418 resultados para anfiteatro, archeologia, restauro


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Es una constante que los edificios del Movimiento Moderno de Misiones, provincia del Noreste argentino, se han internalizado de tal forma en la población aledaña, que pasa frente a ellos, los exploran y los usan sin tomar conciencia de su valor patrimonial. Es así como en nuestras presentaciones aparecen sus usuarios contándonos: “Paso todos los días delante de ese edificio y era importante y no lo sabía…” o “vivo a la vuelta y nunca reparé en él…”

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Il caso studio del vestibolo ottagonale di Villa Adriana ha dato la possibilità di applicare ad un edificio di notevole valore storico e artistico tecniche di restituzione digitale e di modellazione tridimensionale basate su applicativi di modellazione geometrica, con lo scopo di generarne il modello 3D digitale fotorealistico e polifunzionale. Nel caso specifico del vestibolo, un modello tridimensionale di questo tipo risulta utile a fini documentativi, a sostegno di ipotesi costruttive e come strumento per la valutazione di interventi di restauro. Il percorso intrapreso ha permesso di valutare le criticità nelle tecniche di acquisizione, modellazione e foto-modellazione tridimensionale applicate in ambito archeologico, tecniche usate abitualmente anche in settori quali l’architettura, il design industriale ma anche nel cinema (effetti speciali e film d’animazione) e in ambito videoludico, con obiettivi differenti: nel settore del design e della progettazione industriale il Reverse Modeling viene impiegato per eseguire controlli di qualità e rispetto delle tolleranze sul prodotto finale, mentre in ambito cinematografico e videoludico (in combinazione con altri software) permette la creazione di modelli realistici da inserire all’interno di film o videogiochi, (modelli non solo di oggetti ma anche di persone). La generazione di un modello tridimensionale ottenuto tramite Reverse Modeling è frutto di un processo opposto alla progettazione e può avvenire secondo diverse strategie, ognuna delle quali presenta vantaggi e svantaggi specifici che la rendono più indicata in alcuni casi piuttosto che in altri. In questo studio sono state analizzate acquisizioni tridimensionali effettuate tramite Laser Scan e tramite applicazioni Structure from Motion/Dense Stereo View.

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A presente dissertação tem como tema central um modelo construtivo de arquitectura em terra, designadamente o tabique. Este modelo construtivo ancestral de alvenarias reserva na sua génese inúmeras particularidades, que vão desde as mais variadas formas de concepção do modelo por parte dos diferentes povos espalhados pelo mundo aos valiosos contributos sociais e ambientais. Na sua essência, o tabique foi muito utilizado por pessoas de parcos recursos económicos em soluções, por vezes muito engenhosas, levando-as a recorrer à mãe natureza para extrair dela os materiais necessários para a construção das suas casas. Um pouco por todo o mundo existem exemplares deste modelo tradicional contribuindo activamente para o enriquecimento dum vasto espólio de arquitectura em terra, matéria esta que tem vindo a ganhar um novo alento de acordo com as actuais “políticas" ecológicas. Deste modo e ao abrigo dos princípios gerais da conservação e restauro do património, o tabique detém informação relevante no que respeita à sustentabilidade do planeta, tornando o tema mais apelativo ao debate e à planificação de novas acções, envolvendo cada vez mais os profissionais em prol de um objectivo que garanta ao planeta um futuro mais próspero e equilibrado.

