877 resultados para Multiplicity of voices


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Pós-graduação em Educação Escolar - FCLAR

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O Grão-Pará na primeira metade do século XIX vivenciou um período de crise política e comoções sociais. Num espaço de tempo de vinte anos a província se viu emergida em dois processos revolucionários que agitaram suas vilas e provocaram mudanças significativas, sobretudo em suas estruturas políticas e representativas, a saber, a Independência e a Cabanagem. Ambos os processos se configuraram por uma variedade de discursos políticos e projetos sociais específicos, características estas que lhes imprimiram um caráter plural, de múltiplos significados e a ideia de um movimento heterogêneo. Estas particularidades no cenário político do Grão-Pará, da Independência e da Cabanagem, nos levam a compreender estes processos pela perspectiva da multiplicidade de projetos e das ações políticas envolvidas na região do médio Amazonas. Dentre estes projetos percebemos a relevância da luta pela separação político-administrativa do Alto Amazonas da província do Grão-Pará para a criação da província do Rio Negro. Este projeto foi sustentado tanto pelos discursos da elite local, como pelos anseios das camadas populares. Para a elite local a questão de separar-se ou não do Grão-Pará era tão importante quanto separar-se ou não de Portugal o era para a elite em Belém. Contudo, se as elites lutavam para ampliar seus poderes, as camadas populares, especialmente os tapuias, muitas vezes também disputavam mais espaços, poderes e direitos. Nesse sentido, este estudo propõe-se compreender como se desenvolveram estes discursos nos processos revolucionários da primeira metade do século XIX, analisando os projetos apresentados no cenário político do Grão-Pará tendo como pano de fundo deste cenário os processos de Independência e Cabanagem.

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O pluralismo é uma marca da democracia contemporânea e a Constituição de 1988 representou um importante avanço na proteção das diversidades no Brasil, consagrando a multiplicidade de idéias, culturas e etnias, e pressupondo o diálogo entre opiniões e pensamentos divergentes. Neste contexto, os povos indígenas adquiriram o direito à alteridade, ou seja, foram respeitadas as suas especificidades étnico-culturais, garantindo-lhes o direito de serem e permanecerem índios. A delimitação, a desintrusão e a proteção de um espaço territorial adequado para os diferentes povos indígenas são consideradas como uma condição essencial para a sobrevivência física e cultural desses grupos. O presente trabalho pretende, então, analisar a interpretação adotada pelo Supremo Tribunal Federal (STF) na Súmula 650, acerca do termo “terras tradicionalmente ocupadas por índios” (CF/88 art. 231, §§ 1º e 2º), de forma a compreender o seu alcance e os seus limites de aplicação. Para tanto, inicialmente, foi reconstruído o itinerário do conceito nos julgados do STF, analisando-se as decisões que trataram do tema. O marco inicial é a Súmula 480 e seus precedentes e o final, a Súmula 650, com a análise dos casos que a conformaram. Como resultado, verificou-se que, nas decisões anteriores à Súmula 650, o Tribunal se afastou do conceito civil de posse para contemplar um conceito de posse indígena, no qual a atualidade pode ser secundária, diante de provas que comprovem a ocupação tradicional. Da análise dos precedentes da Súmula 650, constatou-se que o julgamento envolveu um contexto histórico específico, onde os povos indígenas estavam extintos. Por outro lado, foram utilizados argumentos generalizantes que se indiscriminadamente aplicados poderão causar sérios prejuízos aos direitos territoriais indígenas, sobretudo quanto à restituição de terras tradicionais. A partir dos resultados, concluiu-se que o Enunciado da Súmula 650 não pode ser aplicado de forma generalizada, apresentando-se como fundamentos para uma aplicação limitada a faticidade e historicidade do caso concreto; a Convenção 169 da OIT e orientações da Agenda 21; e as demais interpretações do STF acerca do termo “terras tradicionalmente ocupadas”.

