The Roman history, form the foundation of the city of Rome, to the destruction of the Western Empire ...

Imprint of v. 2 varies: ... Printed for S. Powell, J. Exshaw, H. Saunders, [etc.]

The Roman history, from the foundation of the city of Rome, to the destruction of the Western empire.

Mode of access: Internet.

History of Rome and the Roman people, from its origin to the establishment of the Christian empire.

Mode of access: Internet.

History of Rome, and of the Roman people, from its origin to the establishment of the Christian empire.

"Edition deluxe. This edition, printed on linen vellum paper, is strictly limited to one thousand numbered and registered copies, which are sold to subscribers for complete sets only. This is copy no. 313"

Ancient history : from the dispersion of the sons of Noe, to the battle of Actium and change of the Roman republic into an empire /

Includes bibliography.

Modern history ; from the coming of Christ and change of the Roman republic into an empire, to the year of Our Lord 1854.

Mode of access: Internet.

Andivius Hedulio; adventures of a Roman nobleman in the days of the empire,

Maps on lining-papers.

Viajar no Feminino – As palavras das Imagens: Viagem de Egéria à Terra Santa, séc. IV

Egéria was a 4th century A.D. nun who undertook a long journey from her homeland, the roman province of Gallaecia, to the Near East. Her itinerary, which described the segment between Mount Sinai and Constantinople, revealed the enthusiasm which graced her original decision to embark on the journey, and the determination with which she faced every stage. She kept a Diary throughout her journey. Probably, it constitutes one of the first known Travel Diaries. Her reports describe her observations and the splendor of the Christian cult sites. Her text is affectionately dedicated to her fellow nuns that remained in the West of the Empire, keeping their uniting bond strong. Our study aims to search all references to visited sites in Egéria’s text, as the information contained therein serves as a precious descriptor of their locations, spatial organization and environment. Egéria visits unique, historical sites, which will influence her writing style. She is, in fact, a pilgrim to a recently created historical site, The Holy Land. Egéria lived during a fundamental historical and artistic Framework, that of the architectural forms of expression of the First Christianity. Her words can be translated into images, as a partitions script, a visualization of lights and ambiences, and a testimonial of places that no longer exist. We hope to see, in Egéria’s written work, the images she observed, for her words are images. We expect a complementary approach among the research methods given by Archeology, composed by Architecture and explained by the sensible text from Egéria’s journey - a religious and artistic journey written from a powerful feminine point of view.

The roman theatre of Bracara Augusta

This paper aims to present the main features of the roman theatre of Bracara Augusta identified in 1999. Although it is still under study, a significant set of evidence made it possible to present its characteristics, to value the socioeconomic issues related with its construction and to discuss the aspects related to the development of the NW Iberian Peninsula cities, where traditionally this type of equipment was believed to be absent, and to understand the diffusion of roman public architecture models in peripheral regions within the Western Empire.

A new sector of Via XVII Necropolis in Bracara Augusta: the High Empire phase

Between 2008 and 2009 a preventive excavation supervised by the Unit of Archaeology of the University of Minho was conducted in an area with approximately 5000 square meters allowing the identification of a wide sector of the Via XVII necropolis, which is one of the five roman necropolises known to have existed in Bracara Augusta. The findings enabled us to define a typological framework related with incinerations, to understand the internal organization of the necropolis and recover the ritual marks of the funerary practices between the first century BC and the second century AD.

Réflexions sur les céramiques fines en Gaule interne de La Tène finale au début du Haut-Empire : comparaisons d'ensembles et essai de caractérisation des phénomènes d'acculturation