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Le thème du patrimoine culturel architectural et urbain continue d avoir une place importante dans le milieu technique et scientifique. Le concept s est élargi et aujourd hui comprend différentes procédures de projets d intervention. L importance accordée au thème amène à l inclusion de la matière de techniques rétrospectives et aux contenus qui en sont liés: conservation, restauration, restructuration et reconstruction d édifices et ensembles urbains, dans les parcours des cours d architecture et d urbanisme au Brésil établies par le Ministère de l Education Nationale (MEC) dans les années quatre-vingt-dix, postérieurement incorporés dans les directrices disciplinaires nationales. Nous partons des discussions théoriques et conceptuelles du Domaine du Patrimoine Culturel, ainsi que des principales théories pédagogiques d enseignements et d apprentissage articulées au projet. Dans ce contexte les objectifs principaux de cette thèse consistent à systématiser et à analyser les principales procédures méthodologiques contribuant pour la construction de méthodes d enseignement tournée vers des activités pratiques dans ce domaine. Pour cela, la recherche a été systématisée dans une approche à deux niveaux. En ce qui concerne le premier, basé sur des données secondaires, neuf cours d architecture et urbanisme ont étés identifiés entre institutions publiques d enseignement supérieur dont huit brésiliennes et une française, considérées représentatives en ce qui concerne les pratiques d enseignement de projet et de patrimoine culturel. Trente disciplines dédiées à la matière ont été également reconnues initialement, et postérieurement, cinq disciplines qui possèdent un emploi du temps dédié à la pratique de projet ont aussi été reconnues. Dans le deuxième cas, basée sur des données primaires, ont étés analysées les méthodologies et les stratégies d enseignement de projet basées sur les définitions des matières et des autres éléments des plans de travail avec des observations, des entrevues et des questionnaires en trois ateliers. Par rapport aux résultats nous avons constaté que toutes les écoles possèdent les contenus de la matière, mais peu d entre elles privilégient la relation du projet appliqué au patrimoine culturel. Nous avons constaté que les questions des projets dans ce contexte, même s elles sont considérées complexes, ont privilégié le listage et l analyse du site. L atelier qui intègre les fondements des théories de préservation, l histoire de l architecture et urbanisme et techniques anciennes et actuelles, est mis en valeur comme un modèle cohérent avec les propositions d intégration des connaissances théoriques et pratiques du projet appliqué à la discipline. Basé sur ces constatations il est possible de démontrer quatre étapes du projet appliqué au patrimoine culturel: 1ª) les fondements généraux qui concernent les bases théoriques sur la préservation, histoire et technique rétrospective, par exemple, l appropriation de lois et normes et la sensibilisation de l élève sur les questions de patrimoine culturel; 2ª) le contacte avec la réalité qui inclut l appropriation du problème à partir de ces acteurs, de ces échelles, de cette lecture de site et l analyse de l objet d étude; 3ª) le développement de la proposition qui inclut programmes (fonctions existantes et propositions), définitions du partit (types d intervention), conception (hypothèse et discussion) et définition de proposition; 4ª) la finalisation du projet qui consiste à développer la proposition avec sa représentation graphique et sa présentation finale. Nous concluons que le projet en Domaine du Patrimoine Culturel demande une attention spéciale et doit être présent dans les cursus considérant les principes généraux nécessaires à la formation de l élève. Le binôme projet / patrimoine signifie avoir dans le cursus universitaire les contenus et questions nécessaires les connaissances, les variables et possibilités existantes dans le projet appliqué au patrimoine culturel de façon à ce que ces connaissances soient incorporées dans l exercice de projet et n apparaissent pas comme un simple contenu théorique sans articulation avec la pratique. Naturellement ces conclusions n épuisent pas la réflexion sur la question. Nous espérons que les analyses faites contribuent à définir des méthodologies d enseignements capables d êtres vérifiées et testées dans la pratique en salle de cours, et puisse collaborer avec les nouvelles recherches surtout celles qui ont pour but des nouvelles théories pédagogiques d enseignement apprentissage du projet en Domaine du Patrimoine Culturel

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Estas im?genes corresponden a los eventos ocurridos el 21 de julio de 1955, d?a de la inauguraci?n de los edificios de Medicina y Medicina Social O.H.C, los primeros en ser construidos en la naciente Sede San Fernando. En este campus la Universidad centraliz? por primera vez sus actividades acad?micas y administrativas. La primera imagen corresponde al edificio de medicina social, construido con el apoyo econ?mico de la Fundaci?n Rockefeller. Su prop?sito era albergar los Departamentos de Medicina Preventiva y Salud P?blica. Las escaleras que aparecen en el costado izquierdo pertenecen al edificio de la Facultad de Medicina. Las im?genes dos y tres son del edificio de Medicina, dise?ado por el arquitecto Samuel Garc?a. El evento de inauguraci?n cont? con la presencia del Presidente de la Rep?blica (1953-1957), General Gustavo Rojas Pinilla, el Gobernador del Valle (1953-1955), Diego Garc?s Giraldo y el Alcalde de Cali (1955-1956), Harold Bohmer. En la foto cuatro podemos apreciar al Presidente en compa??a del rector (1954-1966), Mario Carvajal Sinisterra, de Jorge Vergara Delgado, ex rector (1952-1954) y de Elva Leonor Ortiz, secretaria general de la Universidad (1954-1958). En la imagen cinco la secretaria general saluda a las primeras damas asistentes a la inauguraci?n: Nancy de Garc?s, esposa del Gobernador del Valle, Carola Correa de Rojas, esposa del presidente de la Rep?blica y Herminia Rengifo Garc?s, esposa del alcalde de Cali. En la imagen seis, Elva Leonor Ortiz, aparece con uno de los habitantes de la sala de morfolog?a durante el recorrido hecho por las instalaciones. La imagen siete ofrece un aspecto de las mesas de disecci?n del anfiteatro y la ocho de la cafeter?a de la Facultad.

