Introduction XXIX European Seminar in Ethnomusicology: Cultural Mapping and Musical Diversity

«Cultural mapping» has become a central keyword in the UNESCO strategy to protect world cultural and natural heritage. It can be described as a tool to increase the awareness of cultural diversity. As Crawhall (2009) pointed out, cultural mapping was initially considered to represent the «landscapes in two or three dimensions from the perspectives of indigenous and local peoples». It thus transforms the intangible cultural heritage to visible items by establishing profiles of cultures and communities, including music traditions. Cultural mapping is used as a resource for a variety of purposes as broad as peace building, adaptation to climate change, sustainability management, heritage debate and management, but can also become highly useful in the analysis of conflict points. Music plays a significant role in each of these aspects. This year’s symposium invites to highlight, yet also to critically reassess this topic from the following ethnomusicological perspectives: - The method of cultural mapping in ethnomusicology What approaches and research techniques have been used so far to establish musical maps in this context? What kinds of maps have been developed (and, for example, how far do these relate to indigenous mental maps that have only been transmitted orally)? How far do these modern approaches deviate from the earlier cultural mapping approaches of the cultural area approaches that were still evident with Alan P. Merriam and in Alan Lomax` Cantometrics? In how far are the methods of cultural mapping and of ethnomusicological fieldwork different and how can they benefit from each other? - Intangible cultural heritage and musical diversity As the 2003 UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage pointed out in Article 12, each state signing the declaration «shall draw up, in a manner geared to its own situation, one or more inventories of the intangible cultural heritage, present in its territory and monitor these.» This symposium calls for a critical re-assessment of the hitherto established UNESCO intangible cultural heritage lists. The idea is to highlight the sensitive nature and the effects of the various heritage representations. «Heritage» is understood here as a selection from a selection – a small subset of history that relates to a given group of people in a particular place, at a specific time (Dann and Seaton 2001:26). This can include presentations of case studies, yet also a critical re-analysis of the selection process, e.g. who was included – or even excluded (and why)? Who were the decision makers? How can the role of ethnomusicology be described here? Where are the (existent and possible) conflict points (politically, socially, legally, etc.)? What kinds of solution strategies are available to us? How is the issue of diversity – that has been so strongly emphasized in the UNESCO declarations – reflected in the approaches? How might diversity be represented in future approaches? How does the selection process affect musical canonization (and exclusion)? What is the role of archives in this process? - Cultural landscape and music As defined by the World Heritage Committee, cultural landscapes can be understood as a distinct geographical area representing the «combined work of nature and man» (http://whc.unesco.org/en/culturallandscape/). This sub-topic calls for a more detailed – and general – exploration of the exact relation between nature/landscape (and definition of such) and music/sound. How exactly is landscape interrelated with music – and identified (and vice versa)? How is this interrelation being applied and exploited in a (inter-)national context?

Mechanisms of rapid sympatric speciation by sex reversal and sexual selection in cichlid fish

Mechanisms of speciation in cichlid fish were investigated by analyzing population genetic models of sexual selection on sex-determining genes associated with color polymorphisms. The models are based on a combination of laboratory experiments and field observations on the ecology, male and female mating behavior, and inheritance of sex-determination and color polymorphisms. The models explain why sex-reversal genes that change males into females tend to be X-linked and associated with novel colors, using the hypothesis of restricted recombination on the sex chromosomes, as suggested by previous theory on the evolution of recombination. The models reveal multiple pathways for rapid sympatric speciation through the origin of novel color morphs with strong assortative mating that incorporate both sex-reversal and suppressor genes. Despite the lack of geographic isolation or ecological differentiation, the new species coexists with the ancestral species either temporarily or indefinitely. These results may help to explain different patterns and rates of speciation among groups of cichlids, in particular the explosive diversification of rock-dwelling haplochromine cichlids.

Music Piracy on Peer-to-Peer Networks

Content providers from the music industry argue that peer-to-peer (P2P) networks such as KaZaA, Morpheus, iMesh, or Audiogalaxy are an enormous threat to their business. They furthermore blame these networks for their recent decline in sales figures. For this reason, an empirical investigation was conducted during a period of 6 weeks on one of the most popular files-sharing systems, in order to determine the quantity and quality of pirated music songs shared. We present empirical evidence as to what extent and in which quality music songs are being shared. A number of hypotheses are outlined and were tested. We studied, among other things, the number of users online and the number of flies accessible on such networks, the free riding problem, and the duration per search request. We further tested to see if there are any differences in the accessibility of songs based on the nationality of the artist, the language of the song, and the corresponding chart position. Finally, we outline the main hurdles users may face when downloading illegal music and the probability of obtaining high quality music tracks on such peer-to-peer networks.