Le concept de romanisation ne revêt d'utilité que s'il peut être qualifié, et donc analysé en différents « niveaux », afin de comparer les rythmes et les formes du phénomène dans les régions de l'Empire. Avant même de chercher à tenir un discours global sur la romanisation, il faut donc en étudier les multiples aspects de manière spécifique. C'est dans ce cadre que s'inscrit cette thèse de doctorat dont le but est de quantifier et de qualifier l'acculturation des céramiques fines en Gaule interne (200 BC - 50 AD). Fondée sur un corpus de quelques 130 ensembles, provenant de 21 sites urbains localisés entre le centre ouest de la France, l'Auvergne, le Plateau suisse et le Luxembourg, cette étude se caractérise par la mise en place de nouvelles approches méthodologiques, s'appuyant sur le calcul d'un « indice de romanisation » (quantifiant la romanisation d'un ensemble sur une échelle de 1 à 100) et sur l'analyse des modalités du phénomène. L'examen diachronique et cartographique des résultats obtenus montrant de fortes disparités dans les processus d'acculturation des céramiques fines, des niveaux de romanisation ont pu être définis, dont le principal intérêt est d'ouvrir la comparaison avec les autres aspects de l'acculturation des Gaules (instrumentum culinaire, technique de construction, romanisation de l'anthroponymie...). The concept of Romanisation can only be considered useful if it can be qualified and analysed at different levels in order to compare the acculturation rates, frequency and form of the phenomenon among the regions in the Empire. But before an overview of Romanisation can be considered, its multiple aspects must be examined in a specific manner. Among the French speaking areas, it is only recently that research concerning Gaulish and Roman periods has risked expanding the scope to a supra regional scale. Against this background, the purpose of my doctoral thesis is to examine the qualitative and quantitative aspects of acculturation among Gaulish fine wares (200 BCE - 50 CE). Based on a corpus of 130 assemblages from 21 urban sites from the western centre of France, Auvergne, the Swiss plateau and Luxembourg, the study is characterised by new methodological techniques relying on the calculation of a 'Romanisation index' (quantifying the level of Romanisation of an assemblage on a scale of 1 to 100) and the analysis of the methods of the phenomenon. The diachronic and cartographic examination of the results obtained showed large disparities in the acculturation processes concerning fine wares. The level of Romanisation could be defined, thus allowing a comparison with other aspects of the acculturation process among other aspects of Gaulish culture such as tools, cuisine, construction techniques and Romanisation of anthroponyms.

Les gladiateurs grecs en Asie Mineure durant le Haut-Empire romain à Éphèse, Aphrodisias, Attaleia et Side.

Entièrement réalisé grâce au programme LaTeX (http://www.latex-project.org/)

Du Roman au théâtre : le motif du Graal réactualisé dans les textes de théâtre de Jean Cocteau, Julien Gracq et Jacques Roubaud/Florence Delay

Ce travail analyse les transformations du Graal en comparant sa représentation dans les romans médiévaux et dans trois textes de théâtre modernes. Le Graal, apparu dans la littérature au Moyen Âge, reste une source d'inspiration pour les écrivains modernes au point de gagner, avec le temps, un statut légendaire. L'objet de prédilection de la littérature arthurienne a évolué de façon significative dès le Moyen Âge, où il reste cependant confiné aux formes narratives. Après le « festival scénique sacré » (Bühnenweihfestspiel), Parsifal, de Wagner présenté en 1882 à Bayreuth, des œuvres plus récentes réactualisent le mythe en cherchant à l'adapter au théâtre. Jean Cocteau, en 1937, dans Les Chevaliers de la Table Ronde, présente un Graal inaccessible, immatériel. En 1948, Julien Gracq, dans Le Roi Pêcheur, inscrit le Graal dans l'opposition entre le profane et le sacré. Jacques Roubaud et Florence Delay, dans les éditions de 1977 et 2005 de Graal Théâtre, optent pour une récriture où les représentations du mythe se côtoient et se confrontent. Ces textes de théâtre modernes, où la représentation du Graal se situe au cœur du projet d'écriture, entrent ainsi en relation directe avec les œuvres médiévales. Ils s'inscrivent dans une redéfinition de l'objet qui se renouvelle sans cesse depuis Le Conte du Graal de Chrétien de Troyes. Dans les trois cas, la représentation du Graal entretient des relations contradictoires de filiation et de rupture avec la littérature arthurienne de l'époque médiévale. L'hypothèse principale de cette recherche se situe dans la problématique de la récriture comme transformation d'un héritage. Plus précisément, il sera question de comprendre comment la représentation du Graal dans les textes de théâtre pose problème et comment cette question est modulée, travaillée par les auteurs en termes rhétoriques, stylistiques et dramaturgiques. L'utilisation de la parodie, d'anachronismes et de voix dramatiques nouvelles, par exemple, permet aux auteurs modernes de revisiter et de changer le rapport à l'objet. Le Graal se redéfinit dans des contextes historiques et dans un genre distincts de leur source du Moyen Âge.

