936 resultados para Ethics and religious culture


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Diferentes autores se refieren a la fabricación digital como la Tercera Revolución Digital, después de las revoluciones de la computación y la comunicación. Como ocurriera con las dos revoluciones precedentes, se generaron grandes expectativas en torno a las virtualidades políticas de estas nuevas tecnologías para dar lugar a relaciones de producción más libres e individuos más autónomos. Sin embargo, como también ocurriera con la computación y la comunicación, lo que realmente está ocurriendo demuestra que las supuestas virtualidades no llegarán a hacerse actuales sin una intensa implicación, organización y trabajo por parte de sectores activistas técnicos y sociales. Se discute el caso de la compra corporativa de la empresa pionera de hardware libre Makerbot, como ejemplo de la situación y punto de inflexión en las expectativas de los nuevos tecno-visionarios. Para concluir se propone una serie de posibles estrategias que podrían promover el desarrollo efectivo de un ecosistema libre y open source de fabricación digital.

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n.s. no.12(1989)

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One leaf containing a handwritten list of books with one column marked "Ethics" and the other column marked "Moral Philosophy." Entries contain the author's last name and abbreviated title. The page is inscribed "Vose," likely referring to Roger Vose (Harvard AB 1790), and the verso has a fragment of a poem.

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One leaf containing a handwritten list of books generally on ethics and moral philosophy, though no subject is identified. Entries contain the author's last name and abbreviated title. The page is inscribed "Paine," likely referring to Robert Treat Paine (Harvard AB 1792), and the verso has a fragment of a student essay on the theme "An undevout astronomer is mad," signed "Paine."

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Despite its central role in religious life of the region, the sculptural tradition of the Southern Chilean Chiloé Archipelago, ranging from the 17th century to the present day, has been vastly understudied. Isidoro Vázquez de Acuña’s 1994 volume Santeria de Chiloe: ensayo y catastro remains the only catalogue of Chilote sculpture. Though the author includes photographs of a vast array of works, he does not attempt to place the sculptures within a chronology, or consider their place within the greater Latin American context. My thesis will place this group of works within a chronological and geographical context that reaches from the 16th century to the present day, connected to the artistic traditions of regions as far afield as Paraguay and Lima. I will first consider the works brought to the Archipelago by religious orders – the Jesuits and Franciscans – as well as influences on artistic style and religious culture throughout the 17th, 18th and 19th centuries. I will focus in particular on three works generally considered to be from the 17th and 18th centuries – the Virgin of Loreto at Achao, the Saint Michael at Castro, and the Jesus Nazareno of Caguach – using visual analysis and sifting through generations of primary and secondary sources to determine from where and when these sculptures came. With this investigation as a foundation, I will consider how they inspired vernacular sculptural expression and trace ‘family trees’ of vernacular works based on these precedents. Vernacular artistic traditions are often viewed as derivative and lacking in skill, but Chilote sculptors in fact engaged with a variety of outside influences and experimented with different sculptural styles. I will conclude by considering which aspects of these styles Chilote artists chose to incorporate into their own work, alter or exclude, artistic decisions that shed light on the Archipelago’s religious and cultural fabric.

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Although Portugal does not have a significant radical right presence in its party system, in the last decades the country did witness the development of a neo-Nazi skinhead movement that expresses its white nationalist nature and goals through the musical genres of Rock Against Communism (RAC) and the related Oi!. Utilizing various historical sources and theoretical analysis, this study contextualizes the development of nationalist music in Portugal, both before and especially during the democratic period (1974-2015). It focuses on its protagonists, domestic and international networks, as well as on the few attempts to establish a common cause with radical right-wing political parties at the turn of the century and in present times.