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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

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This paper presents a reflection on the work of the rap group from São Paulo Racionais MC's, highlighting points of dialogue between his last two studio albums: Sobrevivendo no inferno, 1997, and Nada como um dia após o outro, 2002. We found, in this discursive course, the presence of voices which intertwine and indicate a collectivized speech, seeking the identification between the slums and the group's rhetoric, but they also point out to an immersion into the subjectivity, to the problematization of the discourse itself, acting as a form of debugging of the social experience in the favela. We argue further that Sobrevivendo no inferno represents a turning point in the thinking of the quartet. Thus, themes and perspectives present, although embryonically, in the first focused album, point to dramas that take shape in the second one.

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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This paper proposes a reflection on processes of variation and change that occurred with the portuguese prepositions a, ate, em and para, taken as a parameter for answers in a broader context, the confrontation between the norm and use and between standard and linguistic variation. We conducted the study based on a corpus composed of all occurrences of the prepositions in question removed news of the newspaper O Combate and O Estado de Sao Paulo. Whereas the main objective of the study is to present and describe the use of these particles in newspaper articles of the Imprensa Paulista, data were collected and quantified by using the statistical package GOLDVARB, and interpretation of results relied (i) assumptions regarding the process variation in the use of prepositions and prepositions replace weak, as the preposition to, for strong prepositions (para, em, até), (ii) in comparison with the grammatical rule in effect at the time, (iii) and in the search for the existence of some historical factor that justifies the selection of a preposition rather than another. Among the hypotheses, we investigate the relationship between these prepositions and whose kind of preachers they introduce supplements: the direction of motion (abstract or concrete) or transfer (material and verbal / perceptual). This theoretical perspective was the Labovian sociolinguistics (Labov, 1972, 1994), which defines the linguistic variable as a representation of two or more different ways to convey a certain information content, being necessary to define it the following criteria set exact number of variants to establish all the multiplicity of contexts in which it appears; develop a quantitative index for measuring the values of variables

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In the treatment plans in conventional Proton therapy are considered only the elastic interactions of protons with electrons and/or nuclei, it means, mainly ionization and coulomb excitation processes. As the energy needed to reach the deep tumors should be of several hundred of MeVs, certainly the nuclear inelastic channels are open. Only some previous studies of the contribution of these processes in the full dose have been made towards targets composed of water. In this study will be presented the results of the simulation of the processes of interaction of beams of protons in the range of 100-200 MeV of energy with a cylindrical phantom composed by striated muscle (ICRU), emphasizing in the contribution to total dose due to the deposition of energy by secondary particles alpha (α), deuterium (2H), tritium (3H), neutron (n) and hélio3 (3He), originated by nuclear inelastic processes. The simulations were performed by using the method of Monte Carlo, via the computer code MCNPX v2.50 (Monte Carlo N-Particle eXtended). The results will be shown demonstrated through the graphics of the deposited dose with or without nuclear interaction, the percentual of dose deposited by secondary particles, the radial dispersion of neutrons, as well as the multiplicity of secondary particles

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As we focusing in the Brazilian rural area we see that it presents the spatial diversity and the different organization forms of the space arising from its diversity, tied to the different economic, social, politic and cultural contexts .These contextual diversities bring results that is not limited to the agrarian sector, but get beyond the border of the rural world, taking different ways of organization and structuring in the urban areas. The building and management of the rural spaces are constituted as an attribute of the agricultural production that in the course of the centuries made disappear and reduce significant proportions from the natural areas. In many places, the intensification of the production process gives satisfaction to the globalized markets and that return allows the reproduction of the productive conditions. In other areas the access difficulties to the market and the proximity to the developed urban centers cause the abandonment of the agricultural activity and the maintenance of property without production or with specific services (tourism, for example). That process triggers a multiplicity of factors that are defining the pace of the rural areas in Brazil. This work sought to understand all the deals of the ‘’rural’’ county of Rio Claro-SP and what’s the role and the situation that we find the familiar agriculture in the advanced urban areas, which is the case of this study. Where the agriculture doesn’t represent the flagship of the economy. It was the intention, identify what activities and practices socio-spatial are developed in the county rural area. Trying to understand the public politics acts in the promotion and encouragement to the already developed activities or even other activities that can represent the possibility of a social and territorial reproduction of the families on the country