Migration and diversity in Roman Britain: a multidisciplinary approach to immigrants in Roman York, England

Previous anthropological investigations at Trentholme Drive, in Roman York identified an unusual amount of cranial variation amongst the inhabitants, with some individuals suggested as having originated from the Middle East or North Africa. The current study investigates the validity of this assessment using modern anthropological methods to assess cranial variation in two groups: The Railway and Trentholme Drive. Strontium and oxygen isotope evidence derived from the dentition of 43 of these individuals was combined with the craniometric data to provide information on possible levels of migration and the range of homelands that may be represented. The results of the craniometric analysis indicated that the majority of the York population had European origins, but that 11% of the Trentholme Drive and 12% of The Railway study samples were likely of African decent. Oxygen analysis identified four incomers, three from areas warmer than the UK and one from a cooler or more continental climate. Although based on a relatively small sample of the overall population at York, this multidisciplinary approach made it possible to identify incomers, both men and women, from across the Empire. Evidence for possible second generation migrants was also suggested. The results confirm the presence of a heterogeneous population resident in York and highlight the diversity, rather than the uniformity, of the population in Roman Britain. Am J Phys Anthropol 140:546-561, 2009. (C) 2009 Wiley-Liss, Inc

Roman public libraries

This thesis aims to investigate the development and functions of public libraries in Rome and the Roman world. After a preface with maps of libraries in Rome, Section I discusses the precursors for public library provision in the private book collections of Republican Rome, and their transfer into the public domain with the first public libraries of Asinius Pollio and Augustus. Section II contains three 'case studies' of public libraries' different roles. The Augustan library programme is used in Ch.II.l to examine the role of imperial public libraries in literary life and the connections between Rome's libraries and those of Alexandria. Chapter II.2 concentrates on the libraries of Trajan's Forum to explore the intersection of imperial public libraries and monumental public architecture. This chapter responds to an important recent article by arguing for the continued identification of the Forum's libraries with twin brick buildings at its northern end, and suggests a series of correspondences between these libraries and its other monumental components. The conclusions of this chapter are important when considering the public libraries of the wider empire, several of which seem to have been inspired by the Trajanic libraries. Chapter II.3 considers imperial public libraries and leisure by looking at the evidence for libraries within bath-house complexes, concluding that their presence there is consistent with the archaeological and epigraphic evidence and fits in well with what we know of the intellectual and cultural life of these structures. Section III examines various aspects of the practical function of Roman public libraries: their contents (books and archives), division into Latin and Greek sections, provisions for shelving and cataloguing, staff, usership, architectural form, decoration, and housing of works of art. The picture that emerges is of carefully designed and functional buildings intended to sustain public, monumental, and practical functions. Section IV uses a variety of texts to examine the way in which libraries were viewed and used. Ch. IV. 1 discusses the evidence for use of libraries by scholars and authors such as Gellius, Galen, Josephus, and Apuleius. Ch. IV.2 examines parallels between library collections and compendious encyclopaedic elements within Roman literature and considers how library collections came to be canon-forming institutions and vehicles for the expression of imperial approval or disapproval towards authors. The channels through which this imperial influence flowed are investigated in Ch. IV.3, which looks at the directors and staff of the public libraries of Rome. The final section (V) of the thesis concerns public libraries outside the city of Rome. Provincial libraries provide a useful case study in 'Romanisation': they reveal a range of influences and are shown to embody local, personal, and metropolitan imperial identities. There follows a brief conclusion, and a bibliography. There are also five appendices of numismatic and epigraphic material discussed in the text. This material has not been adequately or completely gathered elsewhere and is intended to assist the reader; where appropriate it includes illustrations, transcriptions, and translations.