Mineralogy and nannoplankton distribution in ODP Hole 194-1195A

Significant synchronous shifts in the chemistry, mineralogy, grain sizes and color of the sediments at 6 m below sea floor (mbsf) at ODP Site 1195 on the Marion Plateau (NE Australia) are interpreted to reflect a major regional paleoceanographic change: the initiation of the southern province of the Great Barrier Reef (GBR). The onset of this massive carbonate production centre nearby resulted primarily in increased deposition of carbonate-rich sediments of neritic origin. Both sedimentation rate and terrigenous input record a coincident decline attributed to inshore trapping of materials behind the reefs. Our best estimate places the development of reef framework in the southern part of the GBR between 560 and 670 kyr B.P., based on an age model combining magnetostratigraphic and biostratigraphic data. The proposed estimation agrees with previous studies reporting an age between 500 and 930 kyr B.P., constraining more tightly their results. However, it does not support research placing the birth of the GBR in Marine Isotope Stage (MIS) 11 (~400 kyr), nor the theory of a worldwide modern barrier reef development at that time.

Composite depth scale, tie points and magnetic susceptibilities of ODP Site 178-1098 sediments

Multiple holes were cored at Ocean Drilling Program Leg 178 Sites 1098 and 1099 in two subbasins of the Palmer Deep in order to recover complete and continuous records of sedimentation. By correlating measured properties of cores from different holes at a site, we have established a common depth scale, referred to as the meters composite depth scale (mcd), for all cores from Site 1098. For Site 1098, distinct similarities in the magnetic susceptibility records obtained from three holes provide tight constraints on between-hole correlation. Additional constraints come from lithologic features. Specific intervals from other data sets, particularly gamma-ray attenuation bulk density, magnetic intensity, and color reflectance, contain distinctive anomalies that correlate well when placed into the preferred composite depth scale, confirming that the scale is accurate. Coring in two holes at Site 1099 provides only a few meters of overlap. None of the data sets within this limited overlap region provide convincing correlations. Thus, the preferred composite depth scale for Site 1099 is the existing depth scale in meters below seafloor (mbsf).

Imaginería del color en Petronio : De la Myrtea Gausapa (21-2) al Myrthus Florens (131.9)

El uso de imágenes ubica al Satiricón de Petronio como una obra de intersección (canón, cardo) entre la literatura antigua precedente griega y latina, y las composiciones posteriores de gran importancia en el surgimiento de la ficción en prosa moderna en el Renacimiento. Las imágenes visuales y de color en Petronio contribuyen notablemente a esa configuración, mientras que un estudio del léxico correspondiente, a partir en especial de las ediciones humanísticas de la obra, pueden sin duda arrojar luz sobre aspectos textuales aún no resueltos en esa obra maestra de la literatura latina

Imaginería del color en Petronio : De la Myrtea Gausapa (21-2) al Myrthus Florens (131.9)

El uso de imágenes ubica al Satiricón de Petronio como una obra de intersección (, cardo) entre la literatura antigua precedente griega y latina, y las composiciones posteriores de gran importancia en el surgimiento de la ficción en prosa moderna en el Renacimiento. Las imágenes visuales y de color en Petronio contribuyen notablemente a esa configuración, mientras que un estudio del léxico correspondiente, a partir en especial de las ediciones humanísticas de la obra, pueden sin duda arrojar luz sobre aspectos textuales aún no resueltos en esa obra maestra de la literatura latina

Imaginería del color en Petronio : De la Myrtea Gausapa (21-2) al Myrthus Florens (131.9)

El uso de imágenes ubica al Satiricón de Petronio como una obra de intersección (canón, cardo) entre la literatura antigua precedente griega y latina, y las composiciones posteriores de gran importancia en el surgimiento de la ficción en prosa moderna en el Renacimiento. Las imágenes visuales y de color en Petronio contribuyen notablemente a esa configuración, mientras que un estudio del léxico correspondiente, a partir en especial de las ediciones humanísticas de la obra, pueden sin duda arrojar luz sobre aspectos textuales aún no resueltos en esa obra maestra de la literatura latina

Imaginería del color en Petronio : De la Myrtea Gausapa (21-2) al Myrthus Florens (131.9)

El uso de imágenes ubica al Satiricón de Petronio como una obra de intersección (canón, cardo) entre la literatura antigua precedente griega y latina, y las composiciones posteriores de gran importancia en el surgimiento de la ficción en prosa moderna en el Renacimiento. Las imágenes visuales y de color en Petronio contribuyen notablemente a esa configuración, mientras que un estudio del léxico correspondiente, a partir en especial de las ediciones humanísticas de la obra, pueden sin duda arrojar luz sobre aspectos textuales aún no resueltos en esa obra maestra de la literatura latina