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Il progetto Sicily in Transition è nato dalla collaborazione delle Università di York e di Roma Tor Vergata, con il pieno ap-poggio della Soprintendenza ai BB. CC. AA di Palermo. La finalità della nostra ricerca è quella di analizzare, attraverso il registro archeologico, in quale modo i mutamenti di regime politico hanno influenzato organizzazione, composizione e stili di vita delle popolazioni soggette. L’arco di tempo considerato va dal VI al XIII secolo, periodo nel quale la Sicilia ha visto diverse dominazioni: quella bizantina, islamica, normanna e sveva. Sicily in Transition prevede di analizzare con metodi in parte nuovi, in parte più tradizionali, sia insiemi di reperti (ecofatti e manufatti) prodotti da precedenti scavi, sia di acquisire dati attraverso nuove indagini. In particolare gli scriventi hanno scelto di indagare un’area molto promettente della Sicilia centrale: il territorio di Castronovo di Sicilia. Qui, in due campagne di ricerca durate ciascuna quattro settimane, sono state realizzate indagini magnetometriche, ricognizioni di superficie, di archeologia dell’architettura e sondaggi stratigrafici. La finalità era quella di valutare il potenziale archeologico dei principali siti storici del territorio. I primi risultati sono promettenti in relazione alla varietà tipologica e cronologica dei diversi insediamenti identificati: una fortezza dei secoli VII-IX sul Monte Kassar; un fortilizio con fasi del pieno medioevo e dell’età moderna sul Colle San Vitale; un ampio villaggio non difeso con fasi dall’età tardoantica al medioevo, incluse importanti testimonianze di età islamica, nell’area del Casale San Pietro. Le indagini preliminari hanno quindi confermato le ampie potenzialità informative dell’intero territorio di Castronovo rispetto ai temi della nostra ricerca e stanno quindi consentendo di programmare gli interventi futuri.

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Si presenta in questa sede una sintesi dei risultati emersi dalle campagne 2014-2015 del Pisa South Picenum Survey Project II, relativo alle alte valli dei fiumi Aso e Tenna, nelle Marche meridionali. Dalle ricognizioni intensive effettuate nel territorio comunale di Amandola (Provincia di FM) è emerso un fitto popolamento rurale costituito da piccole fattorie, databili a partire dalla fine del III sec.a.C., e posizionate all’interno di una griglia centuriale. Questo territorio, con tutta probabilità viritim adsignatus a seguito della lex de agro Gallico et Piceno viritim dividundo del 232 a.C., doveva avvalersi di un polo di aggregazione sociale e amministrativa ubicato nelle vicinanze e ben collegato alla viabilità principale. La posizione strategica, un’accurata analisi dell’assetto centuriale e numerosi rinvenimenti archeologici permettono di identificare questa praefectura nell’area dell’attuale Comunanza dove possiamo localizzare l’antica Novana citata da Plinio (N.H., III, 11)., un centro piceno che divenne, forse, un foro, e poi una praefectura ed infine un municipium.

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The archaeological excavations carried out in 2013 in the hut n. 16 of the protohistoric settlement of Brunku ’e s’Omu (central-western Sardinia) returned some metal products. The morpho-metric and functional study of these artifacts al-lowed the identification of two mending strips and other remains related to Bronze Age (late II millennium BC) ceramic vessels reparing. Some uncertainly dated slags and metal fragments were also identified. Visual examination and archaeometric investigation carried out by means of portable energy dispersive X-ray fluores-cence spectrometry (pXRF) were performed on these metals. The analyses were able to relate some remains to iron manufacturing and highlighted the lead composition of the other ones. The chosen approach further clarified some as-pects of nuragic metallurgists’ behaviour in selecting and processing metalliferous geo-materials.

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The paper analyzes the development of the first experiences of the sixteenth century cultural policy in Italy until the beginning of the twenty-first century with the institutional reform initiated by the Minister Dario Franceschini. In the pre-unification State it has been many important contributions of several local rulers who imposed conservation policies to prevent the dispersal of works of art. After the unification of Italy (1861) the laws of protection of the national heritage have helped to initiate the first important initiatives that have developed in practice only at the end of the twentieth century. Great institutional innovations and regulatory activated in the twenty-first century and of which this paper provides some important insights and deepening.

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It's very difficult in traditional Japanese culture separate the landscape from the architecture. The Japanese architectural culture has its roots in China but soon this culture has developed its own culture and an aesthetic that was the result of a long isolation from the rest of the world. Zen Buddhism and the constant relationship with nature define the main characteristics of Japanese architecture: minimalism and simplicity. The architecture is a perfect balance of harmony, proportion and purity. This paper aims to analyze the cultural roots of the relationship between architecture and landscape in Japan and where the characteristics previously defined are very important for to know the significance of the Japanese architectural thinking.

