South elevation, Neville Bonner Building, Brisbane

William St building, as seen from across Riverside Expressway off-ramp.

Main entry, William St, Neville Bonner Building, Brisbane

William St building-Riverside Expressway building junction.

Facade articulation, Neville Bonner Building, Brisbane

Detail of precast concrete sunshading panels to freeway (West) elevation.

North elevation, Neville Bonner Building, Brisbane

As seen from Queens Wharf Road.

Entrance, Agriculture and Entomology Building, Brisbane

View to entrance.

Stair, Agriculture and Entomology Building, Brisbane

View to circulation stair from exterior.

Entrance, Agriculture and Entomology Building, Brisbane

View to entrance.

Brick detail, Agriculture and Entomology Building, Brisbane

Detailed view of venting in brick work. Bricks used were commons, with prevalent dark blue iron staining.

Door and window detail, Agriculture and Entomology Building, Brisbane

View to side entrance opening and window detail with sliding timber shutters above, from exterior.

Agriculture and Entomology Building, Brisbane

View to north and east facing wings, along circulation path to the roof feature connection between wings.

Windows and venting to elevation, Agriculture and Entomology Building, Brisbane

View to elevation with timber sliding shutters, aluminium double hung sash windows and brick venting.

Agriculture and Entomology Building, Brisbane

View across car park to north-west elevation.

Stair exterior, Agriculture and Entomology Building, Brisbane

View to circulation stair, with venting detail, from exterior.

Research, knowledge and design

The discussion about relations between research and design has a number of strands, and presumably motivations. Putting aside the question whether or not design or “creative endeavour” should be counted as research, for reasons to do with institutional recognition or reward, the question remains how, if at all, is design research? This question is unlikely to have attracted much interest but for matters external to Architecture within the modern university. But Architecture as a discipline now needs to understand research much better than in the past when ‘research’ was whatever went on in building science, history or people/environment studies. In this paper, I begin with some common assumptions about design, considered in relation to research, and suggest how the former can constitute or be a mode of the latter. Central to this consideration is an understanding of research as the production of publicly available knowledge. The method is that of conceptual analysis which is much more fruitful than is usually appreciated. This work is part of a larger project in philosophy of design, in roughly the analytical tradition.