In Praise of Michigan: Angell Hall

Albert Kahn, architect. Building completed 1924. Named James Burrill Angell Hall. Sometimes called Literary College. Interior ceiling decorations: Di Lorenzo Studios, N.Y. Upper right hand corner torn off. On image in lower right corner: No 1.

New Building - Interior - Art Room (Former One on Third Floor) - Mural Decorations [Detroit News]

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New Building - Interior - Art Room (Former One on Third Floor) - Mural Decorations [Detroit News]

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New Building - Interior - Art Room (Former One on Third Floor) - Mural Decorations [Detroit News]

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New Building - Interior - Art Room (Former One on Third Floor) - Mural Decorations [Detroit News]

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New Building - Interior - Art Room (Former One on Third Floor) - Mural Decorations [Detroit News]

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New Building - Interior - Art Room (Former One on Third Floor) - Mural Decorations [Detroit News]

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Oración vindicativa del honor de las letras, y de los literatos /

Pages [56]-[58] are blank.

Journal of morphology.

On cover, v. 31, no. 3-v. 37, no. 1: Pan-American edition (author's abstracts in Spanish)

Monogrammes und Dekorationen : sieben durchgeführte Monogramm-Alphabete und zahlreich andere Monogramme, Embleme, Dekorationen, Kronen, Wappen und Studentenzirkel = Monogrammes et decorations = Monograms and decorations /

Includes index.

Final report of the battlefield of Gettysburg ...

Contains New York at Gettysburg, by William F. Fox ; Dedication of the monuments erected in honor of the New York regiments at Gettysburg. Orations, addresses and regimental histories. Ed. by William F. Fox. Location, dimensions, construction and cost of each of the New York monuments at Gettysburg.

The art of garnishing churches at Christmas and other times : a manual of directions /

Advertisements printed on endpapers.

Women and the Moral Politics of Dress in Twentieth Century Tehran

This research examines the politicization of women’s clothing under the Pahlavi monarchy and the Islamic Republican of Iran from the 1930s-1990s. I distinctively focus on the governments’ use of women’s clothing to define their idea of Iranian nationalism and how their sumptuary policies affected women’s lives. I assess the motives behind the sumptuary laws for each regime, and argue that both governments situated women as symbols of national health and honor, and used them as visualizations for the success of their platforms. Despite different interpretations of morality, my research suggests that both governments created these laws to “purify” their “corrupt” nation, using the same rhetoric. Paradoxically, this led to a sexualized culture that exists today in Tehran. I analyze a wealth of primary sources including women’s magazines, political cartoons, poetry, newspapers, extant clothing, photographs, legislation, autobiographies, speeches, passports, Revolutionary-era books written by Iranian intellectuals, and oral interviews that I conducted.