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The archaeological study took into account a very important part of Castiglione del Lago urban unit, where the presence of stratification, probably from the Classical period, had been pointed out, on which military and religious units were over-lapped. More specifically, the area with a small church inside the arms courtyard of the castle, could have suggested the presence of archaeological realities,especially from the sporadic finding of Etruscan pottery. The archaeological investigation was first launched in the area of the small chapel, where at least two construction phases were highlighted, although with no appreciable result regarding Classical period phases. The excavation led to the discovery of underground structures, a number of Renaissance tombs placed around the church, and the identification of other structures related to military use over a cistern-well. At the end of the excavation, the structures were consolidated and protected before the backfilling; the materials recovered during the investigation have been registered at the Municipality of Castiglione del Lago, after bein examined by the Soprintendenza per i Beni Archeologi dell’Umbria and the Soprintendenza per i Beni Storico, Artistici ed Etnoantropologici dell’Umbria.

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In 2013 the works for the construction of the new sewerage network in Civita Castellana have allowed to find a stretch of ancient road paved in via Roma in the suburb of Falerii Veteres. The street was not yet known by archaeologists. It is characterized by a pavement with small lava stones. We know that the Roman conquest of 241 B.C. entailed the abandonment of the Faliscan city and the foundation elsewhere of a new town, called Falerii Novi. However this new discovery joins to other known archaeological evidence documenting the continuity of attendance after this date both the sanctuaries - frequented until the end of II - beginning of I century B.C.- and Falerii Veteres plateau, on which there arose a small Roman burial ground. These testimonies are certainly evidence of the frequenting of the site (although limited) even after the conquest by Rome. A subsequent earthy street with edges in tuff blocks has overlapped on the ancient street: it probably was made when the eastern access to Civita Castellana was built, under the pontificate of Pope Pius VI.

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This paper attempts to demonstrate the importance of the archaeological area of Copio, in province of Terni (Italy). Discovered for the first time in the 1980 by the local historian then mentioned in 2001 and in 2003 in two different archaeological publications, the site of Copio started to arouse interest for its position, lying on a hilltop above one of the most interesting pre-Roman necropolis of Umbria (Vallone di San Lorenzo). The link between the well-known necropolis and Copio is today well-accepted. The aim of this paper, based on a field-walking survey and the analisys of the archaeological finds, is to demonstrate the importance of this area during the pre-Roman period as a commercial bridgehead linked to Volsinii. Strategically lying only one km to east from the Tiber, it should have enjoyed this important and commercial path for the local trade moving goods in incoming and outcoming.

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The Telesia Archaeological Project is an initiative that will make a significant contribution to thi historical and archaeological knowledge of the urban area of the Roman city of Telesia, located near Benevento (S. Salvatore Telesino). The first and second season of the Telesia Archaeological Project (2014-2015), conducted under the supervision of the Archaeological Superintendence, and thanks to the indispensable collaboration of a private landowner, provided results of great scientific interest. There was the possibility to investigate part of a significant building of imperial age, richly decorated, identified with the basilica of the city. It was possible to establish, in addition, that this large building (36 by 21 m ca) was opened, through a great brick colonnade, to the forum, localized in summer 2015 with certainty for the first time. The extraordinary large double colonnade (porticus duplex), 9 meters wide, covering the entire façade of that public building, was erased in the fifth century AD, probably after two earthquakes that seriously damaged the city in 346 and 375 AD.

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From May 15th to 30th and 15th to 30th September 2015 took place the fifth and sixth excavation campaign at the Castellazzo of Monte Iato. The presence of 15 participants made it possible to deepen the research significantly and ex-pand the surface area of investigation. It is completely emptied a room already identified in previous campaigns and provided new information about the relationship with the existing cemetery. Part of a burial in a supine position was destroyed by the installation of wall 20. Traces of another turret projecting from the walls have been discovered in the east and another section of the inner walls (15) was fully exposed. A gate, between two towers, is the first entry traced so far, on the north-eastern side of the plateau. The archaeological materials found confirm the characteristics and type of construction. Being a military camp of ephemeral nature, although active at least 30 years, objects such as arrowheads and crossbow quarrels, knives, buckles and harnesses for horses have been found. One of the environments has been interpreted as an area where gaming took place because of the presence of four dice in ivory, glasses and different coins, in addition to the greater extent than the other environments found. Among the findings are reported a glass weight with a cufic inscription dated to the mid-twelfth century and two bronze coins dated in 15th centu-ry.