Student mathematical notebook of William Tudor, 1795

Notebook containing the handwritten mathematical exercises of William Tudor, kept in 1795 while he was an undergraduate at Harvard College. The volume contains rules, definitions, problems, drawings, and tables on geometry, trigonometry, surveying, calculating distances, sailing, and dialing. Some of the exercises are illustrated with hand-drawn diagrams. The Menusration of Heights and Distances section contains color drawings of buildings and trees, and some have been altered with notes in different hands and with humorous additions. For instance, a drawing of a tower was drawn into a figure titled “Egyptian Mummy.” Some of the images are identified: “A rude sketch of the Middlesex canal,” Genl Warren’s monument on Bunker Hill,” “Noddles Island,” “the fields of Elysium,” and the “Roxbury Canal.” The annotations and additional drawings are unattributed.

Letter from William Tudor to Thomas Handasyd Perkins,

One letter in which Tudor writes of his relief at the acquittal of his brother-in-law Charles Stewart at a court martial. He also discusses speculation and trade, his shares in silver mines at Bella Vista and Chanca, Peru, and the political climate. He additionally references his role in planning the monument at Bunker Hill in Charlestown, writing, "I had something to do in originating and preparing the way for the Bunker Hill monunument, a truly patriotic object, which I believed was a proper way to excite public enthusiasm."

Washington, D.C., 1855 (Raster Image)

This layer is a georeferenced raster image of the historic paper map entitled: Colton's Georgetown and the city of Washington : the capital of the United States of America. It was published by J.H. Colton in 1855. Scale [ca. 1:25,750]. The image inside the map neatline is georeferenced to the surface of the earth and fit to the Maryland State Plane Coordinate System Meters NAD83 (Fipszone 1900). All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, index maps, legends, or other information associated with the principal map. This map shows features such as roads, drainage, block numbers, city wards, built-up areas, selected government buildings, parks, and more. Includes views: Smithsonian Institution -- The Capitol -- Washington Monument. This layer is part of a selection of digitally scanned and georeferenced historic maps from The Harvard Map Collection as part of the Imaging the Urban Environment project. Maps selected for this project represent major urban areas and cities of the world, at various time periods. These maps typically portray both natural and manmade features at a large scale. The selection represents a range of regions, originators, ground condition dates, scales, and purposes.

Concord, Massachusetts, 1852 (Raster Image)

This layer is a georeferenced raster image of the historic paper map entitled: Map of the town of Concord, Middlesex County, Mass., [by] H.F. Walling, civil engr. It was published in 1852. Scale [ca. 1:18,400]. The image inside the map neatline is georeferenced to the surface of the earth and fit to the Massachusetts State Plane Coordinate System, Mainland Zone (in Feet) (Fipszone 2001). All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, or other information associated with the principal map. This map shows features such as roads, railroads, drainage, public buildings, schools, churches, cemeteries, industry locations (e.g. mills, factories, mines, etc.), private buildings with names of property owners, town and town district boundaries and more. Relief is shown by hachures. Includes view: Monument at the "Old North Bridge," and inset: Concord Village. With note that White Pond and Walden Pond are described from surveys made by Henry David Thoreau. This layer is part of a selection of digitally scanned and georeferenced historic maps of Massachusetts from the Harvard Map Collection. These maps typically portray both natural and manmade features. The selection represents a range of regions, originators, ground condition dates (1755-1922), scales, and purposes. The digitized selection includes maps of: the state, Massachusetts counties, town surveys, coastal features, real property, parks, cemeteries, railroads, roads, public works projects, etc.

"Fit Cradle of the Reviving Art": An inquiry into the the Evolving Material Reality of the Murals in the Camposanto of Pisa from the Perspective of their British Reception from the 17th to the 19th century

The Camposanto of Pisa is an extraordinarily complex and evocative monument, which has captured the imagination of pilgrims, both religious and secular, for centuries. The late Medieval and early Renaissance wall paintings that line the perimeter of the portico surrounding a vast inner courtyard, are unparalleled in early Italian art, not only for their striking variety of composition and narrative complexity, but also for the sheer grandeur of their proportion. However, the passage of time has scarred the structure of the Camposanto and inflicted terrible damage on its wall paintings. This thesis explores the material reality of the Camposanto as experienced over three centuries through the eyes of British travelers. In order to situate the Camposanto mural cycle within an historical and cultural context, the first chapter provides an overview of the construction and decoration of the monument. Notably, Giorgio Vasari (1511-1574), the Italian Humanist often recognized as the father of art history, included numerous descriptions of the Camposanto murals in his highly influential text Vite de' più eccellenti pittori, scultori, ed architettori. Accordingly, the second chapter provides an analysis of Vasari’s descriptions and reflects upon the influence that the Renaissance author may have had upon the subsequent British reception of the Camposanto murals. The third chapter utilizes three centuries of travel writing in order to investigate the aesthetic impact of the Camposanto mural cycle upon British tourists from the seventeenth through to the nineteenth century.

A escultura como expressão pública da cidadania : a monumentalização da cidade de Almada entre 1974 e 2013

Tese de doutoramento, Belas Artes - Especialidade de Escultura, Universidade de Lisboa, Faculdade de Belas Artes, 2016

Pharmacy Building, Chemical Laboratory

From north. Professors Monument in foreground. Built in 1856. First chemical laboratory at a state university. Building served medical students and others as both laboratory and classroom. Situated just west and south of the original medical building. Additions made to the one-story building in 1861, 1866, 1868, 1874. In 1880 a two-story addition was added with subsequent additions in 1889 and 1901. Became Economics Building in 1908. Pharmacology occupied north wing 1908-1981. Destroyed by fire Christmas Eve 1981. On verso: G. A. Kirchmaier, Ann Arbor, 82. Pharmacy Building. Chemical Laboratory. 270 tables. Largest in the world.

La columna a los próceres del nueve de octubre de 1820.

Two poems, preceded by information concerning the monument.

Historic structure report : Death Valley Scotty Historic District main house and annex.

"NPS D-134."

Memorie intorno la vita e le opere di Andrea Palladio,

"Appendice, o, Serie cronologica di ventisette scritture di Andrea Palladio in parte inedite ed ora la prima volta unite dall'abate Antonio Magrini"--P. [1]-66.

American architecture.

The point of view.--Concerning Queen Anne.--The Vanderbilt houses.--The Brooklyn Bridge as a monument.--An American cathedral.--Glimpses of western architecture: I. Chicago. II. St. Paul and Minneapolis.

Voyage dans les trois royaumes d'Angleterre, d'Écosse et d'Irlande, fait en 1788 et 1789: ouvrage dans lequel on trouve tout ce qu'il y a de plus intéressant sur les moeurs des habitants de la Grande-Bretagne, leur population, leurs opinions religieuses, leurs préjugés, leurs usages, leur constitution politique, leurs forces de terre et de mer, les progrès qu'ils ont faits dans les arts et dans les sciences, avec anecdotes aussi piquantes que philosophiques /

MTSD 49.

Christliches Denkmal von Autun /

Added t.p. has title in French: Monument chrétien à Autun.

L'œuvre complète de Victor Hugo: extraits.

"Édition du monument."

Dans l'Orient byzantin.

"Plusieurs de[s] ... articles [qui composent ce volume] ont été publiés dans le Gaulois, d'autres au Journal des savants on à la Revue de Paris. L'un est une lecture faite à la séance publique annuelle des cinq académies; d'autres ... ont été des conférences."--Préf.