O campo lexical da cosmologia em dicionários de línguas indígenas brasileiras

A presente monografia consiste em um estudo metalexicográfico realizado sobre dois dicionários bilíngues de línguas indígenas brasileiras, analisados através do filtro temático da cosmologia, isto é, com enfoque nos lexemas que exprimem os conhecimentos indígenas acerca do céu, dos fenômenos naturais e dos elementos sociológicos associados. O levantamento dos dados lexicais serviu como base para a elaboração de um banco de dados de valioso emprego para futuros estudos, tanto no campo da lexicografia como no da cosmologia e etnografia

Yudja Utaha: a culinária juruna no Parque Indígena Xingu - uma contribuição ao dicionário bilíngue juruna-português

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Tekoá Pyay: território de luta e resistência Guarani no Jaraguá (SP)

Pós-graduação em Geografia - IGCE

Tekoá Mirim: terra indígena Mbyá Guarani

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

As metamorfoses do nome: história, política e recombinações identitárias entre os Tupi Guarani

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Territórios, multiterritorialidades e memórias dos povos Guarani e Kaiowá: diferenças geográficas e as lutas pela Des-colonização na Reserva Indígena e nos acampamentos-tekoha - Dourados/MS

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O papel da comunicação no processo de transferência de tecnologia da Embrapa para a comunidade indígena Campo Alegre de Boa Vista, RR

Pós-graduação em Comunicação - FAAC

A paisagem cultural do Sítio Arqueológico Piracanjuba, Piraju, SP

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

A paisagem cultural do Sítio Arqueológico Piracanjuba, Piraju, SP

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Embriaguez y hacienda pública en Guatemala, 1840-1865: entre la moral decimonónica y los ingresos fiscales

[ES] En los años 1840-1865, el abordaje gubernamental del consumo de bebidas embriagantes transitó desde una perspectiva en que predominaba la visión de la moral pública, escandalizada por los excesos en la embriaguez, hacia otra en la que se impuso la necesidad de maximizar los ingresos fiscales derivados de la fabricación y venta de aguardiente y chicha. Este giro tiene como telón de fondo el tránsito del monopolio estatal de ambas bebidas al ámbito privado y la defensa que los pueblos de indios hicieron de su consumo, en un momento de transición social y económica hacia el Estado agroexportador cafetalero.

Traces de terre, traces d'encre... La rappresentazione dello spazio nella letteratura caraibica. (Francofona e Anglofona)

This study concerns the representation of space in Caribbean literature, both francophone and Anglophone and, in particular, but not only, in the martinican literature, in the works of the authors born in the island. The analysis focus on the second half of the last century, a period in which the martinican production of novels and romances increased considerably, and where the representation and the rule of space had a relevant place. So, the thesis explores the literary modalities of this representation. The work is constituted of 5 chapters and the critical and methodological approaches are both of an analytical and comparative type. The first chapter “The caribbean space: geography, history and society” presents the geographic context, through an analysis of the historical and political major events occurred in the Caribbean archipelago, in particular of the French Antilles, from the first colonization until the départementalisation. The first paragraph “The colonized space: historical-political excursus” the explores the history of the European colonization that marked forever the theatre of the relationship between Europe, Africa and the New World. This social situation take a long and complex process of “Re-appropriation and renegotiation of the space”, (second paragraph) always the space of the Other, that interest both the Antillean society and the writers’ universe. So, a series of questions take place in the third paragraph “Landscape and identity”: what is the function of space in the process of identity construction? What are the literary forms and representations of space in the Caribbean context? Could the writing be a tool of cultural identity definition, both individual and collective? The second chapter “The literary representation of the Antillean space” is a methodological analysis of the notions of literary space and descriptive gender. The first paragraph “The literary space of and in the novel” is an excursus of the theory of such critics like Blanchot, Bachelard, Genette and Greimas, and in particular the recent innovation of the 20th century; the second one “Space of the Antilles, space of the writing” is an attempt to apply this theory to the Antillean literary space. Finally the last paragraph “Signs on the page: the symbolic places of the antillean novel landscape” presents an inventory of the most recurrent antillean places (mornes, ravines, traces, cachots, En-ville,…), symbols of the history and the past, described in literary works, but according to new modalities of representation. The third chapter, the core of the thesis, “Re-drawing the map of the French Antilles” focused the study of space representation on francophone literature, in particular on a selected works of four martinican writers, like Roland Brival, Édouard Glissant, Patrick Chamoiseau and Raphaël Confiant. Through this section, a spatial evolution comes out step by step, from the first to the second paragraph, whose titles are linked together “The novel space evolution: from the forest of the morne… to the jungle of the ville”. The virgin and uncontaminated space of the Antilles, prior to the colonisation, where the Indios lived in harmony with the nature, find a representation in both works of Brival (Le sang du roucou, Le dernier des Aloukous) and of Glissant (Le Quatrième siècle, Ormerod). The arrival of the European colonizer brings a violent and sudden metamorphosis of the originary space and landscape, together with the traditions and culture of the Caraïbes population. These radical changes are visible in the works of Chamoiseau (Chronique des sept misères, Texaco, L’esclave vieil homme et le molosse, Livret des villes du deuxième monde, Un dimanche au cachot) and Confiant (Le Nègre et l’Amiral, Eau de Café, Ravines du devant-jour, Nègre marron) that explore the urban space of the creole En-ville. The fourth chapter represents the “2nd step: the Anglophone novel space” in the exploration of literary representation of space, through an analytical study of the works of three Anglophone writers, the 19th century Lafcadio Hearn (A Midsummer Trip To the West Indies, Two Years in the French West Indies, Youma) and the contemporary authors Derek Walcott (Omeros, Map of the New World, What the Twilight says) and Edward Kamau Brathwaite (The Arrivants: A New World Trilogy). The Anglophone voice of the Caribbean archipelago brings a very interesting contribution to the critical idea of a spatial evolution in the literary representation of space, started with francophone production: “The spatial evolution goes on: from the Martiniques Sketches of Hearn… to the modern bards of Caribbean archipelago” is the new linked title of the two paragraphs. The fifth chapter “Extended look, space shared: the Caribbean archipelago” is a comparative analysis of the results achieved in the prior sections, through a dialogue between all the texts in the first paragraph “Francophone and Anglophone representation of space compared: differences and analogies”. The last paragraph instead is an attempt of re-negotiate the conventional notions of space and place, from a geographical and physical meaning, to the new concept of “commonplace”, not synonym of prejudice, but “common place” of sharing and dialogue. The question sets in the last paragraph “The “commonplaces” of the physical and mental map of the Caribbean archipelago: toward a non-place?” contains the critical idea of the entire thesis.

