Monsters Take to the Streets! Monstrous Street-Art as Pedagogy of Resistance to Post-Olympic Regeneration in Hackney Wick?

This chapter explores geographies of gentrification and resistance in relation to the monstrous through the lens of street-art in post-Olympic London. It takes as a geographic case study Hackney Wick, which has for a long time been a bastion of alternative and creative living due to cheap rents in large, ex-industrial warehouse spaces. The artistic sociality of the area is imbued within its landscape, as prolific street artists have adorned ex-industrial warehouses and canal-side walls with graffiti and murals. Since the announcement of the 2012 Olympic Games, the area has been a site of intense political and aesthetic contestation. The post-Olympic legacy means that the area has been earmarked for redevelopment, with current residents facing the possibility of joining thousands already displaced by the games. The anxiety of dispossession is reflected by monstrous characters and sinister disembodied teeth, eyes and fingers embedded within the landscape, painted by local artists. Using geographically sensitive mobile and visual methodology to document the landscape and artwork, the chapter analyses and interprets the monstrous themes using a range of theorists including Mikhail Bakhtin, Georges Bataille and Nick Land. I argue that monstrous street-art lays visible claim to public territory for aesthetic purposes at odds with the visions of redevelopers and the needs of capital. Whilst street-art and graffiti do not fit easily within frameworks of organized political resistance or collective social movements, they operate as a kind of epistemological transgression that triggers transformative affects in the viewer. This creates conditions for pedagogies of resistance to gentrification by expressing and mobilizing political affects such as anger and anxiety, raising awareness of geographical politics, and encouraging the viewer to question the status quo of the built environment.

Hans Sebald Beham's holzschnitte zum Alten Testament nach der 1537 bei Christian Egenolph in Frankfurt erschienenen ausgabe : Biblicae historiae artificiosissime depictae.

"Die hier facsimilierte prächtige ausgabe von 1537 ist vorhanden in den kupferstichkabinetten in Berlin und Braunschweig, in der Kölner stadtbibliothek, der Münchener hof- und staatsbibliothek, der Tübinger universitätsbibliothek, der Zwickauer ratsschulbibliothek und dem Britischen museum."--Pref. signed: Otto Clemen.

Hans Küng

This thesis researches the long career of Hans Küng as a 'Catholic' theologian and as a polemicist reformer. The research demonstrates that he uses theology as a political tool in his call for Church reform and concludes that Kung is best understood as a political reformer rather than as a 'Catholic' theologian.