Motion for a Resolution tabled by the following Members: van Aerssen, Adonnino, Aigner, Alber, Albers, von Alemann, Almirante, Ansquer, Antoniozzi, Arndt, Baduel-Glorioso, Bangemann, Barbagli, Barbi, Battersby, Baudis, Berkhouwer, Bersani, Lord Bethell, Bettiza, Beumer, Beyer de Ryke, von Bismarck, Bocklet, Bombard, Bonaccini, Boot, Bord, Bournias, Boyes, Brok, Calvez, Cerettoni Romagnoli, Casanmagnano-Cerretti, Sir Fred Catherwood, Cecovini, Chanterie, Clinton, Colleselli, Collins, Collomb, Costanzo, Couste, Cronin, Croux, Curry, Dalsass, D'Angelosante, Davern, De Gucht, Delatte, Del Duca, Deleau, Delorozoy, Deschamps, Diana, Diligent, Lord Douro, Dury, Eisma, Lady Elles, Enright, Estgen, Ewing, Fellermaier, Fergusson, de Ferranti, Ferrero, Ferri, Fich, Filippi, Fischbach, Flanagan, Focke, Franz, Ingo Friedrich, Fruh, Karl Fuchs, Fuillet, Gabert, Gaiotti de Biase, Gallacher, Awronski, Gerokostopoulos, Geursten, Ghergo, Giavazzi, Glinne, de Goede, Gontikas, Goppel, Gouthier, Gredal, Haagerup, Habsburg, Hansch, Hahn, Lord Harmar-Nicholls, von Hassel, Helms, Herklotz, Herman, van den Heuvel, Hoff, K.H. Hoffmann, Hooper, Hopper, Hord, Hume, Ippolito, Irmer, Israel, Robert Jackson, Jakobsen, Janssen van Raay, Johnson, Jonker, Jurgens, Kallias, Kaloyannis, Katzer, Kazazis, Kellett-Bowman, M. Elaine Kellett-Bowman, Key, Klepsch, Klinkenborg, Kuhn, Lagakos, Langes, Lecanuet, Lega, Lemmer, Lentz-Cornette, Lenz, Leonardi, Ligios, Louwes, Lucker, Luster, Macario, McCartin, Maher, Maij-Weggen, Majonica, Malangre, de la Malene, Marck, Mart, Simone Martin, Mertens, Michel, van Minnen, Modiano, Moller, Mommersteeg, Moorhouse, Jacques Moreau, Moreland, Mouchel, Muller-Hermann, Muntingh, Narducci, Newton Dunn, J.B. Nielsen, Calliopi Nikolaou, Konstantinos Nikolaou, Nord, Normanton, Notenboom, Nyborg, O'Donnel, Lord O'Hagan, d'Ormesson, Paisley, Pennella, Papaefstratiou, Patterson, Paulhan, Pauwelyn, Decaestecker, Pearce, Pedini, Pelikan, Penders, Pery, Pesmazoglou, Peters, Pfennig, Pflimlin, Phlix, Plaskovitis, Pottering, Poniatowski, Price, Protopapadakis, Pruvot, Purvis, Rabbethge, Sir Brandon Rhys Williams, Rieger, Rinsche, Ripa di Meana, Roberts, Rogalla, Rogers, Ruffolo, Rumor, Ryan, Salzer, Sassano, Prinz Sayn Wittgenstein-Berleburg, Schall, Schieler, Schinzel, Schleicher, Schmid, Schnitker, Karl Schon, Konrad Schon, Schwencke, Sir James Scott-Hopkins, Scrivener, Seal, Seefeld, Seeler, Segre, Seibel-Emmerling, Seitlinger, Seligmann, Sherlock, Sieglerschmidt, Simmonds, Simonnet, Simpson, Spencer, Spicer, Spinelli, Squarcialupi, Stella, Sir John Stewart-Clark, Sutra, Tolman, Travaglini, Tuckman, Turner, Tyrrell, Vandewiele, Sir Peter Vanneck, van Rompuy, Vergeer, Veronesi, Verroken, Vetter, von der Vring, Walz, Sir Fred Warner, Wawrzik, Weber, Wedekind, Welsh, Wieczorek-Zeul, von Wogau and Zecchino, pursuant to Rule 47 of the Rules of Procedure on the foundation of a Euro-Arab University for postgraduate students at one of the traditional meeting places of Islamic and European culture on Spanish Soil, Working Documents 1982-1983, Document 1-515/82, 16 July 1982

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Introduction. The idea that “merit” should be the guiding principle of judicial selections is a universal principle, unlikely to be contested in whatever legal system. What differs considerably across legal cultures, however, is the way in which “merit” is defined. For deeper cultural and historical reasons, the current definition of “merit” in the process of judicial selections in the Czech Republic, at least in the way it is implemented in the institutional settings, is an odd mongrel. The old technocratic Austrian judicial heritage has in some aspects merged with, in others was altered or destroyed, by the Communist past. After 1989, some aspects of the judicial organisation were amended, with the most problematic elements removed. Furthermore, several old as well as new provisions relating to the judiciary were struck down by the Constitutional Court. However, apart from these rather haphazard interventions, there has been neither a sustained discussion as to how a new judicial architecture and system of judicial appointments ought to look like nor much of broader, conceptual reform in this regard. Thus, some twenty five years after the Velvet Revolution of 1989, the guiding principles for judicial selection and appointments are still a debate to be had.