L'utilisation de l'argile dans l'architecture domestique et publique en Grèce antique : une étude d'un inventaire de sites archéologiques

Ce mémoire est une exploration du thème de l'utilisation de l'argile en architecture domestique et publique en Grèce Antique. À travers un inventaire de sites archéologiques, nous examinerons les différents vestiges présents qui démontrent l'utilisation de l'argile dans l'architecture, par exemple dans la production de briques d'argiles crues et dans les élévations en terre compactée. Ces vestiges sont très peu représentés archéologiquement et nous explorerons les raisons et questionnements amenés par cette faible présence.

Selecting Contexts. One Method of Selecting Contexts for Theatre Historiography

In principle, the world and life itself are the contexts of theatrical events. The term context is broad and thus seems hardly usable. It only makes sense to use the term when terminologies and methodologies determine which parts of their contexts are to be incorporated and analysed for which theatrical event. This presentation exemplifies a method which is particularly suitable for sensibly selecting the most important contexts for research in theatre history. The complexity of the representation increases continuously from The Presentation of Self in Everyday Life to Brecht’s “Street Scene” and “Everyday Theatre”, portrayals of rulers in feasts and parades to Hamlet productions by the Royal Shakespeare Company or a Wagner opera in Bayreuth. The different forms of theatre thus constitute a continuum which spans from “everyday theatre” to “art theatre”. The representation of the world in this continuum is sometimes questioned by the means of theatre, for example when Commedia dell’arte takes a critical stance towards the representative theatre of the humanists or when playful devices such as reversal, parody and fragmentation challenge the representative character of productions, which is applied by the Vice character for instance. There is a second component that has an impact on the continuum without a theatrical device: attitude, opinion, norms and bans which originate from society. As excerpts of contexts, they refer to single forms of theatre in the continuum. This results in a complex system of four components which evolves from the panorama between the antipodes “everyday theatre” and “art theatre” as well as both spheres of influence of which only one uses theatrical devices. All components interact in a specific time frame in a specific place in a specific way in each case, which can then be described as the theatricality in this time frame. This presentation will deal with what the concept is capable of doing.

Le T'ai chan : essai de monographie d'un culte chinois ; appendice, Le dieu du sol dans la chine antique /

Includes bibliographical references and index.

Souvenir of the twenty-fifth anniversary of the opening of the Gaiety Theatre : 27th November, 1871.

Bound in pale yellow cloth over boards; stamped in red, white, black, and gold on front cover.

Shakspere to Sheridan; a book about the theatre of yesterday and to-day.

Bibliographical footnotes.

The theatre in our times; a survey of the men, materials, and movements in the modern theatre

Mode of access: Internet.

Human relations in the theatre.

Mode of access: Internet.

The English theatre. [A collection of 66 pieces, tragedies, comedies, operas and farces correctly given as performed at the Theatres Royal, with remarks]

v. 1-4. Tragedies.--v. 5-9. Comedies.--v. 10-14. Operas, farces, etc.

On mammalian descent : being nine lectures delivered in the theatre of the Royal College of Surgeons during February, 1884 /

Mode of access: Internet.

Roma illustrata, or, A description of the most beautiful pieces of painting, sculpture, and architecture, antique and modern, at and near Rome.

Dedication signed by Robert Samber, who seems to have been the translator.

L'art antique de la Perse; Achéménides, Parthes, Sassanides,

1. ptie. Monuments de la vallée du Polvar-Roud.--2. ptie. Monuments de Persépolis.--3. ptie. La sculpture persépolitaine.--4. ptie. Les monuments voutés de l'époque achéménide.--5. ptie. Monuments parthes et sassanides.

Idylle antique : pour flûte et piano /

Caption title.