Age models of ODP Sites 117-722 and 117-728

Pliocene and Pleistocene sediments of the Oman margin and Owen Ridge are characterized by continuous alternation of light and dark layers of nannofossil ooze and marly nannofossil ooze and cyclic variation of wet-bulk density. Origin of the wet-bulk density and color cycles was examined at Ocean Drilling Program Site 722 on the Owen Ridge and Site 728 on the Oman margin using 3.4-m.y.-long GRAPE (gamma ray attenuation) wet-bulk density records and records of sediment color represented as changes in gray level on black-and-white core photographs. At Sites 722 and 728 sediments display a weak correlation of decreasing wet-bulk density with increasing darkness of sediment color. Wet-bulk density is inversely related to organic carbon concentration and displays little relation to calcium carbonate concentration, which varies inversely with the abundance of terrigenous sediment components. Sediment color darkens with increasing terrigenous sediment abundance (decreasing carbonate content) and with increasing organic carbon concentration. Upper Pleistocene sediments at Site 722 display a regular pattern of dark colored intervals coinciding with glacial periods, whereas at Site 728 the pattern of color variation is more irregular. There is not a consistent relationship between the dark intervals and their relative wet-bulk density in the upper Pleistocene sections at Sites 722 and 728, suggesting that dominance of organic matter or terrigenous sediment as primary coloring agents varies. Spectra of wet-bulk density and optical density time series display concentration of variance at orbital periodicities of 100, 41, 23, and 19 k.y. A strong 41-k.y. periodicity characterizes wet-bulk density and optical density variation at both sites throughout most of the past 3.4 m.y. Cyclicity at the 41-k.y. periodicity is characterized by a lack of coherence between wet-bulk density and optical density suggesting that the bulk density and color cycles reflect the mixed influence of varying abundance of terrigenous sediments and organic matter. The 23-k.y. periodicity in wet-bulk density and sediment color cycles is generally characterized by significant coherence between wet-bulk density and optical density, which reflects an inverse relationship between these parameters. Varying organic matter abundance, associated with changes in productivity or preservation, is inferred to more strongly influence changes in wet-bulk density and sediment color at this periodicity.

(Table 1) Compressional-wave velocities and anisotropies and wet-bulk densities of calcareous rocks and some cherts at DSDP Holes 62-463 and 62-465A

Anisotropy in compressional-wave velocities in sedimentary rocks recovered by DSDP has been recognized by several investigators (Boyce, 1976; Tucholke et al., 1976; Carlson and Christensen, 1977). The anisotropy is also observed at elevated pressures in laboratory experiments, and thus probably persists at depth in some calcareous rocks (Schreiber et al., 1972; Christensen et al., 1973; Carlson and Christensen, 1979). Carlson and Christensen (1979) suggested that the observed velocity anisotropy was produced not by the alignment of cracks but by the alignment of c axes of calcite perpendicular to bedding during compaction, diagenesis, and recrystallization. On DSDP Leg 62, calcareous rocks were recovered from the western Mid-Pacific Mountains (sub-bottom depths of 452-823 m, Site 463) and southern Hess Rise (276-412 m, Site 465). Most of the calcareous rocks are horizontally laminated and color-banded, and ages are early Cenomanian to late Barremian (Site 463 and 465 reports, this volume). The purpose of this study is to confirm the velocity anisotropy in the calcareous rocks and to identify any relationship of anistropy to bulk density, mean velocity, and burial depth.

Physical properties and geochemistry at DSDP Leg 70 Holes

Ashes occurring both as distinct layers and mixed with pelagic sediments of the hydrothermal mounds lying south of the Galapagos Rift are mainly rhyolitic and basaltic. The ashes, of rhyolitic to intermediate composition, appear to belong to a calc-alkalic series and were probably derived from Plinian eruptions in Ecuador or Colombia. Basaltic ashes are made of nonvesicular sideromelane spalling shards and are of tholeiitic composition. They probably were derived locally from fault scarps. Most rhyolitic and basaltic glass shards studied are fresh except for hydration of the rhyolitic shards. Some shards are severely altered, however. Basaltic ash may be more common in pelagic sediments deposited near accretion zones and may be a source of silica and other elements released during diagenesis

Stable isotope record and age model for sapropel stratigraphy of ODP Site 160-967

Stable oxygen isotope data from four holes drilled at the Ocean Drilling Program Site 967, which is located on the lower northern slope of the Eratosthenes Seamount, provide a continuous record of Eastern Mediterranean surface-water conditions during the last 3.2 Ma. A high-resolution stratigraphy for the Pliocene-Pleistocene sequence was established by using a combination of astronomical calibration of sedimentary cycles, nannofossil stratigraphy, and stable oxygen isotope fluctuations. Sapropels and color cycles are present throughout the last 3.2 Ma at Site 967, and their ages, as determined by calibration against the precessional component of the astronomical record, are consistent with those estimated for the sapropels of the classical land-based marine sequences of the Punta Piccola, San Nicola, Singa, and Vrica sections (southern Italy). The Site 967 oxygen isotope record shows large amplitude fluctuations mainly caused by variations in surface water salinity throughout the entire period. Spectral analysis shows that fluctuations in the d18O record were predominantly influenced by orbital obliquity and precessional forcing from 3.2 to 1 Ma, and all main orbital frequencies characterize the d18O record for the last million years. The start of sapropel formation at 3.2 Ma indicates a possible link between sapropel formation and the build up of northern hemisphere ice sheets. The dominance of the obliquity cycle in the interval from 3.2-1 Ma further points to the sensitivity of Eastern Mediterranean climate to the fluctuations in the volume of Arctic ice sheets. An intensification of negative isotope anomalies at Site 967, relative to the open ocean, supports a link between high run-off (during warm periods) and sapropel formation. freshwater input would have inhibited deep-water formation, which led to stagnation of deeper waters. Comparison with the land sections also confirms that differential preservation and diagenesis play a key role in sapropel occurrence.