Veronica jabalambrensis Pau y V. tenuifolia Asso, dos taxones independientes

Se argumenta la independencia de Veronica tenuifolia Asso y V. jabalambrensis Pau sobre datos taxonómicos, corológicos y ecológicos, incluyéndose una clave de determinación para ambos táxones, mapas de distribución y discusión de cuestiones nomenclaturales. Asimismo, se procede a lectotipificar V. jabalambrensis Pau.

Notas florísticas sobre el Valle del Paular (Madrid, España)

Se comentan veinte táxones herborizados en el Valle del Paular, que presentan algún interés corológico regional.

12. On the nomenclature of the western Orocantabrian evergreen-oak forests

The syntaxonomical separation of two associations of evergreen-oak forests in the Cantabrian mountain range (Orocantabrian and Cantabrian-Atlantic biogeographical Provinces) has recently been contemplated.

7. On the priority of "Genistion purgantis" Tüxen in Tüxen & Oberdorfer 1958 and "Senecioni-Genistetum purgantis" Tüxen & Oberdorfer 1958

In a recent review of which we were co-authors (Rivas-Martínez, Belmonte, Cantó, Fernández-González, Fuente, Moreno, Sánchez-Mata & Sancho, Lazaroa 7: 93-124. 1987), rejection of names Genistion purgantis Túxen in Túxen & Oberdorfer 1958 [Veróff. Geobot. Inst. Rúbel Zúrich 32: 228] and Senecio tournefortii-Genistapurgans Ass. Túxen & Oberdorfer 1958 [op. cit.: 229-230] versus Pino-Cytision purgantis Rivas-Martínez 1964 [Anales lnst. Bot. Cavanilles 22: 358] and Junipero nanae-Sarothamnetum purgantis Rivas-Martínez 1963 [Anales Inst. Bot. Cavanilles 21(1): 172-186] respectively, was proposed and adopted.

8. Validating the alliance "Agrostio-Stipion giganteae"

The alliance Agrostio-Stipion giganteae has remained invalid till now, because the various conditions for valid publication have not been simultaneously fulfilled across a relatively long number of works concerning the syntaxon and their subordinate associations.

9. "Hieracietum carpetani" e "Hieracion carpetani" versus "Saxifragetum willkommianae" y "Saxifragion willkommianae"

En su obra 'Datos sobre la Flora y Fitosociología de la provincia de Madrid' (Bol. Real Soc. Esp. Hist. Nat. 38: 9-20. 1941), González-Albo describe la asociación Hieracietum carpetani, que fundamenta en tres inventarios (op. cit.: 16, Cuadro 2) procedentes de Siete Picos (Sierra de Guadarrama).

10. Sobre los nombres correctos de dos asociaciones de pastizales psicroxerófilos carpetanos

La asociación Staticetum caespitosae fue descrita por González-Albo (Bol. Real Soc. Esp. Hist. Nat. 38: 12-15. 1941) como "un prado o formación herbácea que cubre las rasas y planas (...) entre 1850-2000 m, zona subalpina, suelo pedregoso arenoso, de naturaleza silícea; cobertura media del 30 por 100 (...) orientación e inclinación múltiple y sin ser muy pronunciada (...)".

Nomenclature and syntaxonomic notes on some high-rank syntaxa of the European grassland vegetation

We present descriptions of a new order (Ranunculo cortusifolii-Geranietalia reuteri and of a new alliance (Stachyo lusitanicae-Cheirolophion sempervirentis) for the herbaceous fringe communities of Macaronesia and of the southwestern Iberian Peninsula, respectively. A new alliance, the Polygalo mediterraneae-Bromion erecti (mesophilous post-cultural grasslands), was introduced for the Peninsular Italy. We further validate and typify the Armerietalia rumelicae (perennial grasslands supported by nutrient-poor on siliceous bedrocks at altitudes characterized by the submediterranean climate of central-southern Balkan Peninsula), the Securigero-Dasypyrion villosae (lawn and fallow-land tall-grass annual vegetation of Italy), and the Cirsio vallis-demoni-Nardion (acidophilous grasslands on siliceous substrates of the Southern Italy). Nomenclatural issues (validity, legitimacy, synonymy, formal corrections) have been discussed and clarified for the following names: Brachypodio-Brometalia, Bromo pannonici-Festucion csikhegyensis, Corynephoro-Plantaginion radicatae, Heleochloion, Hieracio-Plantaginion radicatae, Nardetea strictae, Nardetalia strictae, Nardo-Callunetea, Nardo-Galion saxatilis, Oligo-Bromion, Paspalo-Heleochloetalia, Plantagini-Corynephorion and Scorzoneret alia villosae. 

The "Art" of Criticism: Rubén Darío and his Unknown Chronicles of the 1895 Salon for "La Prensa"

With the impetus that has led recent studies on Latin American Modernism to a reevaluation of the sense of cultural fluxes from the modernity capitals to its peripheries –discarding categories such as “influence”, “exotism” and “ivory tower”, stereotypes that have clouded critical understanding of this aesthetics for decades- the present study intends to investigate a persistent practice of the main writers of the movement. This practice is modernist pictorial criticism, a genre that will be approached through the analysis of an unknown corpus: the seven chronicles Rubén Darío published in the journal La Prensa on occasion of the third art exposition of the Ateneo de Buenos Aires. Our hypothesis is that the rare creators of images portrayed by Darío by the end of 1895 work as a visual counterpoint of the eccentric writers’ biographical sketches that a year later will be part of the fundamental volume Los raros (1896). In this early “salon”, which we reproduce in its entirety, accompanied by explanatory notes, the leader of Modernism rehearses and consolidates his transcultural work with the universal tradition –now applied to the Salons (1845-1860) by Charles Baudelaire and to the monumental project by John Ruskin in Modern painters (1843-1860)- to legitimate, from another subgenre of Modernist criticism, a new figure of the critic, in dissent with the Enlightenment model of the writer.

Gaze and power. A post-structuralist interpretation on Perseus’ myth

Gaze hierarchizes, manages and labels reality. Then, according to Foucault, gaze can be understood as a practice of power. This paper is inspired by his theories, and it applies them to one of the most powerful symbolic spheres of Western culture: Greek Myths. Notions such as visibility, invisibility and panopticism bring new light into the story of Perseus and Medusa, and they enable a re-reading of this Myth focused on the different ways of power that emerge from the gaze.