Las rosas de la tarde /

RBC binding: fully bound in orange publisher's diagonal fine rib S cloth binding with black stamped lettering and decoration on covers and spine.

Bibliotheca geographica & historica ... to be dispersed by auction by Messrs Puttick & Simpson 47 Leicester Square London the 19th to 29th November 1872.

Cover title: Bibliotheca graphica.

Mémoire sur la peinture sur verre : et sur quelques vitraux remarquables des églises de Rouen /

Mode of access: Internet.

Description historique et chronologique des monumens de sculpture, reunis au Musée des Monumens Franc̜ais.

Half-title reads: Tome 1er, première partie; and the "avertissement": Cet ouvrage ... sera divisé en quatre volumes qui paraîtront successivement. Apparently the proposed volumes were never issued and the subject matter of the first was incorporated in vol.I of his Musée des monumens français, published during the years 1800-1821.

Practical magazine.

"An illustrated cyclopaedia of industrial information, inventions and improvements, collected from foreign and British sources, for the use of those concerned in raw materials, machinery, manufactures, building and decoration." (varies slightly)

Essais sur l'histoire de France,

Du régime municipal dans l'Empire romain au v ̊siècle de l'ère chrétienne, lors de la grande invasion des Germains en Occident.--De l'origine et de l'établissement des Francs dans les Gaules.--Des causes de la chute des Mérovingiens et des Carlovingiens.--De l'état social et des institutions politiques en France sous les Mérovingiens et les Carlovingiens.--Du caractère politique du régime féodal.--Des causes de l'établissement du gouvernement représentatif en Angleterre.--Résumé.

Museé de peinture et de sculpture, ou, Recueil des principaux tableaux, statues et bas-reliefs des collections publiques et particulières de l'Europe /

Vol. 16 has title: Les loges du Vatican, sujets peints a ̀fresque, par Raphael.

The Classical museum

"A journal of philology, and of ancient history and literature."

The English works of the late Rev. Eliezer Williams ... with a memoir of his life.

Memoir of the Rev. Eliezer Williams.--Appendix to the memoir.--An historical essay on the manners and customs of the ancient Celtic tribes, particularly their marriage ceremonies.--An historical essay on the taste, talents, and literary acquisitions of the Druids, and the ancient Celtic bards.--Historical anecodes relative to the energy, beauty, and melody, of the Welsh language, and its affinity to the Oriental languages, and those of the south of Europe.--An inquiry into the situation of the gold mines of the ancient Britons.--History of the Britons.

Description de la cathédrale, des vitraux de Bourges et des autres monuments de la ville.

Mode of access: Internet.

Stained glass tours in England.

Mode of access: Internet.

Les vitraux de la cathédrale d'Auch ... avec une préface d'Armand Praviel et des images d'Edouard Bouillière.

Mode of access: Internet.

Sky View

Thesis (Master's)--University of Washington, 2016-06

Some Place

Thesis (Master's)--University of Washington, 2016-06

Ecfrasis: Escritura y pintura en el costumbrismo argentino

This dissertation examines the discursive practice of Argentine costumbrista texts from a novel perspective. In (re)reading the works of selected prominent writers from the late colonial period to the end of the Nineteenth Century, including those of Alonso Carrió de la Vandera, Emeric Essex Vidal, León Pallière, Lucio Vicente López, Lucio V. Mansilla, and Pastor Obligado we focus on the presence of ekphrastic enunciations with a view toward linking the plastic, painterly dimensions of the prose to parallel representations by artists of the same period. Thus the costumbristas are studied in tandem with the watercolors, oil paintings and lithographic compositions of artists such as Carlos Enrique Pellegrim, César Hipólito Bacle, Raymond Monvoisin and Hipólito Moulin. The resulting comparative study of the two arts---the verbal and the pictorial---illustrates the notion described by W. J. T. Mitchell that a literary text may well "represent a work of visual or graphic art." And thus, it provides us with visual, spatial motifs that enhance its powers of representation. ^ In developing our focus on ekphrastic representations we have followed the theoretic studies of Murray Krieger, Jean H. Hagstrum, James Hefferman, John Hollander, W. J. T. Mitchell, Johann Gottfried Herder, and Wendy Steiner among others, all of whom in various ways take their cue from Horace's Ut pictura poesis and the notion that poetry, that is literary discourse, can be likened to a panting and that in both arts there is a refractive quality that makes literature a spoken vehicle of expression and painting a silent, complementary voice. ^ In studying the literary and plastic discourses comparatively what becomes evident is that they share cultural and ideological concerns that center around the notion of self-definition, national identity, and the relation of the individual to the incipient national community (Benedict Anderson). These concerns are highlighted via the depiction of customs, mores, dress, work habits, professions, and social classes. In late colonial literature and painting and especially in the Nineteenth Century, which constitutes the defining period of Argentine political independence, the confluence of the two disciplinary discourses addresses, and underscores the issues of socio-political empowerment in the new Argentine nation. ^