Occasional papers of the New York Academy of Sciences

Mode of access: Internet.

Regulations for the United States Military Academy, West Point, New York

Mode of access: Internet.

Map of the village of Youngstown in Niagara County : being lots nos. 1 & 2 of the New York state reserved lands along the E. side of the Niagara River /

Cadastral map showing streets, lots, and lot numbers.

Gateway National Recreation Area, New York-New Jersey /

Scale ca. 1:68,000.

Gateway National Recreation Area, New York-New Jersey /

Scale ca. 1:68,000.

Gateway National Recreation Area, New York-New Jersey /

"*GPO: 1988--201-941/8002[5?]. Reprint 1988."

Gateway National Recreation Area, New York-New Jersey /

"*GPO: 1989--242-345/00085. Reprint 1989."

Gateway National Recreation Area, New York-New Jersey /

"*GPO: 1992--312-248/40175 Reprint 1992."

Gateway National Recreation Area, New York-New Jersey /

"*GPO: 1994--301-085/80101. Reprint 1994."

Arshile Gorky: An Armenian in New York

Born in Armenia, the oldest Christian country in the world but nevertheless one of the youngest reinstated republics (1991) after the collapse of the Soviet Union, Arshile Gorky flew to the United States in 1920, where he chose to reinvent himself in the struggle to become an artist. This reinvention meant the creation of a persona with, or behind, which Gorky kept alive the artistic flame inside himself. Gorky became one of the most learned voices lecturing on contemporary European modernist artists and movements of the late nineteenth and early twentieth centuries in the United States (New York) without ever visiting Europe. Moreover, he was able to survive the traumatic events he underwent during the Armenian Genocide (1915-1919) to adapt to his new country and identity, to live through the years of the Depression and, eventually, to become the protagonistof a major artistic breakthrough. This paper proposes an insight into the experience of life and frame of work of this Armenian-American artist, whose simultaneously rich, traumatic, dislocated and reenacted life and work established one of the most fertile links between his middle‑eastern origins, his dreamed of Europe and the particular transit of his American artistic creation.

Tasini v. The New York Times: aspectos bibliotecarios

La revista mensual de la Special Libraries Association(SLA), Información Outlook, publica usualmente una columna fija dedicada a cuestiones de copyright. En el número de septiembre de 2001 el artículo se titulaba ¿Tasini: capítulo final¿, y explicaba la resolución del litigio que enfrentó a escritores freelance (los que trabajan por cuenta propia) contra sus antiguas empresas, como el New York Times (NYT), etc. Sin embargo, como en un buen misterio de asesinatos en el que el muerto reaparece, el título de la columna de octubre fue ¿¡El caso que no muere!¿.