Die Ethnisierung des Politischen: Identitätspolitiken in Lateinamerika, Asien und den USA

Ob die Delawaren in den USA, Indios in Mexiko oder die Kiranti-Bewegung in Nepal – seit knapp 20 Jahren fordern ethnische Bewegungen die Nationalstaaten in der außereuropäischen Welt heraus. Sie verlangen die Anerkennung und politische Repräsentation ethnischer Minderheiten und fordern, sie in die Definition der Nation einzuschließen. Die Autorinnen und Autoren des Bandes zeigen, dass diese »Ethnisierung des Politischen« bis ins frühe 19. Jahrhundert zurückreicht und die Identität einiger Nationalstaaten Amerikas und Asiens nachhaltig infrage stellt.

Intercambio, novedad y estrategias: las misiones jesuíticas del sur desde la perspectiva indígena. En: Avá, nº 11

En este trabajo propongo abordar la cuestión de la visión de los indios acerca de la presencia de misiones jesuíticas en territorios al sur de la frontera representada por el río Salado en el actual territorio de la provincia de Buenos Aires. Ante el establecimiento de las misiones los indígenas de la región mostraron diversos tipos de reacciones entre la aceptación y el rechazo según distintos intereses. Entre los grupos que aceptaban y los que rechazaron las misiones no puede establecerse una clara delimitación dados los profusos vínculos entre ambos y el valor estratégico de las diferentes actitudes. Los contactos de los indios con las misiones parecen enmarcarse dentro de los sistemas de intercambio, territoriales y de relaciones interétnicas, mientras que a medida que tenían lugar las interacciones se fueron conformando un particular modo de relación y una determinada visión respecto del otro.

El teatro misional jesuítico en el Brasil: posibles lecturas y aportes. En: Estudios Regionales, v. 1, n° 1

La conquista que de América hicieron los países de Europa, representa, en primer término la expresión de la soberbia de creer que el mayor desarrollo tecnológico justificaba el dominio, la expollación económica o la sublimación de la voluntad de los vencidos a través de la conquista espiritual. Son muchos los documentos que dan testimonio de la utilización de representaciones dramáticas en la evangelización. Es este Teatro de carácter didáctico el que ha motivado nuestro interés. Los jesuitas lo utilizaron en las "Misiones de Indios guaranies" y también entre los Tupíes y con la misma finalidad lo usó el Padre Anchieta, en el Brasil.En ambos casos el evangelizador operó con una realidad similar: los fundamentos míticos de la cultura tupí-guaraní.