1000 resultados para Socie te des artistes franc ais. Salon.


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For detailed description see Grand-Carteret, Almanachs francais, Paris, 1896, p. 367-368.

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Part of the illustrative material is folded and colored.

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Mode of access: Internet.

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For superius, contra, tenor, bassus with piano reduction.

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Title varies slightly; some vols. called Bulletin des lois de l'Empire francais, some Bulletin des lois du Royaume de France.

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Mode of access: Internet.

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Mode of access: Internet.

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At head of title: Socit de l'histoire de l'art francais.

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Cette thse apprhende les rapports au politique des artistes visuels ymnites dans un contexte de domination, recouvrant trois tats (les deux rpubliques qui prcdent l'unification du Ymen et la rpublique actuelle cre en 1990, jusqu'en 2015). En tudiant la domination en acte travers une dmarche ethnographique, ce travail interroge les conditions de production et d'action des artistes en soutien ou en contestation au rgime, comme au cours du moment rvolutionnaire de 2011. On observe ainsi le processus de politisation des mondes de l'art au Ymen contemporain, processus compris en tant qu'acquisition d'une signification politique par la pratique artistique et par les rseaux de relations entretenus par les artistes visuels. Ces requalifications de leur travail ou de leurs actions se font dans un contexte travers par des luttes concurrentielles pour la rpartition du pouvoir, aussi bien internes et propres leurs mondes d'activit, qu'externes et en relation l'espace politique institutionnel. La politisation des mondes de l'art apparat ds lors moins comme un instrument d'accs cet espace qu'une voie pour accder plus de visibilit, la reconnaissance, et un meilleur positionnement dans les rapports agonistiques qui configurent ces mondes. -- This thesis focuses on the study of Yemeni visual artists' relation to politics in a context of domination, covering three States (the two republics that precede Yemen's unification and the current republic established in 1990, until 2015). Studying domination in action througli an ethnographic approach, this work questions artists' conditions of production and of action in support to or in contestation of the regime- as in the case of the revolutionary period of 2011. It observes the politicization of art worlds in contemporary Yemen, a process understood as the acquisition of a political significance as observed in the artistic practice and in the dynamic networks that artists maintain. The requalification and reclassification of their work and their actions that results from the politicization of art worlds, takes place in a context of competitive struggles over distribution and access to sites of power. Such conflict over power occurs within their own worlds of activity as well as outside them and in relation to the domain of institutional politics. This thesis contends that the politicization of art worlds is more of a means to access visibility and recognition than a resource to participate in the political field. Through the politicization of art, artists are able to better position themselves within the agonistic relations that exist within art worlds.