático, o corpo manifesta suas múltiplas forças e é construído esteticamente, tornando um texto para ser lido pela sociedade. Dessa forma, o corpo se constrói, nos rituais do candomblé, graças à aprendizagem de valores sociais, culturais e religiosos, que se dá por meio da oralidade, dos atos, gestos e da experiência vivida no quotidiano do terreiro. Nos rituais públicos, através da dança de transe, o iniciado mostrará ao grupo seu estágio espiritual, a visão de mundo do grupo e o ethos de seu povo. A pesquisa de campo foi realizada na Casa de Candomblé Ilé Dara Àse Òsun Eyin, comandada pelo Pai Cido de Òsun Eyin, durante os anos de 2001, 2002 e 2003.(AU)

Party Elites and the Search for Credibility : Plaid Cymru and the SNP as New Parties of Government

Peer reviewed

The Perceived Effects of Dance for Individuals with Parkinson’s Disease and Healthy Amateurs

The objective of the present study was to compare the effects of dance participation on physical and psychological functioning as perceived by two distinct groups of dancers: dancers with Parkinson's disease (PD) and healthy amateur (HA) dancers. Dancers in the Parkinson's sample group were gathered from participants in the Dance for PD® program, while healthy amateur dancers were recruited from university dance departments and through social media. Both groups were administered measures related to affect, self-efficacy, quality of life, and which aspects of dance classes were most helpful and/or challenging. Several open-ended questions for both groups were included, along with questions specific to each group. Results of the study indicated that there was no difference between the two groups on positive affect experienced while dancing, but that HA dancers experienced higher levels of negative affect than PD dancers. HA dancers exhibited higher levels of self-efficacy, but there was no difference between the groups on perceived quality of life. Additionally, both groups identified the same two components of dance classes as the most helpful: "moving and getting some exercise" and "doing something fun." Thematic analysis of responses to open-ended questions found that, in general, HA and PD dancers identified similar factors which made dance unique from other forms of exercise. The primary differences were that HA dancers more strongly emphasized artistic and spiritual components of dance, whereas PD dancers focused on the importance of the dance instructors and tailoring movements to individuals with PD. More differences were found between the two groups with respect to the negative aspects of dance classes. Notably, PD dancers identified almost no negative aspects, while HA dancers described internal and external pressure, criticism, and competition as problematic. Future research could benefit from ensuring that both groups are administered the same standardized measures to allow for additional comparisons between groups and with normative samples.

The Vetlatori Dance: "Little Angels go to Heaven"

This paper discusses the vetlatori dance performed on the occasion of a baptised infant's death in the Valencia region of Spain until about fifty years ago. Analyses of historical sources that emphasise the noble spirituality of the vetlatori dance are shown to be based on romantic views of traditional culture and emotions related to the loss of an infant, rather than on authentic information. Ethnographic and ethnomusicological data are presented to illustrate that the music and dances performed during the vetlatori dance were meant for entertainment rather than for spiritual impact. Recourse is also had to oral sources, particularly interviews carried out in the 1960s and 1980s with former infant wake participants who experienced the vetlatori dance, and who confirmed the popular nature of the music, song, and dances that were performed. Analysis of written sources and of the choreographic and musical characteristics of the dance also shows that the kind of music performed was typical of festive celebration in the Valencia region. Functional outcomes for such wakes are also proposed.

Assessment of University External Internships. Towards a Mixed Model for Measuring the Acquisition of Skills and the Satisfaction of Parties Involved

The continuous improvement of management and assessment processes for curricular external internships has led a group of university teachers specialised in this area to develop a mixed model of measurement that combines the verification of skill acquisition by those students choosing external internships with the satisfaction of the parties involved in that process. They included academics, educational tutors of companies and organisations and administration and services personnel in the latter category. The experience, developed within University of Alicante, has been carried out in the degrees of Business Administration and Management, Business Studies, Economics, Advertising and Public Relations, Sociology and Social Work, all part of the Faculty of Economics and Business. By designing and managing closed standardised interviews and other research tools, validated outside the centre, a system of continuous improvement and quality assurance has been created, clearly contributing to the gradual increase in the number of students with internships in this Faculty, as well as to the improvement in satisfaction, efficiency and efficacy indicators at a global level. As this experience of educational innovation has shown, the acquisition of curricular knowledge, skills, abilities and competences by the students is directly correlated with the satisfaction of those parties involved in a process that takes the student beyond the physical borders of a university campus. Ensuring the latter is a task made easier by the implementation of a mixed assessment method, combining continuous and final assessment, and characterised by its rigorousness and simple management. This report presents that model, subject in turn to a persistent and continuous control, a model all parties involved in the external internships are taking part of. Its short-term results imply an increase, estimated at 15% for the last course, in the number of students choosing curricular internships and, for the medium and long-term, a major interweaving between the academic world and its social and productive environment, both in the business and institutional areas. The potentiality of this assessment model does not lie only in the quality of its measurement tools, but also in the effects from its use in the various groups and in the actions that are carried out as a result of its implementation and which, without any doubt and as it is shown below, are the real guarantee of a continuous improvement.

Ichthyologie; ou, Histoire naturelle des poissons : En six parties avec 216 planches dessinées et enluminées d'après nature / par Marc Éliéser Bloch.

v.1 (Plates)

Ichthyologie; ou, Histoire naturelle des poissons : En six parties avec 216 planches dessinées et enluminées d'après nature / par Marc Éliéser Bloch.

v.3 (text, pts. 3-4)

Remarks on the present state of parties,

Undated, unsigned manuscript on contemporary American politics, including observations on the reception of President James Monroe by citizens in different states during his tour of the country in 1817. Likely written by Tudor.