912 resultados para Martí y Zaragoza, Manuel
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Sign.: [calderón]-3[calderón]4, A-E4, F2
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Hay un ejemplar encuadernado con: Bandos divertidísimos contra los borrachos y borrachas, y gente aficionada al vino (NP849.91/3087)
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Hay un ejemplar encuadernado con: Bandos divertidísimos contra los borrachos y borrachas, y gente aficionada al vino (NP849.91/3087).
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El arquitecto Víctor Eusa (Pamplona, 1894-1990) es la figura central de la arquitectura en Navarra durante la mayor parte del siglo XX. Desde 1920, año en que termina sus estudios en Madrid, hasta 1973, año de su jubilación, produjo centenares de obras y proyectos en esta región española, con esporádicas intervenciones en otras zonas, como las provincias vecinas de Guipúzcoa, Vizcaya y Zaragoza. Su periodo activo coincide con el de la construcción del II Ensanche de Pamplona. La cantidad y calidad de su producción hacen posible establecer una identificación entre la obra de Eusa y la ciudad entonces existente. Sus obras principales son auténticos hitos urbanos que caracterizan el Ensanche. El archivo personal del arquitecto se perdió desgraciadamente en los años setenta del pasado siglo. Este trabajo de investigación ha partido de la recopilación de la documentación gráfica existente en archivos públicos y privados, que ha dado como fruto la catalogación de las obras y proyectos de Víctor Eusa, que constituye el tomo II de la tesis. En el tomo I se analiza la trayectoria del arquitecto y la evolución formal de su lenguaje, a partir de su formación académica y las sucesivas influencias que jalonan sus primeros años de profesión: sus viajes por Europa y Oriente, Otto Wagner y la Sezession vienesa, Perret y el hormigón armado, el Art-Déco y la Exposición de París de 1925, Dudok y la arquitectura holandesa, etc. Todo ello fructifica en una arquitectura expresionista muy personal, basada en la geometría de líneas rectas y quebradas, que combina el ladrillo y el hormigón como sus materiales preferidos. Su madurez se alcanza a finales de los años veinte y se prolonga hasta la guerra civil española. En este periodo se concentran sus obras más conocidas: Casa de Misericordia, Iglesia de los Paúles, Colegio de Escolapios, edificios de viviendas en plaza Príncipe de Viana y calle García Castañón, Seminario, Casino Eslava,… Después del 36, sus responsabilidades públicas sucesivas como arquitecto municipal de Pamplona y como arquitecto provincial de la Diputación Foral de Navarra introducen en su obra una nueva dimensión urbana. ABSTRACT The architect Víctor Eusa (Pamplona, 1894-1990) was the central figure in architecture in Navarra for most of the 20th century. From 1920, when he finished his studies in Madrid, to his retirement in 1973, he was responsible for hundreds of buildings in Navarra, as well as occasional projects in the neighbouring provinces of Guipúzcoa, Vizcaya and Zaragoza. His career as an architect developed in parallel with the second phase of urban expansion in Pamplona. In terms of both quantity and quality, this new district can be seen as an embodiment of Eusa's work, and his most outstanding buildings form the landmarks which give character to this area. Unfortunately, Eusa's personal archive was lost in the 1970s. By collecting and analyzing the graphic information available in public archives, the author of this dissertation was able to compile a catalogue of Eusa's work and projects, which is provided in volume II. Volume I focuses on Eusa's career and the formal development of his language, starting from his academic training and tracing the successive influences that were at work during his early years as an architect: his journeys through Europe and the East, Otto Wagner and the Vienna Secession, Perret and reinforced concrete, Art-Déco and the Paris Exhibition of 1925, Dudok and the Dutch architecture represented in the magazines Wendingen and De Stijl, and many others. All of this came together in Eusa's highly personal expressionist style, based on a geometry of straight and zigzag lines, combining his favourite materials, brick and concrete. His mature period consolidated by end of the 1920s and lasted until the Spanish Civil War. After 1936, Eusa's responsibilities as municipal architect for Pamplona and later as head of architecture for Navarra enabled him to develop his talents in the area of urban design.
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The mechanisms that permit adult tissues to regenerate when injured are not well understood. Initiation of liver regeneration requires the injury-related cytokines, tumor necrosis factor (TNF) α and interleukin (IL) 6, and involves the activation of cytokine-regulated transcription factors such as NF-κβ and STAT3. During regeneration, TNFα and IL-6 promote hepatocyte viability, as well as proliferation, because interventions that inhibit either cytokine not only block hepatocyte DNA synthesis, but also increase liver cell death. These observations suggest that the cytokines induce hepatoprotective factors in the regenerating liver. Given evidence that nitric oxide can prevent TNF-mediated activation of the pro-apoptotic protease caspase 3 and protect hepatocytes from cytokine-mediated death, cytokine-inducible nitric oxide synthase (iNOS) may be an important hepatoprotective factor in the regenerating liver. In support of this hypothesis we report that the hepatocyte proliferative response to partial liver resection is severely inhibited in transgenic mice with targeted disruption of the iNOS gene. Instead, partial hepatectomy is followed by increased caspase 3 activity, hepatocyte death, and liver failure, despite preserved induction of TNFα, IL-6, NF-κβ, and STAT3. These results suggest that during successful tissue regeneration, injury-related cytokines induce factors, such as iNOS and its product, NO, that protect surviving cells from cytokine-mediated death.
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Mode of access: Internet.
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Mode of access: Internet.
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Mode of access: Internet.
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1. Hojas dispersas.--2. De ayer.--3. A través de un temperamento.--4. Juventud Bohemia.--5. Del fondo del alma.--6. En el proscenio y en la tribuna.
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Mode of access: Internet.
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Poems.
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Mode of access: Internet.
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"Cuentos y sucedidos, por M. Ossorio y Bernard": 24 p. at end.
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Illustrated t.-p.
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Mode of access: Internet.