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This paper describes a project called “Development of educational workshops on text reading, interpretation and writing in elementary school”, which took place at the São Paulo State University (UNESP) with financial support given by the PROEX-UNESP (Pro-Rectorate of Extension). This project aimed to organize and run educational workshops on reading, interpreting and writing different genres for students enrolled at a public elementary school in São José do Rio Preto, São Paulo state. The analysis of the texts produced by the students unfolded the project into two essential approaches. In the first one, it was possible to identify problems and inaccuracies in language usage, which was the starting point to prepare the minicourses that would be offered. These mini-courses promoted a deep involvement of undergraduate students (in Portuguese Language and Literature) with the practice of Portuguese teaching at the school. In the second one, 5.468 texts, which were produced during the four-year project, founded researches whose goal is to describe processes in which there is a relation between speech and writing, and are based on a theoretical framework that values the multiplicity of literacies associated with social practices experienced by the students. Thus, this extension project aimed to articulate the service to the external community – in this case, public school students - to the internal community – undergraduate students in Portuguese Language and Literature.

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The modernist poet Emílio Moura (1902-1971) incorporates a strictly modern language regarding the imagistic suggesting a mainly poetry metalinguistic. That way, from the works Canto da hora amarga (1932) and Cancioneiro (1944) we attest, through the poetic analysis, that modernity Moura’s poetry takes place in confluences with ideas ranging from biblical tradition and come to the depersonalization of the modern I and questing. We objectify, therefore, demonstrate and explore the metalinguistic and intertextual character that results in the personification of poetry, as clarified muse. To achieve this, this same poetry undergoes a dualistic and pessimistic sentiment, baroque, the I that is divided into life and death, light and shadow; goes through a romantic feeling of anguish and desolation and reaches the multiplicity of the poetic speaker, which promotes a constant struggle with the language. More than draw a correlation between classical and modern ideas (in the sense that the poet creates depersonalization and appropriates of free, short prose or verse, typical of modernism), intend to supply, at least in part, the dearth of studies on the miner poet who has found fertile ground to question and analyze internally the role of poetry in the multiplicity of man and modern society to therefore conclude that universalism the Emílio Moura becomes distinctive and mature. Thus, we will check how poetic inflows corroborate both works for reevaluation and critical insertion of poetic the Emílio Moura in the context of modern/Modernist Brazilian literature

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The female identity in relation to the multiplicity of roles of contemporary women and their evolution in the labor market is the focus of the work that is developed from studies of French line Discourse Analysis refered to Michel Pêcheux and Michel Foucault. The objective is to reflect on the discursive mechanisms of print media, focusing on Veja magazines covers, which, by its verbal and visual language, constructs meaning effects and disseminates certain social thruths about the female changes. Considering that this media aspect plays an important role on society's opinion formation, it is worth to investigate, analyse and describe the elements present on the covers, as seduction and persuasion objects. The work analysis material is formed by six covers published by Veja magazine in the period of 1968-2012, which raise the theme of women in the labor market and show us their evolution and the changes in the representations about the female universe and the work in society

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This article deals with how Milton Hatoum explores aspects of the memory, through the convergence of voices in his four Lusophone novels Tale of a Certain Orient, The Brothers, Ashes of the Amazon and Orphans of Eldorado. A profile of complex characters is constructed through a synthesis of accounts, letters and depositions, as different faces of individuals and society at large are interspersed through memory.

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The critic João Alexandre Barbosa, points in the work Agrestes (1981-1985), of the Brazilian poet João Cabral de Melo Neto, the presence of individualized death. Thus way, this study proposes to analyse the meanings of lyrism and first-person enunciations, in the work Agrestes, a trace gradually eliminated from Cabral’s discursive field since his first work, Pedra do Sono (1940-1). These elements will clash with João Cabral’s poetics, previously based on the selection of voices and artistic practices consistent with his compositional method, with rigorous sorting values and elimination of any subjectivism. To understand this inconsistency, we propose studying the last part of the work Agrestes, entitled “A indesejada das gentes”, a place where the theme of death is recurrent, as well as the presence of enunciators to set out, even to reveal its feelings about aging and death. The analytical procedure should research the hypothesis of rupture of the inflexible tone of João Cabral’s speech that would follow in respect to the poetic project, a reverse path, starting from objective poetry in the direction of subjective poetry.