The theory, practice, and architecture of bridges of stone, iron, timber, and wire;

Mode of access: Internet.

Annals of my early life. 1806-1846.

Mode of access: Internet.

Life and letters of Sir James Graham, second baronet of Netherby, P. C., G. C. B., 1792-1861,

Mode of access: Internet.

The diary of James Gallatin : secretary to Albert Gallatin, a great peace maker, 1813-1827 /

Published in 1914 under title: A great peace maker: the diary of James Gallatin.

Progressive democracy of James M. Cox,

Mode of access: Internet.

The letters of Algernon Charles Swinburne,

Includes bibliographical references.

The life of Flora Macdonald, and her adventures with Prince Charles. With a life of the author, and an appendix giving the descendents of the famous heroine,

Mode of access: Internet.

The letters of Algernon Charles Swinburne /

SPEC: Vol. 1: xiv, 303, [1] p. ; v. 2: [4], 295, [1] p.

The life of Charles A. Dana /

Includes bibliographical references and index.

The stranger in America, 1793-1806,

Mode of access: Internet.

Literary anecdotes of the nineteenth century: contributions towards a literary history of the period,

Vol. 2 has imprint: New York, Dodd, Mead and company, 1896.

History of Great Britain, from the death of Henry VIII. to the accession of James VI. of Scotland to the crown of England. Being a continuation of Dr. Henry's history of Great Britain, and written on the same plan.

On spine: v. 13 and 14. Continues Robert Henry's History of Great Britain.

Charles A. Berry, D.D. : a memoir /

Mode of access: Internet.

Arabic theater in early khedivial culture, 1868-72: James Sanua revisited

This article revisits the official culture of the early khedivate through a microhistory of the first modern Egyptian theater in Arabic. Based on archival research, it aims at a recalibration of recent scholarship by showing khedivial culture as a complex framework of competing patriotisms. It analyzes the discourse about theater in the Arabic press, including the journalist Muhammad Unsi's call for performances in Arabic in 1870. It shows that the realization of this idea was the theater group led by James Sanua between 1871 and 1872, which also performed Ê¿Abd al-Fattah al-Misri's tragedy. But the troupe was not an expression of subversive nationalism, as has been claimed by scholars. My historical reconstruction and my analysis of the content of Sanua's comedies show loyalism toward the Khedive Ismail. Yet his form of contemporary satire was incompatible with elite cultural patriotism, which employed historicization as its dominant technique. This revision throws new light on a crucial moment of social change in the history of modern Egypt, when the ruler was expected to preside over the plural cultural bodies of the nation. © 2014 Cambridge University Press .