Le fils de la Grande Catherine, Paul 1er, empereur de Russie, sa bie, son règn et sa mort, 1754-1801, d̕après des documents nouveaux et en grande partie inédits.

Mode of access: Internet.

The masterpieces of Goya (1746-1828) : sixty reproductions of photographs from the original paintings, affording examples of the different characteristics of the artist's work.

Mode of access: Internet.

L'Angleterre et l'emigration française de 1794 à 1801,

"Pieces justificatives": p. [301]-366.

Ars Donati quam Paulus Diaconus exposuit. Nunc primum ex Cod. vaticano-palatino 1746 monachi archicoenobii Montis Cassino in lucem proferunt.

Praefatio signed: Ambrosius Maria Amelli.

A classical and topographical tour through Greece, during the years 1801, 1805, and 1806,

Includes index.

Correspondance de Lecoz & de Gregoire (1801-1815) ;

Bibliographical footnotes.

Quellen zur geschichte der deutschen kaiserpolitik Oesterreichs während der französischen revolutionskriege. 1790-1801.

Mode of access: Internet.

Travels in various countries of Europe, Asia, and Africa. Commencing January 1, 1801 /

v. 1. Russia, Tartary, and Turkey (pt. 1, section 1.) --v. 2. Greece, Egypt, and the Holy Land (pt. 2, section 1.) -- v. 3-4. Greece, Egypt, and the Holy Land (pt. 2, section 2.)

Political pamphlets (United States) from the Durrett collection...1801-[1878] arranged chronologically.

Title page typewritten.

South Africa a century ago; 1797-1801.

Mode of access: Internet.

The Harrow School register, 1801-1893 /

Mode of access: Internet.

Syn Velikoĭ Ekateriny; Imperator Pavel I, ego zhiznʹ, t︠s︡arstvovanīe i smertʹ, 1754-1801. Po novym, bolʹshei︠u︡ chastʹi︠u︡ neizdannym dokumentam. S 68 illi︠u︡strat︠s︡īi︠a︡mi na otdi︠e︡lʹnykh listakh i 61 risunkom.

Mode of access: Internet.

L'histoire, le texte et la destinée du Concordat de 1801.

Mode of access: Internet.

Joseph Mainzer (1801-1851) and the popularisation of choral singing in Britain

Singing master Joseph Mainzer came to England in 1841 as a political refugee from Germany. Through his music schools, his textbook Singing for the Million, and his journal Mainzer’s Musical Times (today The Musical Times) he contributed significantly to the popularisation of choral singing in Britain. This essay takes Mainzer’s political background as a starting point to investigate the complex relationship between refuge and artistic production. It is argued that the latter was deeply informed by the former. Mainzer not only transferred choral traditions but also a politicised concept of popular culture which started to take hold in pre-revolutionary Vorma¨rz-Germany. The case study is integrated into the larger framework of Anglo-German cultural relations and political refuge in mid-nineteenth century Britain.